It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: On the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle under the baton of its music director Christian Thielemann and internationally renowned singers. This edition’s guests are soprano Hanna-Elisabeth Müller (“with a smooth, melodious, effortless sounding voice and great diction”, Online Merker) and tenor Mauro Peter (“offering a lyrical swell with depth”, Sächsische Zeitung). The programme includes baroque instrumental music, Romantic choir works and atmospheric arias. Together with “his” orchestra, “Christian Thielemann spread ut a carpet of pulsating sonority, dynamically highly differentiated, flexibly responding to the respective partners.” (Dresdner Neueste Nachrichten)
Festive Gala from the Semperoper Dresden
In this edition of the Staatskapelle Dresden’s New Year’s Eve concert, every classical music fan is sure to get their money’s worth. Exceptional pianist Igor Levit performs Mozart’s Piano Concerto No. 21, perhaps the most famous of Mozart’s piano concertos. “Transparent, without the slightest scratch, he mastered his part, attentive to the orchestra. At times it seemed as if Levit was stroking the keys, only to grow into brilliant virtuosity.” (Dresdner Neueste Nachrichten) South-African soprano Golda Schultz (“a voice with an almost immeasurable range of colours, effortlessly guided and golden in bloom”, Dresdner Neueste Nachrichten), Czech mezzo-soprano Štepánka Pucálková and Ukrainian baritone Iurii Samoilov take the audience into the world of opera and operetta – from with love arias from Die Zauberflöte, Don Giovanni and Le nozze di Figaro to Strauss, Offenbach, Franz Lehár and Strauss II. Conductor Tugan Sokhiev “proved himself to be a man of unerring precision and precisely differentiated orchestral work.” (Dresdner Neueste Nachrichten) “A splendid programme with splendid soloists” (Dresdner Morgenpost)
Zubin Mehta – 85th Birthday Concert
On April 29, 2021, the 85th birthday of his close friend and colleague Zubin Mehta, Daniel Barenboim is hosting a very private birthday concert: the pianist, conductor and general music director of the Staatsoper Unter den Linden hands over the direction of “his” orchestra, the Staatskapelle Berlin, to the jubilarian with whom he has been friends for decades – in private and musical terms. On the program are Ludwig van Beethoven’s Fourth Piano Concerto with Daniel Barenboim as soloist and Franz Schubert’s last Symphony “The Great”. PROGRAM: Beethoven: Piano Concerto No. 4; Schubert: Symphony No. 9
Jurowski conducts Stravinsky
This production illustrates Stravinsky’s opulent diversity of forms. Three of the works performed are longer, have larger casts – and yet could not be more different: With “The Flood”, “Renard” and “Les Noces”, Stravinsky presents himself as the chameleon he is often apostrophised as. The RSB (Rundfunk-Sinfonieorchester Berlin) under its principal conductor Vladimir Jurowski welcomes seven soloists and the RIAS Kammerchor Berlin. The renowned German actor Stefan Kaminski hosts the evening. PROGRAM: “The Flood”; “Fanfare for a new theatre”, “Tilim Bom“, “Renard” Burleske in one act; Lullaby from “The Rake’s Progress”, “Four cat songs“; “Musick To Heare“ from Three Songs by William Shakespeare, “The Owl and the Pussy-cat”, “Les Noces“, 1919 version
The Odeonsplatz Concert: Viotti & Wang
The Odeonsplatz is one of the most beautiful places in Munich. The surrounding historic buildings distinguish this location as an open-air arena for about 8,000 spectators. The square is named after a popular concert hall, the Odeon, which was built by Ludwig I of Bavaria in the early 19th century. “Klassik am Odeonsplatz” is a summer highlight in the musical life of the Bavarian capital. Yuja Wang shines in Rachmaninoff’s Second Piano Concerto, furthermore Lorenzo Viotti conducts popular works by Rimsky-Korsakov, Chabrier, and Ravel. PROGRAM Rachmaninov: Piano Concerto No. 2; Rimsky-Korsakov: Capriccio Espagnol; Chabrier: Espana; Ravel: Bolero
Festive Advent Concert at the Frauenkirche Dresden 2021
The Festive Advent Concert has become a much loved tradition in Dresden and one of German TV’s biggest classical music success stories. In 2021, conductor Petr Popelka, the Staatskapelle Dresden and the Staatsopernchor join forces with soprano Katharina Konradi, tenor Jonathan Tetelman and organist Samuel Kummer to present a programme ranging from Bach to festive arias and works of Tchaikovsky, Saint-Saëns, Handel, Grieg, Humperdinck and Lili Boulanger.
