Right from her first acclaimed Deutsche Grammophon recording of the work with Claudio Abbado and the Berliner Philharmoniker, Ravel’s brilliant jazz-inspired Piano Concerto in G has been a staple of Martha Argerich’s repertoire: a work whose scintillating rhythms, sparkling passage-work and melodic inspiration seem tailor made to the legendary Argentinian pianist’s remarkable gifts. And that fact is clear to see and hear in this thrilling performance filmed in the Alte Oper in Frankfurt in September 1990, in which Argerich is joined by the Orchestre National de France and conductor Charles Dutoit.
Helene Grimaud and Christoph Eschenbach at the Proms
There’s always a unique atmosphere at the BBC Proms: the summer music festival at which the world’s greatest artists perform before an audience of 5,000 in London’s colossal Royal Albert Hall. Some might say that it was Hélène Grimaud’s misfortune to make her debut there on the tragic date of 11 September 2001, but that only makes her achievement the more powerful – a fiercely intelligent, often dazzling performance of Beethoven’s Fourth Concerto. Eschenbach’s account of Symphonie Fantastique with this great French orchestra has the same life-affirming energy: delivered to a rapt crowd in an atmosphere of unmistakably heightened emotion
Gyorgy Kurtag: The Matchstick Man
“The structures stripped bare hold up the empty air”. György Kurtág is more than one of the most powerful creative voices in modern Europe. He created a new way of listening; forging a musical language in which silence can be as meaningful as sound and even the smallest gesture opens up new worlds. This award-winning 1996 documentary offers an unrivalled, often profoundly moving glimpse into his creative imagination, including interviews with the composer as well as rare performance and rehearsal footage plus contributions from György Ligeti, Claudio Abbado, pianist Zoltán Kocsis and the composer’s late wife (and artistic collaborator) Márta.
Currentzis conducts Beethoven No. 9
Teodor Currentzis and his musicAeterna present their first recording of Beethoven’s 9th symphony, produced at the Megaron Concert Hall in Athens. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra and choir as well as stellar guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
Salzburg Festival 2022: Il trittico
Il trittico was premiered in New York on 14 December 1918, composed while the First World War was still raging in Europe. At first glance, the three one-act operas Gianni Schicchi, Il tabarro and Suor Angelica seem to have no connection with each other; their common denominator is solely the entanglement of man in a fateful destiny that only exceptionally, for a moment, seems to promise a happy outcome to the “adventure of life” — a set of themes that in its complexity seems to be in such good hands with few directors as with Christof Loy. The main female roles in the three opera acts are performed by the Lithuanian soprano Asmik Grigorian, a very rare and tremendous feat, but once again connects the works to each other. “Grigorian is […] a wonderful, intense performer: a gracefully graceful Donna fragile as Lauretta, a feverishly longing for love while tormented by guilt Giorgetta, and a desperately lost Angelica rebelling with defiance.” (Frankfurter Allgemeine Zeitung)
New Year’s Eve Concert at Semperoper Dresden
The Sächsische Staatskapelle Dresden rings in the New Year at the Semperoper with a dazzling program of timeless hits and international stars. Andrès Orozco-Estrada conducts, with soprano Pretty Yende, baritone Benjamin Appl, and cellist Gautier Capucon as soloists. The concert spans Haydn to Márquez, featuring operatic arias, Broadway favourites, Latin rhythms, and orchestral gems like Rossini’s The Barber of Seville, Haydn’s Cello Concerto, Strauss’ Till Eulenspiegel, and iconic songs from My Fair Lady and Singin’ in the Rain.
Festive Advent Concert at the Frauenkirche Dresden 2025
It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: on the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle, the Sächsischer Staatsopernchor and the Kreuzchor Dresden. Conductor Nicholas Collon takes the podium for this year’s concert, joined by the dazzling soprano Elsa Dreisig, star tenor Benjamin Bernheim, and virtuoso violinist Daniel Hope. Together, they present a festive programme of Mozart, Berlioz, Bach, Gounod, and more.
An American Night from the Semperoper Dresden
Karina Canellakis and the Staatskapelle Dresden whisk the audience away to the land of opportunity with melodies from Broadway to Hollywood. With energetic fervor, the conductor starts the evening with the overture to Bernstein’s Candide and the concert suite No. 1 from West Side Story. Soprano Fatma Said (“beautifully lyrical” – Der Merker) and tenor Jonah Hopkins sung Tony and Maria “with great feeling and intimacy” (Der Merker). Pianist Kirill Gerstein interprets Gershwin’s piano concerto in F major with great feeling for “rhythmic and jazzy peculiarities” (Der Merker). Arriving firmly on Hollywood turf with works by Steiner and Korngold, the concert ends with one last excursion to the musical stage with Cole Porter’s “Wunderbar” from Kiss Me, Kate.
Festive Advent Concert at the Frauenkirche Dresden 2024
The Advent concerts have long become a tradition, and numerous internationally renowned artists have since accepted the invitation to the annual Advent concert. For this production, the audience can look forward to the Canadian mezzo-soprano Emily D’Angelo, who is on stage with the Saxon State Opera Chorus and the Saxon Staatskapelle under the baton of Riccardo Minasi. In addition to soprano Nikola Hillebrand, another prominent guest is Thomas Quasthoff, who celebrates his fiftieth stage anniversary this year.
Festive Gala from the Semperoper Dresden
In this edition of the Staatskapelle Dresden’s New Year’s Eve concert, every classical music fan is sure to get their money’s worth. Exceptional pianist Igor Levit performs Mozart’s Piano Concerto No. 21, perhaps the most famous of Mozart’s piano concertos. “Transparent, without the slightest scratch, he mastered his part, attentive to the orchestra. At times it seemed as if Levit was stroking the keys, only to grow into brilliant virtuosity.” (Dresdner Neueste Nachrichten) South-African soprano Golda Schultz (“a voice with an almost immeasurable range of colours, effortlessly guided and golden in bloom”, Dresdner Neueste Nachrichten), Czech mezzo-soprano Štepánka Pucálková and Ukrainian baritone Iurii Samoilov take the audience into the world of opera and operetta – from with love arias from Die Zauberflöte, Don Giovanni and Le nozze di Figaro to Strauss, Offenbach, Franz Lehár and Strauss II. Conductor Tugan Sokhiev “proved himself to be a man of unerring precision and precisely differentiated orchestral work.” (Dresdner Neueste Nachrichten) “A splendid programme with splendid soloists” (Dresdner Morgenpost)