On the 80th anniversary of the end of World War II in Europe, known as Liberation Day in Germany, conductor Lahav Shani unites musicians from the Israel Philharmonic and the Münchner Philharmoniker for “a highly emotional performance” (Münchner Merkur) in the Isarphilharmonie. The two orchestras start their first ever collaboration with the deeply moving Prayer, a piece by 97-yearold Israeli composer Tzvi Avni, who travelled to Munich to witness this historic occasion. Then, the musicians come together to shape Mahler’s monumental Sixth Symphony. Shani’s Mahler is “robust, dark, rough, seeking depth” and manages to “achieve the ultimate in tragic expression here – horror and emotion give way to catharsis, to spiritual cleansing” (Süddeutsche Zeitung). PROGRAM: Avni: Prayer; Mahler: Symphony No. 6
Odeonsplatz Concert 2025: Lahav Shani & Lisa Batiashvili
For 25 years, the Odeonsplatz Concert has been an open-air highlight of the classical music summer, attracting over 16,000 viewers each year. In balmy summer temperatures, the Munich Philharmonic Orchestra, led by its designated chief conductor Lahav Shani, delivered a radiant performance of Beethoven’s Violin Concerto with star soloist Lisa Batiashvili, whose interpretation held the audience spellbound. The evening culminated in a powerful rendition of Sergei Rachmaninoff’s Symphonic Dances, filling the stage with sweeping orchestral colour. “Powerful and magical” (Münchner Merkur) PROGRAM Beethoven: Violin Concerto in D major; Massenet: Meditation from Thaïs; Rachmaninoff: Symphonic Dances, Op. 45; Dvorak : Slavonic Dance, Op. 46, No. 8
Staatskapelle Berlin – Christian Thielemann & Erin Morley
With the performance of all of Richard Strauss’s orchestral songs and all of Franz Liszt’s symphonic poems, Christian Thielemann and the Staatskapelle Berlin are dedicating themselves to a rarely performed but artistically significant repertoire. The response to the first concert in this new series has been promising: “A moment of happiness that one would like to hold on to” (Die Presse). “Morley took the audience by storm” (Das Opernmagazin)
Odeonsplatz Concert 2025: Franz-Welser Möst & Daniil Trifonov
For 25 years, the Odeonsplatz Concert has been an open-air highlight of the classical music summer, attracting over 16,000 viewers each year. Star pianist Daniil Trifonov opened the evening with a thrilling performance of Prokofievís Third Piano Concerto, accompanied by the Bavarian Radio Symphony Orchestra under Franz Welser-Möst. In the second half, Welser-Möst delighted the audience with the irresistible melodies from Richard Strauss’s Rosenkalavier. “Trifonov remains the ideal choice for Prokofiev” (Süddeutsche Zeitung). PROGRAM Prokofiev: Piano Concerto, No. 3; R. Strauss: Suite from Der Rosenkavalier (arranged by Franz Welser-Möst); J. Strauss: Unter Donner und Blitz
Festive Advent Concert at the Frauenkirche Dresden 2025
It is the traditional start to the pre-Christmas season for classical music lovers throughout Germany: on the eve of the First Advent, the Frauenkirche shines in its baroque splendour and offers a magnificent experience with the Sächsische Staatskapelle, the Sächsischer Staatsopernchor and the Kreuzchor Dresden. Conductor Nicholas Collon takes the podium for this year’s concert, joined by the dazzling soprano Elsa Dreisig, star tenor Benjamin Bernheim, and virtuoso violinist Daniel Hope. Together, they present a festive programme of Mozart, Berlioz, Bach, Gounod, and more.
