In his inaugural concert as chief music director of Staatsoper Unter den Linden and Staatskapelle Berlin, Christian Thielemann showcases his versatility. He performs Mendelssohn’s seldom-played Piano Concerto No. 2 with pianist Igor Levit, described as having a “warm, soft, full-bodied” sound. The concert concludes with Schönberg’s Pelleas und Melisande, praised for its emotional depth and Thielemann’s ability to bring out the brass at the perfect moment, generating powerful, transparent music that evokes strong feelings. “It was evident how well Igor Levit and Christian Thielemann work together. Both build up great pressure and tension, seem to literally spur each other on, and the audience cheered”(Bild) PROGRAM: Moussa – Elysium; Mendelssohn – Piano Concerto No. 2, Op. 40; Schönberg – Pelleas und Melisande, Op. 5
Zubin Mehta – 85th Birthday Concert
On April 29, 2021, the 85th birthday of his close friend and colleague Zubin Mehta, Daniel Barenboim is hosting a very private birthday concert: the pianist, conductor and general music director of the Staatsoper Unter den Linden hands over the direction of “his” orchestra, the Staatskapelle Berlin, to the jubilarian with whom he has been friends for decades – in private and musical terms. On the program are Ludwig van Beethoven’s Fourth Piano Concerto with Daniel Barenboim as soloist and Franz Schubert’s last Symphony “The Great”. PROGRAM: Beethoven: Piano Concerto No. 4; Schubert: Symphony No. 9
Barenboim conducts Beethoven No. 2
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s Second Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. First performed in Vienna in 1803 with Beethoven conducting, the Second Symphony exhibits a daring departure from the traditional form. In a classical symphony, the third movement was always a minuet; Beethoven replaces it with a Scherzo, a quick-paced musical form in three-quarter time. While working on this symphony, Beethoven was undergoing an enormous personal crisis: the growing deafness.
Barenboim conducts Beethoven No. 1
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s First Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. Beethoven’s First is both a retrospective and a foresight: it is still in the tradition of Mozart and Haydn and nevertheless hints at some of what later made the “mature” Beethoven; it contains the contemporary and the future. The world premiere in April 1800 in Vienna was a temporary high point in the career of the twenty-nine-year-old Beethoven.
Barenboim conducts Beethoven No. 5
With the performance of Ludwig van Beethoven’s Symphonies Nos. 4, 5, 6 & 8, the Staatskapelle Berlin – under the direction of its principal conductor Daniel Barenboim – celebrates the outstanding composer and jubilarian in whose sign the year should actually be, before the Beethoven Year 2020 turned into a year in the grips of the pandemic that turned not only the music world upside down. PROGRAM: Ludwig van Beethoven: Symphony No. 5
Barenboim conducts Beethoven No. 4
With the performance of Ludwig van Beethoven’s Symphonies Nos. 4, 5, 6 & 8, the Staatskapelle Berlin – under the direction of its principal conductor Daniel Barenboim – celebrates the outstanding composer and jubilarian in whose sign the year should actually be, before the Beethoven Year 2020 turned into a year in the grips of the pandemic that turned not only the music world upside down. PROGRAM: Ludwig van Beethoven: Symphony No. 4
450 Years Staatskapelle Berlin
On the occasion of its 450th birthday, the Staatskapelle Berlin under the baton of its chief conductor Daniel Barenboim embarks on a journey through music history. With Wagner and Beethoven, two composers are represented who have shaped the Staatskapelle’s repertoire decisively, in both opera and symphonic works. The programme is complemented by advanced music from the 20th and 21st centuries by Boulez and Widmann, the latter having dedicated a newly composed work to the Staatskapelle. PROGRAM Boulez: Initiale for seven brass instruments; Wagner: Prelude to Die Meistersinger von Nürnberg; Widmann:Zeitensprünge – 450 Takte für Orchester (World premiere of the commissioned work); Beethoven: Symphony No. 7
Brahms Piano Concertos No. 1 and No. 2
The Berlin Music Festival gets off yet again to “a brilliant start” (Tagesspiegel).: Daniel Barenboim plays both of the Brahms piano concertos at the Philharmonie with Gustavo Dudamel and the Staatskapelle accompanying him. Dudamel and Barenboim had already appeared on stage together at La Scala in Milan to celebrate Daniel Barenboim’s 70th birthday. That winning collaboration now continues in Berlin with a programme that is particularly demanding for the pianist: “Barenboim launches with near-superhuman enthusiasm into Brahms’s two piano concertos (…), masterpieces of monumental dimensions. (…)” is how the Berliner Morgenpost describes it, while the Tagesspiegel newspaper is impressed by the pianist’s accomplishment in mastering the works’ complexity: “This artist is a phenomenon: he appears to enjoy limitless energy, concentration and love of music-making. (…) In the D minor concerto Barenboim focuses entirely on the intimate moments, eschewing a display of strength which this piece sometimes
seems to encourage.”
Strauss: A Hero’s Life
A Hero’s Life: In 2014, the year that marked the 150th birthday of the composer, Daniel Barenboim conducted his Staatskapelle Berlin with Strauss’ tone poem. The aplomb with which the composer is quoting his own works in this musical portrait of a “hero” was criticized as well as admired… but A Hero’s Life stays one Strauss’ masterpieces.
Daniel Barenboim – 70th Birthday Concert
Performing the solo parts of two of the great piano concertos in the concert repertoire – BEETHOVEN’s Piano Concerto no. 3 and TCHAIKOVSKY’s Piano Concerto no. 1 – in one sitting is a feat that few pianists can pull off apart from Daniel Barenboim. Pianist, conductor and chamber musician extraordinaire, Daniel Barenboim hands over the reins of “his” orchestra, the Staatskapelle Berlin, to his close friend and colleague Zubin Mehta. To honor his friend the composer Elliott CARTER, who passed away at the age of 103, Barenboim performs a work written especially for him by Carter. —– Program: BEETHOVEN: Piano Concerto No. 3; ELIOTT CARTER: Dialogues II for piano and orchestra; TCHAIKOVSKY: Piano Concerto No. 1