The Odeonsplatz is one of the most beautiful places in Munich. The surrounding historic buildings distinguish this location as an open-air arena for about 8,000 spectators. The square is named after a popular concert hall, the Odeon, which was built by Ludwig I of Bavaria in the early 19th century. “Klassik am Odeonsplatz” is a summer highlight in the musical life of the Bavarian capital. Yuja Wang shines in Rachmaninoff’s Second Piano Concerto, furthermore Lorenzo Viotti conducts popular works by Rimsky-Korsakov, Chabrier, and Ravel. PROGRAM Rachmaninov: Piano Concerto No. 2; Rimsky-Korsakov: Capriccio Espagnol; Chabrier: Espana; Ravel: Bolero
Festive Advent Concert at the Frauenkirche Dresden 2021
The Festive Advent Concert has become a much loved tradition in Dresden and one of German TV’s biggest classical music success stories. In 2021, conductor Petr Popelka, the Staatskapelle Dresden and the Staatsopernchor join forces with soprano Katharina Konradi, tenor Jonathan Tetelman and organist Samuel Kummer to present a programme ranging from Bach to festive arias and works of Tchaikovsky, Saint-Saëns, Handel, Grieg, Humperdinck and Lili Boulanger.
Festive Gala at the Semperoper Dresden: From Berlin to Broadway – The Golden Twenties
The Semperoper Dresden invites the public into the New Year with songs, hits and operetta classics from Berlin to Broadway: In the festive ambiance of the Semper Opera House, the audience of the New Year’s Eve concert, which have now become a tradition, can expect lively melodies from the “Golden Twenties”. Under the direction of Christian Thielemann, excerpts from “Metropolis” will be heard alongside well-known film hits from the heyday of cinema in the transition from silent to sound film. Berlin as the glorious center of a new, independent operetta era and New York with its Broadway musicals and George Gershwin’s “Rhapsody in Blue”, played by Igor Levit, are the musical focal points of the program.
Sonya Yoncheva & Vittorio Grigolo – Opera in Love
The setting of Shakespeare’s Romeo And Juliet – the most famous of all love stories – is Verona. Here, in the Arena di Verona, Plácido Domingo, Sonya Yoncheva and Vittorio Grigolo put on an evening of the most magnificent arias of love, with pieces from operas by Puccini, Verdi and Gounod. In historical costume, the singers also re-enact scenes from Romeo And Juliet. A concert evening of love, lust and turbulent passions, with some tempestuous weather included in the price of the ticket.
Münchner Philharmoniker – Semyon Bychkov & Elisabeth Kulman
PROGRAM: Gustav Mahler: Kindertotenlieder; Antonín Dvorák: Symphony No. 8 in G major, Op. 88
Barenboim conducts Beethoven No. 1
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s First Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. Beethoven’s First is both a retrospective and a foresight: it is still in the tradition of Mozart and Haydn and nevertheless hints at some of what later made the “mature” Beethoven; it contains the contemporary and the future. The world premiere in April 1800 in Vienna was a temporary high point in the career of the twenty-nine-year-old Beethoven.
Barenboim conducts Beethoven No. 2
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s Second Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. First performed in Vienna in 1803 with Beethoven conducting, the Second Symphony exhibits a daring departure from the traditional form. In a classical symphony, the third movement was always a minuet; Beethoven replaces it with a Scherzo, a quick-paced musical form in three-quarter time. While working on this symphony, Beethoven was undergoing an enormous personal crisis: the growing deafness.
Zubin Mehta, Daniel Barenboim & Boulez Ensemble
Mozart’s Gran Partita is a Serenade for thirteen instruments: twelve winds and double bass. The work in seven movements became world-famous far beyond the borders of classical music through Miloš Forman’s film Amadeus: Antonio Salieri’s first encounter with Mozart takes place at a performance of the Gran Partita. Igor Stravinsky’s highly original Octet combines woodwind and brass instruments. The three-movement composition, premiered in 1923 in Paris, is considered an important work in Stravinsky’s neoclassical style. Conducted by Zubin Mehta the Boulez Ensemble performs in the concentrated studio-like atmosphere of the Pierre Boulez Saal in Berlin. PROGRAM: Stravinsky: Octet for Wind Instruments; Mozart: Serenade “Gran Partita”
None But the Lonely Heart
24 song compositions by Pyotr Ilyich Tchaikovsky are combined to create an intimate evening of musical theatre that shows five characters and their contradictory emotions: repressed feelings of love are juxtaposed with the search for intoxicating moments; the grief over broken relationships repeatedly leads to withdrawal and loneliness. An interpersonal dynamic develops in which unfulfillable longings, repressed memories and emotional dependencies of the individual characters are revealed. In a poetically dense sequence of images, the production also alludes to motifs from Tchaikovsky’s biography, which is characterised by ambivalences. Christof Loy’s staging includes rarely performed Lieder, interspersed with short works for piano and chamber music. “I don’t know which singer to single out, they were all great.” Opernwelt
Zubin Mehta conducts Pierrot Lunaire
Arnold Schönberg was one of the most influential artists of the 20th century and the “father” of musical Modernism. “Brilliant idea, just my kind of thing,” he noted in his diary, after hearing of the actress Albertine Zehme’s plans to set poems from Albert Giraud’s Pierrot lunaire to music. Each of the 21 miniatures has its own sound colour by the instruments employed: flute, clarinet, piano, violin and cello. Under the among them Mojca Erdmann, Daniel and Michael Barenboim, perform in the concentrated studio-like atmosphere of the Pierre Boulez Saal in Berlin.