Wagner’s ‘The Ring of the Nibelung’ is the musical embodiment of the motto “Think big.” The documentary ‘The Power of the Ring – 150 Years of the Ring of the Nibelung’ embarks on an entertaining journey of discovery into the fascinating world of Wagner’s operatic cycle. With conductors Gianandrea Noseda, Simone Young ; Philosopher Slavoj Žižek ; Scientist Eva Rieger ; Author Boris Schumatsky ; Stage Director Andreas Homoki
Blomstedt conducts Beethoven and Nielsen
Since his time as chief conductor of the Leipzig Gewandhausorchester between 1998 and 2005, Herbert Blomstedt – now its honorary conductor – has returned to Leipzig every year to conduct one or more always celebrated concerts. In 2015, he conducted Carl Nielsen’s Symphony No. 3 and Ludwig van Beethoven’s Symphony No.7 in three sold-out concerts at the Gewandhaus. The combination of these two symphonies was also one of the first concerts Blomstedt conducted during his time in Leipzig, even then bringing the people in the audience to their feet and making them discover the music of Danish composer Carl Nielsen, whose works – until then – had only been rarely played in German concert halls. In 2015, 150 years after Nielsen’s birth, the combination and juxtaposition of his Third with Beethoven’s Seventh was again a big success.
Ein deutsches Requiem
The “German Requiem” made Johannes Brahms one of the most famous composers of his time. He himself later said of his work, “I have now found consolation.” Under the direction of Gianandrea Noseda, who presented himself with this extraordinary concert as the new General Music Director of the Zurich Opera House, the choir and orchestra performed in an empty hall – the orchestra on the stage, the choir facing it in the parquet and the tiers of the auditorium. Distanced, yet united in consolation. “Blessed are those who mourn, for they shall be comforted.”
The Nutcracker
Because of Tchaikovsky’s imaginative music, “The Nutcracker“ is one of the most popular works of the ballet repertoire, instantly bringing to mind scenes of a splendidly decorated Christmas room, dancing snowflakes and the waltz of the flowers. The plot of “The Nutcracker“ is based on a novella by E.T.A. Hoffmann. While the masterful fairytale virtuously jumps back and forth from a dream to reality, in its adaptation as a ballet libretto by Alexandre Dumas and Marius Petipa, it lost much of its dark romantic fantasy. Christian Spuck attempts to distance himself from the Dumas/Petipas version in his choreography and puts the literary origin at the heart of his ballet, emphasizing the fantastical nature of the original rather than the delightful Christmas fairytale and bringing back the fairytale of the princess Pirlipat, who turns into a nut monster, as told by E.T.A. Hoffmann. In Rufus Didwiszus’ stage setting, the workshop of the godfather Drosselmeier turns into an old revue-theater, where the characters of the ballet come to life. Spuck’s choreography plays with the richness of characters in Hoffmann’s narrative cosmos, the absurdity and overwrought humor that inhabit them while at the same time looking down into the dark abyss of Romanticism.
Lucerne Festival: Andris Nelsons conducts Brahms
Claudio Abbado himself chose Brahms’ Alto Rhapsody as the center of the opening concert 2014, and Andris Nelsons and the Lucerne Festival Orchestra probe its psychological depths – while further exploring the psychic landscape of this German Romantic’s music as expressed in the Second Serenade and the Second Symphony. —– PROGRAM: Brahms: Serenade No. 2 in D major op. 16 for Small Orchestra / Alto Rhapsody op. 53 for Alto, Male Chorus and Orchestra / Symphony No. 2 in D major op. 73. (Cat. No. UNITEL: A955500030000)
When the evening and morning meet – A Journey into the Music of the Baltic
Not only is the beauty of the Baltic region stunning, it also offers a varied music scene. The film “When the evening and morning meet” embarks on a fascinating journey through Lithuania, Latvia, and Estonia. With their knowledge and charm, musicians of diverse styles show the similarities and differences of their musical culture, guiding the viewer by land and sea from the major cities to the musical province and presenting the eventful history of the Baltic States. The result is a multifaceted and entertaining portrait of three small countries with huge musical potential.
Zubin Mehta for his 80th – The Gala Concert in Mumbai
On April 29, 2016, Zubin Mehta will celebrate his 80th birthday. On April 17, however, he will offer himself a birthday present of his own, together with the Israel Philharmonic Orchestra, which has appointed him Musical Director for Life. The event will take place in the new National Centre for the Performing Arts in Mehta’s birthplace, Mumbai, in India.
It will be a celebratory concert with works by three of Mehta’s favorite composers: The program will include Dvoráks “Carnival Overture”, Beethoven’s Concerto for Violin in D major, Op. 61 as well as Ravels’ “La Valse” and the second suite of “Daphnis & Chloé”. Pinchas Zukerman, one of Mehta’s closest colleagues – who has also always had a close connection to the Israel Philharmonic Orchestra – will be the soloist.
Ayham Ahmad – The Pianist of Yarmouk
Surrounded by ruins in Syria’s capital Damascus, Ayham Ahmad sings accompanied by an out-of-tune piano about migration, hunger, and death. Threatened by Assad’s regime and ISIS, the Piano Man is silenced and must flee – to Germany. The documentary film The Pianist from Yarmouk tells the story of this Syrian refugee musician. After his arrival in Munich, we follow the life of a man who sang out against the suffering in his country until his instrument was destroyed. His fate stands for that of thousands – robbed of their hopes and dreams and forced to build a new existence.
Zhu Xiao-Mei: How Bach Defeated Mao
Music, especially Bach’s music, gave this artist the strength to survive unimaginable challenges. Zhu Xiao-Mei belongs to the “Lost Generation” that endured the worst excesses of Mao’s regime: several years of “re-education”, five years in a work camp, her family destroyed, endless deprivation and political intrigue… “Zhu Xiao-Mei: How Bach defeated Mao” is a portrait of an artist whose life is inextricably tied to Mao’s disastrous Cultural Revolution. In 1980 Zhu Xia-Mei emigrated to the United States, then decided to settle in Paris in 1984. In this film for the first time after 35 years she returns as a celebrated concert pianist to her roots with a triumphal tour to modern China.
Blomstedt conducts Reger and Beethoven
Max Reger’s Piano Concerto was created in the summer of 1910 in Leipzig and was there brought into the world by pianist Frieda Kwast-Hodapp and the Gewandhausorchester under Arthur Nikisch. To date, few other artists have dared to undertake this pianistic challenge: The American Peter Serkin, however, is one of those few whose repertoire includes this rare piece. In the second part of the concert, Herbert Blomstedt approached Beethoven’s evocative impressions of nature in the Symphony No 6, the “Pastoral”. PROGRAM: Reger: Piano Concerto in F minor; Beethoven: Symphony No. 6