After debuts in Europe and abroad, Ukrainian conductor Oksana Lyniv is now one of the best-known female maestros in the world. In 2021, after 145 years of Bayreuth Festival history, she was the first female conductor in the Festspielhaus with her debut production of The Flying Dutchman as the opening of the festival. In 2022, Oksana Lyniv became chief conductor of the Teatro Comunale di Bologna. From 2017-2020 she was chief conductor of the Graz Opera and the Graz Philharmonic (Austria). Since the beginning of the escalation of Russia’s aggression against Ukraine, Oksana Lyniv has become a symbol of a fighter in the international music world against the war that broke out in her country. The Opening Concert of the 2022 anniversary season of the Ludwigsburg Festival 2022 is an explicit concert for peace. Together with the Israeli pianist Iddo Bar-Shaï, Oksana Lyniv takes the stage, leading an emotional programme offering the audience a world of consolation and hope while acknowledging the darker side of our existence, its pain and suffering. PROGRAM Mozart: Piano Concerto No. 23, K.488; Mahler: Symphony No. 5
Festive Advent Concert at the Frauenkirche Dresden 2022
Two world-renowned singing stars are this edition’s guests at the “Festive Advent Concert”, German TV’s most successful concert series: soprano Diana Damrau and tenor Mauro Peter. The young French conductor Marie Jacquot leads the Staatskapelle Dresden for the first time. With the 2024/25 season, Marie Jacquot will take over as Musical Director of the Royal Danish Theatre in Copenhagen. In addition to the Staatskapelle Dresden, two choirs complete the cast of the 2022 “Advent Concert”: the Sächsischer Staatsopernchor Dresden and the Kammerchor der Frauenkirche. The choir’s director, the cantor of the Dresden Frauenkirche, Matthias Grünert, also appears as organist. “The Sächsische Staatskapelle Dresden and the Sächsischer Staatsoperchor once again proved their quality.“ (Online Merker)
Nathalie Stutzmann conducts the Münchner Philharmoniker
“Nathalie Stutzmann triumphed on her debut with the Münchner Philharmoniker as unpretentiously as precisely.” (Süddeutsche Zeitung) French conductor Nathalie Stutzmann, newly appointed music director in Atlanta, makes her debut with the Münchner Philharmoniker with a “fateful” program: Johannes Brahms’ Schicksalslied (Song of Fate), which was written close in time to his Requiem, is based on a poem by Hölderlin. In contrast to the poem, Brahms lets his musical Schicksalslied end in hopeful tones. Max Reger’s Requiem is a haunting lament in view of the senseless victims of the First World War. Wiebke Lehmkuhl through her singing underlines the appeal against indifference and forgetfulness. Tchaikovsky’s “Fifth” with its omnipresent “fate motif” concludes this concert. Programme: J. Brahms: “Schicksalslied” (Song of Destiny) for choir and orchestra, Op. 54; M. Reger: Requiem for alto, choir and orchestra, Op. 144/B; P. I. Tchaikovsky: Symphony No. 5 in E minor, Op. 64
Vladimir Jurowski conducts The Seven Last Words of Christ
“Essentially all thinking” consisted of “relating things to each other”, Arnold Schönberg once said. Conductor Vladimir Jurowski, born in Moscow, with Russian-Ukrainian roots, who emigrated to Berlin at the age of 18, has now curated and conducted a concert that is a “thinking” concert in this sense: it sets musical present and history in vibration, 1787 and 2023, but at the same time also feelings and thoughts, sounds and words. The main work of the evening is Joseph Haydn’s The Seven Last Words of Our Saviour on the Cross. But Haydn’s passion music isn’t performed as a complete whole. The seven movements are performed in alternation with six short orchestral pieces commissioned for this concert from composers based in countries where war or serious political crises are currently raging: Ukraine, Iran, but also Belarus and Russia. “Powerful, speaking music throughout” (Frankfurter Allgemeine Zeitung)
The Odeonsplatz Concert 2023 – Lang Lang & Orozco-Estrada
Classical music in a unique atmosphere, with top-class ensembles, conductors and soloists on one of the most magnificent squares in Europe are the ingredients for the success story of “Klassik am Odeonsplatz”. Since its founding in 2000, the open-air has become a firmly established highlight of Munich’s cultural life, attracting 16,000 music fans every year. This edition features piano superstar Lang Lang and charismatic Colombian conductor Andrés Orozco-Estrada. Their can’t-miss program is made up exclusively of high Romantic classics, from Wagner’s famous Tannhäuser Overture and Grieg’s Piano Concerto to Richard Strauss’s exquisite tone poem Don Juan and, finally, Tchaikovsky’s sweeping Romeo and Juliet, whose rapturous main theme instantly calls to mind the greatest love stories ever told. An evening to revel in, to dream about and to thrill. “Everything is just right. A fabulous open-air feast.” (Münchner Merkur) “You can’t wish for more, you can’t do better.” (Abendzeitung)