Cuban Dances – A musical roadtrip with Sarah Willis
After the brilliant success of her “Mozart y Mambo” project, Sarah Willis is returning to Cuba. This time the Berlin Philharmonic hornist sets out together with the “Havana Lyceum Orchestra” on a musical road trip to showcase the traditional Cuban music, bringing viewers and listeners into even more intense and lively contact with its roots and traditions. With them, the musicians bring a very special commissioned work: Sarah Willis has commissioned six young Cuban composers to compose a “Cuban Dance Suite” in six movements – for strings, Cuban percussion and solo horn in a fresh and modern adaption of traditional Cuban dances: Son, Danzón, Guaguanco, Cha-Cha, Bolero and Changüi. Each movements of the dance suite is premiered at the place it originated. The result is a composition in six movements that simultaneously draws a map of Cuba and its history. The “Cuban Dance Suite” not only provides the musical thread to the film, but also the road map for Cuba and its musical heritage.
The Mendelssohn Family – Fanny Hensel and Felix Mendelssohn
Together with the Israeli soprano Chen Reiss, the JCOM, conducted by Daniel Grossmann, discovers works by the fascinating composer Fanny Hensel and her famous brother Felix Mendelssohn. The congenial siblings Felix and Fanny Mendelssohn took very different paths. While Fanny’s musical talent, according to her father, could only be “an adornment, never the basic bass of your being and doing”, Felix’s father, himself the son of the famous Jewish Enlightenment philosopher Moses Mendelssohn, paved the way for a career as a musician. Fanny was only allowed to compose and perform her works in private. Only in recent years have many of Fanny Hensel’s works been rediscovered. ” Soprano Chen Reiss agrees on this point, and brings her own beguiling brand of elegant, operatic flair to a new album.” (The Opera Queen)
Filippo Gorini plays The Art of Fugue
There is no doubt that Filippo Gorini is one of the great thinkers of our time, and his performance of Bach’s Die Kunst der Fuge (The Art of Fugue) is not just a release: it is
a whole project. Bach’s unfinished masterpiece (BWV 1080) is of unspecified instrumentation, and there are many different attempts to realise it. It dates from Bach’s last decade, and comprises 14 Fugues and four Canons; the final Fugue, incomplete, is left hanging in the air, unforgettably. Gorini has spoken about letting that ending surprise him every time, even in the recording studio. Such a compositional exploration was unparalleled at the time. Bach’s writing in this piec is the absolute distillation of his contrapuntal thinking. Not a single note is wasted; the piece requires supreme concentration from its performer. Gorini is fascinated by the dialogue between the voices in contrapuntal music, a fascination that shines through every note. The performance is peaceful, and extremely profound; what Gorini himself refers to as a “timeless beauty”.
Festive Gala at the Semperoper Dresden: From Berlin to Broadway – The Golden Twenties
The Semperoper Dresden invites the public into the New Year with songs, hits and operetta classics from Berlin to Broadway: In the festive ambiance of the Semper Opera House, the audience of the New Year’s Eve concert, which have now become a tradition, can expect lively melodies from the “Golden Twenties”. Under the direction of Christian Thielemann, excerpts from “Metropolis” will be heard alongside well-known film hits from the heyday of cinema in the transition from silent to sound film. Berlin as the glorious center of a new, independent operetta era and New York with its Broadway musicals and George Gershwin’s “Rhapsody in Blue”, played by Igor Levit, are the musical focal points of the program.