It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: On the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle under the baton of its music director Christian Thielemann and internationally renowned singers. This edition’s guests are soprano Hanna-Elisabeth Müller (“with a smooth, melodious, effortless sounding voice and great diction”, Online Merker) and tenor Mauro Peter (“offering a lyrical swell with depth”, Sächsische Zeitung). The programme includes baroque instrumental music, Romantic choir works and atmospheric arias. Together with “his” orchestra, “Christian Thielemann spread ut a carpet of pulsating sonority, dynamically highly differentiated, flexibly responding to the respective partners.” (Dresdner Neueste Nachrichten)
Vladimir Jurowski conducts The Seven Last Words of Christ
“Essentially all thinking” consisted of “relating things to each other”, Arnold Schönberg once said. Conductor Vladimir Jurowski, born in Moscow, with Russian-Ukrainian roots, who emigrated to Berlin at the age of 18, has now curated and conducted a concert that is a “thinking” concert in this sense: it sets musical present and history in vibration, 1787 and 2023, but at the same time also feelings and thoughts, sounds and words. The main work of the evening is Joseph Haydn’s The Seven Last Words of Our Saviour on the Cross. But Haydn’s passion music isn’t performed as a complete whole. The seven movements are performed in alternation with six short orchestral pieces commissioned for this concert from composers based in countries where war or serious political crises are currently raging: Ukraine, Iran, but also Belarus and Russia. “Powerful, speaking music throughout” (Frankfurter Allgemeine Zeitung)
Festive Advent Concert at the Frauenkirche Dresden 2022
Two world-renowned singing stars are this edition’s guests at the “Festive Advent Concert”, German TV’s most successful concert series: soprano Diana Damrau and tenor Mauro Peter. The young French conductor Marie Jacquot leads the Staatskapelle Dresden for the first time. With the 2024/25 season, Marie Jacquot will take over as Musical Director of the Royal Danish Theatre in Copenhagen. In addition to the Staatskapelle Dresden, two choirs complete the cast of the 2022 “Advent Concert”: the Sächsischer Staatsopernchor Dresden and the Kammerchor der Frauenkirche. The choir’s director, the cantor of the Dresden Frauenkirche, Matthias Grünert, also appears as organist. “The Sächsische Staatskapelle Dresden and the Sächsischer Staatsoperchor once again proved their quality.“ (Online Merker)
Cuban Dances – A musical roadtrip with Sarah Willis
After the brilliant success of her “Mozart y Mambo” project, Sarah Willis is returning to Cuba. This time the Berlin Philharmonic hornist sets out together with the “Havana Lyceum Orchestra” on a musical road trip to showcase the traditional Cuban music, bringing viewers and listeners into even more intense and lively contact with its roots and traditions. With them, the musicians bring a very special commissioned work: Sarah Willis has commissioned six young Cuban composers to compose a “Cuban Dance Suite” in six movements – for strings, Cuban percussion and solo horn in a fresh and modern adaption of traditional Cuban dances: Son, Danzón, Guaguanco, Cha-Cha, Bolero and Changüi. Each movements of the dance suite is premiered at the place it originated. The result is a composition in six movements that simultaneously draws a map of Cuba and its history. The “Cuban Dance Suite” not only provides the musical thread to the film, but also the road map for Cuba and its musical heritage.
Zubin Mehta – 85th Birthday Concert
On April 29, 2021, the 85th birthday of his close friend and colleague Zubin Mehta, Daniel Barenboim is hosting a very private birthday concert: the pianist, conductor and general music director of the Staatsoper Unter den Linden hands over the direction of “his” orchestra, the Staatskapelle Berlin, to the jubilarian with whom he has been friends for decades – in private and musical terms. On the program are Ludwig van Beethoven’s Fourth Piano Concerto with Daniel Barenboim as soloist and Franz Schubert’s last Symphony “The Great”. PROGRAM: Beethoven: Piano Concerto No. 4; Schubert: Symphony No. 9
The Odeonsplatz Concert: Viotti & Wang
The Odeonsplatz is one of the most beautiful places in Munich. The surrounding historic buildings distinguish this location as an open-air arena for about 8,000 spectators. The square is named after a popular concert hall, the Odeon, which was built by Ludwig I of Bavaria in the early 19th century. “Klassik am Odeonsplatz” is a summer highlight in the musical life of the Bavarian capital. Yuja Wang shines in Rachmaninoff’s Second Piano Concerto, furthermore Lorenzo Viotti conducts popular works by Rimsky-Korsakov, Chabrier, and Ravel. PROGRAM Rachmaninov: Piano Concerto No. 2; Rimsky-Korsakov: Capriccio Espagnol; Chabrier: Espana; Ravel: Bolero
Festive Advent Concert at the Frauenkirche Dresden 2021
The Festive Advent Concert has become a much loved tradition in Dresden and one of German TV’s biggest classical music success stories. In 2021, conductor Petr Popelka, the Staatskapelle Dresden and the Staatsopernchor join forces with soprano Katharina Konradi, tenor Jonathan Tetelman and organist Samuel Kummer to present a programme ranging from Bach to festive arias and works of Tchaikovsky, Saint-Saëns, Handel, Grieg, Humperdinck and Lili Boulanger.
Festive Gala at the Semperoper Dresden: From Berlin to Broadway – The Golden Twenties
The Semperoper Dresden invites the public into the New Year with songs, hits and operetta classics from Berlin to Broadway: In the festive ambiance of the Semper Opera House, the audience of the New Year’s Eve concert, which have now become a tradition, can expect lively melodies from the “Golden Twenties”. Under the direction of Christian Thielemann, excerpts from “Metropolis” will be heard alongside well-known film hits from the heyday of cinema in the transition from silent to sound film. Berlin as the glorious center of a new, independent operetta era and New York with its Broadway musicals and George Gershwin’s “Rhapsody in Blue”, played by Igor Levit, are the musical focal points of the program.
Die schweigsame Frau
Die schweigsame Frau (The Silent Woman), the first and only joint work by Richard Strauss and Stefan Zweig, was performed for the first time at the Staatsoper Unter den Linden. The opera embodies comic opera in a new and unexpected way, starting with the genre name, which Strauss used here for the first and only time in his career. Compositionally, it is his most progressive work. With his new production of Richard Strauss’ opera, director Jan Philipp Gloger places social issues such as loneliness and housing shortages at the centre of the opera. The superb cast brings his ideas to life with “energetic performance and balanced vocal power” (Süddeutsche Zeitung). “What Thielemann conjures up from the orchestra pit is classical cinema at its finest.” (BZ)
Beethoven‘s Nine: Ode to Humanity
In early 2023, filmmaker Larry Weinstein set out to make a documentary about Beethoven’s Ninth Symphony. It was supposed to be about how far we have come in the two undred years since it was written. But when world events pull Larry into his own film, the question becomes a deeply personal one. Beethoven’s Nine is a documentary about music, but also about war and hope. It follows nine unique individuals, including Ukrainian musicians, a deaf composer, a Polish rock star, a best-selling author, a legendary cartoonist and Weinstein himself, as they try to better understand the legacy of Beethoven’s Ninth, the composer’s own struggles, the inspiration music can provide and how humanity continues to look for hope even in the darkest times.