This episode marks the start of a captivating series: compositions at their world premiere venues. Mendelssohn composed his famous Sommernachtstraum (Midsummer Night’s Dream) as a teenager, but was not able to incorporate it into the accompaniment to Shakespeare’s fantastic comedy until 16 years later. The incidental music was commissioned by King Friedrich Wilhelm IV of Prussia and is performed in this special performance at the Theater des Neuen Palais in Potsdam, exactly where the premiere took place in October 1843. Alongside the Kammerakademie Potsdam and its chief conductor Antonello Manacorda, soloists Jeanine De Bique and Christiane Karg, who also appear in Berlioz’s exquisite Les nuits d’été, a work created just two years before Mendelssohn’s Midsummer Night’s Dream.
Premieres Revisited – Sibelius in Helsinki
Another episode of the “Premieres Revisited” series follows the steps of Jean Sibelius in the Finnish capital. The Symphony n. 5, one of the composer’s must beloved works, was commissioned by the Finnish government and premiered on December 8, 1915, on the occasion of the composer’s 50th birthday. It was much revised thereafter, and the final version was presented in 1919. Under its Chief Conductor Jukka-Pekka Saraste, the Helsinki Philharmonic Orchestra performs again the Fifth together with the symphonic poem The Oceanides, both compositions that evoke elements of the Nordic world, such as the flying swans of the symphony’s finale.
Víkingur Ólafsson – My Favourite Melodies
Acclaimed pianist Víkingur Ólafsson shares his deep connection with music, from Icelandic songs to the works of Bach, Mozart, Rameau, and Philip Glass. He explores how these pieces shaped him and how his feelings differ when performing works like the Goldberg Variations or Bartok’s Folk Song. Ólafsson invites us into his world where musical knowledge, Nordic roots, and creativity merge in his interpretations.
Richard Strauss – In the Twilight
He is a music mage. To this day, he fascinates audiences with his magical sense of sound. But the tracks of the luminous figure that is Richard Strauss are followed by a dark shadow in discreet agreement. Who is one, who is the other? How are they connected? The film IN THE TWILIGHT illuminates the multiple layers of the man and musician Richard Strauss. Oscillating between high key and low key, between darkness and light, visually striking spaces are revealed for the musical genius as well as the viewer´s desire for association.
SIMON! The Joy of Conducting
Sir Simon Rattle is one of the most famous conductors in the world. His enthusiasm, his inspiring charisma and his empathetic manner inspire audiences in the big cities and in the provinces. ,,I always have music in my head,“ says the 70-year-old Peter Pan of classical music – we are there when the spark jumps and understand why he can ignite a fire and inspire people to love music like no other. In January 2025, Sir Simon Rattle will be 70 years old – no age for a conductor, but reason enough to look back and see what made him what he is today: A constant innovator who always had to deal with resistance, but who never lost his passion for communicating music.
LSO: Antonio Pappano and Seong-Jin Cho
Beethoven’s defiant Symphony No 5 meets the sneering mockery of Shostakovich and Prokofiev in exhilarating mood. In 1945, Soviet authorities expected Shostakovich to use his Ninth Symphony to celebrate Soviet military might. What they got was a subversive, mischievous work that thumbed its nose at Stalin. Prokofiev’s Piano Concerto No 2 is one of the most powerful and technically challenging of all. Listen out for moments in the opening movement that test the soloist’s stamina to its limits, and a helter-skelter finale that never lets up. Fate rules over Beethoven’s Fifth Symphony, a revolutionary work that grows to dramatic, sublime heights from the simple germ of its opening four notes. The LSO is joined by South Korean pianist Seong-Jin Cho, Sir Antonio Pappano, LSO Chief Conductor, conducts. PROGRAM Shostakovich: Symphony No. 9; Prokofiev: Piano Concerto No. 2; Beethoven: Symphony No. 5
LSO: Alexandre Bloch & Alice Sara Ott
A starburst of musical colour for the new year. Debussy’s Prélude à l’après-midi d’un faune opened new worlds of sonic sensuality, while Lutoslawski’s Concerto for Orchestra launched dazzling sonic fireworks into the grey skies of postwar Poland. The LSO and conductor Alexandre Bloch present the two masterpieces to bookend a performance by pianist Alice Sara Ott – a regular guest of this orchestra, and a firm favourite of the Barbican audience. She plays the sunlit, jazz-flavoured G major Concerto by Maurice Ravel – and the concert ends with Ravel, too: his unforgettable evocation of a world dancing on the edge, La Valse. Music to thrill the ears and intoxicate the spirit. PROGRAM Debussy: Prélude à l’après-midi d’un faune; Ravel: Piano Concerto in G, La valse; Lutoslawski: Concerto for Orchestra
LSO: Pappano conducts Tchaikovsky and Vaughan Williams
Led by its superb chief conductor Sir Antonio Pappano, the London Symphony Orchestra invites a trio of soloists – violist Antoine Tamestit, soprano Julia Sitkovetsky, and bass-baritone Ashley Riches – to join them in an emotional and original program that pairs Tchaikovsky’s sweeping Romanticism with Vaughan Williams’s pastoral grandeur. Opening the program is the Tchaikovsky’s Fourth Symphony. Two unjustly lesser-heard works by Vaughan Williams follow: first, Tamestit takes the solo role in Flos Campi, inspired by the Song of Solomon and written for the unusual combination of viola, small orchestra, and wordless chorus. Finally, Sitkovetsky, Riches, and the London Symphony Chorus perform the impassioned Dona nobis pacem, a fervent call for peace by a composer who had witnessed the senselessness of violence firsthand as a stretcher bearer in World War I and despaired to see the clouds of war gather anew in 1936. PROGRAM Tchaikovsky: Symphony No 4; Vaughan Williams: Flos Campi, Dona nobis pacem
LSO: Rattle conducts Tippett, Turnage and Vaughan Williams
An all-British programme of Tippett, Turnage and Vaughan Williams inspired by opera and jazz – including an unmissable world premiere, to celebrate Sir Simon Rattle’s 70th birthday. Rattle leads the LSO players across a glorious range of orchestral colours and styles, joined by the legendary John Scofield for a brand new Guitar Concerto. In Rattle’s own words, ‘Who better to be playing this extraordinary British music than the London Symphony Orchestra?’ PROGRAM Tippett: Ritual Dances from Midsummer Marriage; Turnage: Sco – Guitar Concerto (world premiere); Vaughan Williams: Symphony No 5
LSO: Pappano conducts Strauss and Mozart
Two portraits from a magician of orchestral colour, Richard Strauss – plus a young Mozart dances on the violin. Lisa Batiashvili is the perfect partner for Mozart’s elegant Concerto, in the final performance of her LSO Artist Portrait series, while Sir Antonio Pappano and the LSO bring out every twist and turn in Strauss’ stories. PROGRAM Strauss: Till Eulenspiegel, Ein Heldenleben; Mozart: Violin Concerto No 5