Nelsons conducts Mahler – Des Knaben Wunderhorn

With Gustav Mahler, laughter and tears are often closely connected. As performed by Matthias Goerne, Andris Nelsons, and the Lucerne Festival Orchestra, the songs from Des Knaben Wunderhorn showed this at the Lucerne Summer Festival in 2015. The gaiety of Rheinlegendchen is placed here with the tale of starvation in Das irdische Leben, and the satirical Fischpredigt of St. Anthony is juxtaposed with the march of the fallen soldiers in Revelge. Baritone Goerne shapes these songs with “introspection and narrative clarity”, while Nelsons “proves to be a sensitive accompanist”, according to Neue Zürcher Zeitung.

Lucerne Festival 2016: Rattle conducts Berliner Philharmoniker

Even if the music world is often dominated by rivalry, examples of genuine friendships can certainly be found. Take Johannes Brahms and Antonín Dvorák: a pair whose friendship was free of self-interest. And sure enough, his first publication, the spirited Slavonic Dances, enjoyed a sensational success. The Berlin Philharmonic paid homage to this musical friendship by pairing Dvorák’s bravura Slavonic Dances with the Second Symphony of Brahms, also composed in 1877. And as an “appetizer” Sir Simon Rattle has commissioned a new work from his compatriot Julian Anderson. PROGRAM: Julian Anderson: Incantesimi for Orchestra; Dvorák: Slavonic Dances, Op. 46; Brahms: Symphony No. 2

Messa da Requiem – Verdi’s Requiem Choreographed by Christian Spuck

With the Messa da Requiem, Christian Spuck brought one of Verdi’s key works on performing stage in his first audiovisual recording since taking his position as Ballet Director at Opernhaus Zurich. In a large-scale co-production by the Ballet and Opera Zurich, Spuck ventured to portray a profound interpretation of Verdi’s funeral mass. He focuses on people who, in their vulnerability and helplessness, are in the search for comfort. Spuck is not at all concerned with a purely dance-like illustration of Verdi’s music, but instead in the contentual-scenic link of the dancers with the soloists and choristers. They act on stage together and take part in ritualized movements and sequences. With Fabio Luisi leading the Philharmonia Zurich, the Opera Choir, and the soloists Krassimira Stoyanova, Veronica Simeoni, Francesco Meli and Georg Zeppenfeld, there is a musical interpretation of some of the most acknowledged artists of our times.

Chailly conducts Mahler No. 1

Gustav Mahler was 28 when he wrote his First Symphony in Leipzig in 1888. For a long time, he was uncertain whether the work was a symphonic poem or a symphony and finally abandoned the first version and later also the work’s subtitle, Titan. A few years later, Mahler went on to revise the symphony into the four-movement work we know today, which was premiered in 1896. Riccardo Chailly and the Gewandhausorchester continue their Leipzig Mahler cycle by bringing Mahler’s First Symphony to life in a riveting performance, paying homage to the composer.

Krzysztof Penderecki – Concert in Celebration of his 80th Birthday

Grand Gala Concert with international classical music stars on occasion of the 80th birthday of Krzysztof Penderecki. Program: Threnody – To the Victims of Hiroshima, Conductor: Krzysztof Urbanski // Duo Concertante for Violin and Double Bass – Soloists: Anne-Sophie Mutter, Roman Patkoló // Concerto grosso for three Cellos and Orchestra – Soloists: Arto Noras, Ivan Monighetti, Daniel Müller-Schott, Conductor: Charles Dutoit // Credo – Soloists: Iwona Hossa, Ewa Vesin, Ekaterina Semenchuk, Krystian Krzeszowiak, Nikolay Didenko, Conductor: Valery Gergiev.

Werther

Goethe’s Sturm und Drang drama is echoed in Massenet’s score by emotionally wide-ranging vocal parts written on a grand scale. The world star Juan Diego Flórez, who “iscurrently the best representative of his rare field” (NZZ), sings one of the most poetic and expressive tenor roles of the French repertoire. At his side, Anna Stéphany sang her critically acclaimed role début as Charlotte. Tatjana Gürbaca, known for her great narrative imagination, directed Zurich’s new production of Massenet’s drame lyrique: the one-room staging cleverly renders the social stranglehold of oppression. “This is how musical theater should be (..).” Neue Zürcher Zeitung

Blomstedt conducts Beethoven

More than 200 years after its premiere at the Gewandhaus in Leipzig, the famous trio Isabelle Faust, Jean-Guihen Queyras and Martin Helmchen have congenially mastered the artistic challenge of Beethoven’s gemstone. Under Herbert Blomstedt’s sensitive direction, the soloists unite chamber music intimacy together with virtuoso sophistication – and prove once again that the Triple Concerto is an unduly underestimated, much too rarely programmed masterpiece. The composer’s fifth symphony – indeed, the hit of classical music – is better known. In Leipzig, however, Blomstedt succeeds in achieving an entirely new perspective of this work. In the culmination of his three-year, intensive reenactment of Beethoven’s cosmos, the impressive sound that characterizes the Swedish grand seigneur’s conducting is heralded by transparency rather than showmanship, relevance instead of pathos, and tenderness in place of sentimentality.

Claudio Abbado & Lucerne Festival Orchestra – Mahler 9

The Mahler cycle of Claudio Abbado and the Lucerne Festival Orchestra has long since become legendary. Now they’re nearing the conclusion of their project as they take up the Ninth – the final symphony Mahler was able to complete. ‘If music was heard in the earthly paradise, it could not have sounded more glorious than the performance of Mahler’s Fourth Symphony led by Claudio Abbado,’ (Süddeutsche Zeitung, 2009)