In April of 1975, a piece of music history is filmed in London’s Fairfield Hall: the legendary pianist Arthur Rubinstein wants to leave a legacy to the world. 63 years after he made his debut there, 88 year old Rubinstein returns to London to record Chopin’s Second Piano Concerto, completely without an audience, especially for the cameras, with the London Symphony Orchestra under conductor André Previn. Chopin’s Second Piano Concerto has accompanied him throughout his life. Rubinstein dominated the world stage for three quarters of a century and lived life to the fullest as a connoisseur, globetrotter and notorious womaniser. Although he claimed to practice as little as possible, he would go on to become one of the most important pianists of the 20th century and described himself as “the happiest man I ever met in my life”.
Magic Moments of Music – The Centenary Ring in Bayreuth 1976
Uproar, disruption, violent dispute – this was the response to the much-anticipated centenary of the Bayreuth Festival in 1976, which presented a new production of Richard Wagner’s Der Ring des Nibelungen. But before Pierre Boulez could step up to the conductor’s podium and the curtain could rise on Bayreuth’s Green Hill for Patrice Chéreau’s bold new production, the festival was rocked by artistic and political upheaval. The film tells how one of the greatest scandals in opera went on to become one of the greatest musical moments in history.
Nelsons conducts Beethoven No. 9
Performances of Beethoven’s Ninth Symphony have a long tradition in Leipzig: as early as 1826, two years after the premiere in Vienna, there was the first complete performance
in Leipzig with the Gewandhausorchester. Felix Mendelssohn Bartholdy then finally established the symphony in the orchestra’s repertoire. The custom of performing the work on New Year’s Eve goes back to Arthur Nikisch in 1918. Later, conductors such as Hermann Scherchen, Wilhelm Furtwängler and Bruno Walter continued the New Year’s Eve concerts that take place regularly since the turn of the year 1945/46. Gewandhauskapellmeister Andris Nelsons is now continuing this tradition at the highest level.
Magic Moments of Music – Anna Netrebko & Rolando Villazón sing La Traviata
The performance of La Traviata at the 2005 Salzburg Festival drew attention from all over the world: It is not the first time on stage together for Anna Netrebko and Rolando Villazón in the leading roles – but it is here in Salzburg that they finally rise to superstardom. Each are brilliant on their own, but under the direction of Willy Decker, they shine above all as a couple, playing to the fantasies of the audience. Opera stars had never before been so up-close and personal, and had never been so present in the media. Previously unseen rehearsal scenes and interviews with Anna Netrebko, Rolando Villazon, Thomas Hampson and Willy Decker bring this magic moment of music to life.
Jenufa
Leoš Janácek’s third opera, with its echoes of folk music from the composer’s native Moravia, was his first real success and got the name “Moravian national opera”. Besides
this, Janácek’s music has a special quality: while it explores psychological extremes leading to violence and infanticide and lays bare characters’ emotions in an unsparing manner,
no one is judged. Jenufa has a special relationship with the Staatsoper Unter den Linden: when it premiered in Berlin in 1924, its success on the German stage was assured until nowadays. “Rattle reveals a dynamic understanding of Janácek’s musical language in a reading that’s urgent, unsentimental and richly flavoured” (bachtrack.com). The FAZ described the production as “a beguiling mixture of speaking articulation and tonal roundness.”
Salzburg Festival 2021: Blomstedt conducts Honegger & Brahms
Now in his nineties, Herbert Blomstedt, former conductor of the Leipzig Gewandhaus Orchestra and the San Francisco Symphony Orchestra, is still a powerful interpreter of the symphonic repertoire. His programme with the Vienna Philharmonic is straightforward: it begins with Honegger’s brilliant Third Symphony and ends with Brahms’ Fourth. The eminent maestro, one of the orchestra’s favourites since his debut at the 2011 Salzburg Mozart Week, continues to enchant audiences with his enormous presence, verve and artistic drive. “At the end, standing ovations and boundless cheers.” (br-klassik.de) PROGRAM Honegger: Symphony No. 3 “Liturgique”; Brahms: Symphony No. 4
Salzburg Festival 2021: Gardiner conducts Mendelssohn Bartholdy
Sir John Eliot Gardiner and his Monteverdi Choir have a long-standing artistic partnership with the Salzburg Festival. With music by Felix Mendelssohn Bartholdy to Goethe’s “Walpurgis Night” and Shakespeare’s “A Midsummer Night’s Dream”, Gardiner once again turns his attention to romantic music and confronts two great literary texts: Johann Wolfgang von Goethe’s ballad “The First Walpurgis Night” inspired the composer’s vivid depiction of the conflict between an ancient pagan community and the new aspirations of Christianisation, between faith and superstition on both sides. For Mendelssohn Bartholdy’s “A Midsummer Night’s Dream” to the play of the same name by William Shakespeare the Monteverdi Choir is joined by seven top-class singers. PROGRAM: Mendelssohn Bartholdy: “Die erste Walpurgisnacht”; “A Midsummer Night’s Dream”
Salzburg Festival 2021: Thomas Zehetmair plays Bach
In the Great Hall of the Mozarteum, the Austrian violinist creates one of the most impressive concert dates of the Salzburg Festival 2021 with his solo concert. Zehetmair performs Johann Sebastian Bach’s six-part composition in a very profound way, making the epochal work with its many levels also a very personal, artistic statement. This makes the concert an overwhelming experience of over two hours. “A Zen master makes Bach shine. Thomas Zehetmair handles the work for solo violin uncompromisingly well.” (Salzburger Nachrichten) PROGRAM Bach: The complete Sonatas and Partitas
Salzburg Easter Festival 2021: Christian Thielemann & Denis Matsuev
Since 2013, Christian Thielemann has led the Easter Festival as artistic director. Due to Covid-19, the 2021 edition was moved to autumn. Together with the Staatskapelle Dresden, Christian Thielemann presented Edvard Grieg’s Piano Concerto with Denis Matsuev, one of the most sought-after pianists of his generation. The second part featured the symphonic poem Ein Heldenleben by Richard Strauss, one of the orchestra’s showpieces. “Thielemann attached immense importance to subtleties and also took time to savour the phrases. The soloists from his own ranks also proved to be excellent, especially concertmaster Matthias Wollong with his long violin solo. Standing ovations.” (Kurier) PROGRAM Grieg: Piano Concerto in A minor; Lyadov: The Music Box, Op. 32; Strauss: Ein Heldenleben
The Vienna Christmas Concert from the Stephansdom
The festive concert from St Stephen’s Cathedral in Vienna spreads pre-Christmas mood with four well-known vocal soloists, the Vienna Boys’ Choir and the Vienna Symphony
Orchestra. The program under the musical direction of David Afkham includes sacred and solemn music from all over Europe, from J.S. Bach’s Christmas Oratorio and Charles Gounod’s “Sanctus” to the grand finale with Engelbert Humperdinck’s Evening Blessing from “Hänsel und Gretel”. At the end of the concert, the Christmas carol “Adeste fideles” is sung together.