Festive Advent Concert at the Frauenkirche Dresden 2023
It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: On the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle under the baton of its music director Christian Thielemann and internationally renowned singers. This edition’s guests are soprano Hanna-Elisabeth Müller (“with a smooth, melodious, effortless sounding voice and great diction”, Online Merker) and tenor Mauro Peter (“offering a lyrical swell with depth”, Sächsische Zeitung). The programme includes baroque instrumental music, Romantic choir works and atmospheric arias. Together with “his” orchestra, “Christian Thielemann spread ut a carpet of pulsating sonority, dynamically highly differentiated, flexibly responding to the respective partners.” (Dresdner Neueste Nachrichten)
Festive Gala from the Semperoper Dresden
In this edition of the Staatskapelle Dresden’s New Year’s Eve concert, every classical music fan is sure to get their money’s worth. Exceptional pianist Igor Levit performs Mozart’s Piano Concerto No. 21, perhaps the most famous of Mozart’s piano concertos. “Transparent, without the slightest scratch, he mastered his part, attentive to the orchestra. At times it seemed as if Levit was stroking the keys, only to grow into brilliant virtuosity.” (Dresdner Neueste Nachrichten) South-African soprano Golda Schultz (“a voice with an almost immeasurable range of colours, effortlessly guided and golden in bloom”, Dresdner Neueste Nachrichten), Czech mezzo-soprano Štepánka Pucálková and Ukrainian baritone Iurii Samoilov take the audience into the world of opera and operetta – from with love arias from Die Zauberflöte, Don Giovanni and Le nozze di Figaro to Strauss, Offenbach, Franz Lehár and Strauss II. Conductor Tugan Sokhiev “proved himself to be a man of unerring precision and precisely differentiated orchestral work.” (Dresdner Neueste Nachrichten) “A splendid programme with splendid soloists” (Dresdner Morgenpost)
Zubin Mehta – 85th Birthday Concert
On April 29, 2021, the 85th birthday of his close friend and colleague Zubin Mehta, Daniel Barenboim is hosting a very private birthday concert: the pianist, conductor and general music director of the Staatsoper Unter den Linden hands over the direction of “his” orchestra, the Staatskapelle Berlin, to the jubilarian with whom he has been friends for decades – in private and musical terms. On the program are Ludwig van Beethoven’s Fourth Piano Concerto with Daniel Barenboim as soloist and Franz Schubert’s last Symphony “The Great”. PROGRAM: Beethoven: Piano Concerto No. 4; Schubert: Symphony No. 9
Jurowski conducts Stravinsky
This production illustrates Stravinsky’s opulent diversity of forms. Three of the works performed are longer, have larger casts – and yet could not be more different: With “The Flood”, “Renard” and “Les Noces”, Stravinsky presents himself as the chameleon he is often apostrophised as. The RSB (Rundfunk-Sinfonieorchester Berlin) under its principal conductor Vladimir Jurowski welcomes seven soloists and the RIAS Kammerchor Berlin. The renowned German actor Stefan Kaminski hosts the evening. PROGRAM: “The Flood”; “Fanfare for a new theatre”, “Tilim Bom“, “Renard” Burleske in one act; Lullaby from “The Rake’s Progress”, “Four cat songs“; “Musick To Heare“ from Three Songs by William Shakespeare, “The Owl and the Pussy-cat”, “Les Noces“, 1919 version
The Odeonsplatz Concert: Viotti & Wang
The Odeonsplatz is one of the most beautiful places in Munich. The surrounding historic buildings distinguish this location as an open-air arena for about 8,000 spectators. The square is named after a popular concert hall, the Odeon, which was built by Ludwig I of Bavaria in the early 19th century. “Klassik am Odeonsplatz” is a summer highlight in the musical life of the Bavarian capital. Yuja Wang shines in Rachmaninoff’s Second Piano Concerto, furthermore Lorenzo Viotti conducts popular works by Rimsky-Korsakov, Chabrier, and Ravel. PROGRAM Rachmaninov: Piano Concerto No. 2; Rimsky-Korsakov: Capriccio Espagnol; Chabrier: Espana; Ravel: Bolero