Barenboim conducts Beethoven No. 4

With the performance of Ludwig van Beethoven’s Symphonies Nos. 4, 5, 6 & 8, the Staatskapelle Berlin – under the direction of its principal conductor Daniel Barenboim – celebrates the outstanding composer and jubilarian in whose sign the year should actually be, before the Beethoven Year 2020 turned into a year in the grips of the pandemic that turned not only the music world upside down. PROGRAM: Ludwig van Beethoven: Symphony No. 4

Barenboim conducts Beethoven No. 5

With the performance of Ludwig van Beethoven’s Symphonies Nos. 4, 5, 6 & 8, the Staatskapelle Berlin – under the direction of its principal conductor Daniel Barenboim – celebrates the outstanding composer and jubilarian in whose sign the year should actually be, before the Beethoven Year 2020 turned into a year in the grips of the pandemic that turned not only the music world upside down. PROGRAM: Ludwig van Beethoven: Symphony No. 5

Sonya Yoncheva & Vittorio Grigolo – Opera in Love

The setting of Shakespeare’s Romeo And Juliet – the most famous of all love stories – is Verona. Here, in the Arena di Verona, Plácido Domingo, Sonya Yoncheva and Vittorio Grigolo put on an evening of the most magnificent arias of love, with pieces from operas by Puccini, Verdi and Gounod. In historical costume, the singers also re-enact scenes from Romeo And Juliet. A concert evening of love, lust and turbulent passions, with some tempestuous weather included in the price of the ticket.

Barenboim conducts Beethoven No. 1

The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s First Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. Beethoven’s First is both a retrospective and a foresight: it is still in the tradition of Mozart and Haydn and nevertheless hints at some of what later made the “mature” Beethoven; it contains the contemporary and the future. The world premiere in April 1800 in Vienna was a temporary high point in the career of the twenty-nine-year-old Beethoven.

Barenboim conducts Beethoven No. 2

The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s Second Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. First performed in Vienna in 1803 with Beethoven conducting, the Second Symphony exhibits a daring departure from the traditional form. In a classical symphony, the third movement was always a minuet; Beethoven replaces it with a Scherzo, a quick-paced musical form in three-quarter time. While working on this symphony, Beethoven was undergoing an enormous personal crisis: the growing deafness.

Zubin Mehta, Daniel Barenboim & Boulez Ensemble

Mozart’s Gran Partita is a Serenade for thirteen instruments: twelve winds and double bass. The work in seven movements became world-famous far beyond the borders of classical music through Miloš Forman’s film Amadeus: Antonio Salieri’s first encounter with Mozart takes place at a performance of the Gran Partita. Igor Stravinsky’s highly original Octet combines woodwind and brass instruments. The three-movement composition, premiered in 1923 in Paris, is considered an important work in Stravinsky’s neoclassical style. Conducted by Zubin Mehta the Boulez Ensemble performs in the concentrated studio-like atmosphere of the Pierre Boulez Saal in Berlin. PROGRAM: Stravinsky: Octet for Wind Instruments; Mozart: Serenade “Gran Partita”