New Year’s Eve Concert at Semperoper Dresden
The Sächsische Staatskapelle Dresden rings in the New Year at the Semperoper with a dazzling program of timeless hits and international stars. Andrès Orozco-Estrada conducts, with soprano Pretty Yende, baritone Benjamin Appl, and cellist Gautier Capucon as soloists. The concert spans Haydn to Márquez, featuring operatic arias, Broadway favourites, Latin rhythms, and orchestral gems like Rossini’s The Barber of Seville, Haydn’s Cello Concerto, Strauss’ Till Eulenspiegel, and iconic songs from My Fair Lady and Singin’ in the Rain.
Filippo Gorini – The Art Of Fugue Explored
A series modelled on the structure of J.S. Bach’s monumental work of piano literature, The Art of Fugue Explored takes each counterpoint as a starting point for conversations between pianist Filippo Gorini and eminent personalities of the contemporary world, to discover the many sides of Bach’s poetic and its influences on today’s culture. The 14 episodes, or Counterpoints, feature a variety of renowned experts from around the world: Alexander Polzin, Alfred Brendel, Peter Sellars, Frank Gehry, Steven Isserlis, Aleksandr Sokurov, Leila Getz, Alice Mado Proverbio, Dominique Edde, Marcus De Sautoy, Sasha Waltz, George Benjamin.
Järvi & Sidorova – Münchner Philharmoniker
“Latvian soloist Ksenija Sidorova…has true star quality – and yet always lets her instrument take centre stage” (Münchner Merkur) The Münchner Philharmoniker concert features Estonian conductor Paavo Järvi and Latvian accordionist Ksenija Sidorova. The program includes Debussy’s early piece “Printemps,” showcasing the orchestra’s subtlety. Sidorova performs “Prophecy,” an accordion and orchestra work by Erkki-Sven Tüür, known for its virtuosity and emotional final movement. The concert concludes with Sibelius’ Symphony No. 5, highlighting its bright mid-summer qualities. PROGRAM: Debussy – “Printemps”, Suite (arr. by Henri Büsser); Tüür – “Prophecy”; Sibelius – Symphony No. 5 in E flat major, Op. 82
Odeonsplatz Concert 2024: Lahav Shani & Anne-Sophie Mutter
For over 20 years, the Odeonsplatz Concert has been an open-air highlight of the classical music summer, attracting over 16,000 viewers each year. In this concert event, conductor Lahav Shani leads the Münchner Philharmoniker in a varied programme “with his elegant, sensual and dance-like way of conducting…Shani is likely to win many points of favour with the concert audience. He has obviously won over the orchestra members long ago” (Münchner Merkur). Violin superstar Anne-Sophie Mutter shines in Saint-Saëns‘ virtuosic Introduction et Rondo capriccioso as well as a wonderful assortment of John Williams. “It’s been a long time since [the Odeonsplatz concert] has been this exciting” (Abendzeitung). PROGRAM: Weber – Overture to “Oberon”; Saint-Saëns – Introduction et Rondo capriccioso; Stravinsky – Firebird Suite (excerpt); Dukas – The Sorcerer’s Apprentice; Williams – Music from “The Witches of Eastwick”, “Sabrina”, “Harry Potter”, “Indiana Jones and the Last Crusade”, Imperial March from “Star Wars”
Christian Thielemann – Staatskapelle Berlin Inaugural Concert
In his inaugural concert as chief music director of Staatsoper Unter den Linden and Staatskapelle Berlin, Christian Thielemann showcases his versatility. He performs Mendelssohn’s seldom-played Piano Concerto No. 2 with pianist Igor Levit, described as having a “warm, soft, full-bodied” sound. The concert concludes with Schönberg’s Pelleas und Melisande, praised for its emotional depth and Thielemann’s ability to bring out the brass at the perfect moment, generating powerful, transparent music that evokes strong feelings. “It was evident how well Igor Levit and Christian Thielemann work together. Both build up great pressure and tension, seem to literally spur each other on, and the audience cheered”(Bild) PROGRAM: Moussa – Elysium; Mendelssohn – Piano Concerto No. 2, Op. 40; Schönberg – Pelleas und Melisande, Op. 5