It couldn’t be more authentic: the Philharmonic Orchestra Helsinki performs all seven symphonies by Jean Sibelius live in the spectacular concert hall of the Finnish capital’s modern Music Centre — the place where almost all of them had their premieres. Over a period of approximately 25 years, Jean Sibelius composed his seven symphonies. All of them, except for the seventh, were premiered in Helsinki under the composer’s own direction. Now, more than 100 years later, a symphony cycle by the Helsinki Philharmonic Orchestra, conducted by its chief conductor Jukka-Pekka Saraste, offers a unique and moving experience.
Sibelius Symphony No. 7
It couldn’t be more authentic: the Philharmonic Orchestra Helsinki performs all seven symphonies by Jean Sibelius live in the spectacular concert hall of the Finnish capital’s modern Music Centre — the place where almost all of them had their premieres. Over a period of approximately 25 years, Jean Sibelius composed his seven symphonies. All of them, except for the seventh, were premiered in Helsinki under the composer’s own direction. Now, more than 100 years later, a symphony cycle by the Helsinki Philharmonic Orchestra, conducted by its chief conductor Jukka-Pekka Saraste, offers a unique and moving experience.
Hayato Sumino at Budokan
Taking the concert world by storm, pianist and composer Hayato Sumino breathes new life into the term virtuoso. He is not just a pianist; he is a real phenomenon. He plays the piano at a world-class level, has a degree in engineering, composes, arranges and improvises and is also a real YouTube star with over 1.3 million followers under the name »Cateen«. His passion and spontaneity draw his fans to the concert hall, he bridges the gap between the social media world and impressive performances on all the world’s major stages like no other. In the summer, an extensive sold-out 24-recital tour of Japan culminated at Budokan (Tokyo), where he performed for more than 13,000 fans. His unique style blends classical virtuoso tradition with an arranger’s ear and breathtaking improvisational skills, allowing Hayato to share not only classical masterworks, but also his original compositions and arrangements with audiences across the globe, including his rendition of Ravel’s Boléro on two pianos.
RCO: Antonio Pappano & Joyce DiDonato
Antonio Pappano conducts two works in which love leads to lunacy: Berlioz’ Symphonie fantastique and Jake Heggie’s song cycle, Camille Claudel: Into the Fire, featuring mezzo-soprano Joyce DiDonato. Musical tales of boundless passion and madness come to life. Hector Berlioz explored his obsessive love in the Symphonie fantastique. Joyce DiDonato sings Into the Fire, Jake Heggie’s bittersweet song cycle about the French artist Camille Claudel, whose affair with her associate Auguste Rodin proved to be her undoing. Such a programme calls for a conductor who knows how to deliver drama in a perfectly measured way. Sir Antonio Pappano manages to lead the Concertgebouw Orchestra on this emotional roller coaster without going off the rails. PROGRAM Heggie: Camille Claudel – Into the Fire; Berlioz: Symphonie fantastique
Alice Sara Ott: Nocturne
Dive into the beguiling world of John Field’s Nocturnes as interpreted by world-renowned pianist Alice Sara Ott. This film, directed by filmmaker and tenor Andrew Staples, immerses viewers in Alice’s imagination and her connection to Field’s music, offering a rare glimpse into the artist’s mind during the creative process. The interplay between historical venues and the custom-designed digital landscapes at Munich’s Hyperbowl LED studio creates an atmosphere where the intangible becomes vividly real, resulting in a film that is much more than just a performance; it is an exploration of a performer’s journey through the music of a neglected composer who left the world one of its most beloved musical forms: the nocturne.
Magic Moments of Music – Arturo Benedetti Michelangeli plays Ravel
The name Arturo Benedetti Michelangeli (1920-1995) is still inextricably linked with Maurice Ravel’s Piano Concerto in G major. The way Benedetti Michelangeli articulates the trill chains, for example, is considered unique. At the same time, Benedetti Michelangeli is a great mystery: he was notorious for his numerous cancellations. The smallest discrepancies on the instrument, a small change in the room climate from rehearsal to concert were enough to cancel a performance. His reputation, as one of the greatest of his guild, is undisputed. Pianist Krystian Zimerman remembers his artistic exchange with Benedetti Michelangeli. For Pierre-Laurent Aimard, the Italian pianist is a declared source of inspiration as a magician of acoustics. Serge Celibidache, the son of Sergiu Celibidache, provides insights into the special artistic friendship of the two perfectionists. While Marina Baranova goes in search of Benedetti Michelangeli’s grand piano in Bavaria, Cord Garben, his producer, remembers the not always easy collaboration. Jazz musician Stefano Bollani, an admirer of Benedetti Michelangeli, explains how the composer Ravel was inspired by jazz music.
Yuja Wang & Víkingur Ólafsson: Live in Berlin
Two classical superstars and two of the most remarkable pianists of their generation join forces: Yuja Wang and Víkingur Ólafsson come together at the Philharmonie in Berlin for what promises to be an unmissable meeting of musical minds. As part of an extended tour that sees them performing together for the first time, they present a programme built around two classics of the four-hand repertoire – Schubert’s haunting Fantasie in F Minor and the two-piano version of Rachmaninoff’s powerful Symphonic Dances – alongside John Adams’s 1996 masterpiece Hallelujah Junction and further works by Adams, John Cage, Conlon Nancarrow and Arvo Pärt.
Magic Moments of Music – The Wrath of Nina Simone
It is a special moment in the life of the world-famous singer and pianist. She has just become a mother and has joined the protests of the civil rights movement in America against racism and discrimination against the black population. She predominantly writes and sings protest songs, risking her career because her lyrics are considered controversial in America and are even boycotted in some cases. In Europe, she sees the opportunity to express herself freely and tell the stories of the oppression of black people from her homeland. Through television concerts like this one, she reaches an audience of millions. The film tells of Simone’s beginnings in music, how she transitioned from classical to jazz, and her courage and relentless fight for equality and freedom. “Tomorrow is my turn, no more doubts, no more fears,” Simone sings in a mix of resignation and defiant hope. She hopes that her voice can be part of the change in the situation of the black population in the USA in the 1960s. Pianist Gabriela Montero and singer Angélique Kidjo explain how music can be an instrument of resistance. Jazz singer Lizz Wright’s work is still strongly influenced by Nina Simone to this day. Opera singer Victoria Randem explains how important Nina Simone was for the generations after her. They all show how important civil courage, authenticity, and emotionality are on stage and how Nina Simone’s legacy continues to have an impact today.
Requiem A
Requiem A – the ‘A’ in the title stands for ‘Beginning’ (German ‚Anfang’), ‘setting off’ (Aufbruch), ‘ash’ (Asche), and ‘breathing’ (atmen). Words that describe the mourning, reconciliation and new beginnings after a time of conflict. Composer Sven Helbig wrote his Requiem A in commemoration of the 80th anniversary of Dresden’s destruction and the end of the Second World War. However, war is not at the centre of his piece; he wants to thematise the subsequent reconciliation and forgiveness. Helbig, a self-taught composer of music for choir, orchestra, and chamber ensembles and a multi-instrumentalist, has collaborated with artists such as Snoop Dog, Rammstein, and the Pet Shop Boys. The performance of Requiem A features visuals by the Icelandic film artist Máni M. Sigfusson, underscoring the Staatskapelle Dresden, the Kreuzchor Dresden, soloist René Pape, and the live electronics of Sven Helbig himself.
Anastasia Kobekina – Now or Never
Many share the dream of a global career – but what does it truly take to make that dream a reality? Following the charismatic cellist Anastasia Kobekina, the documentary offers a unique look behind the closed doors of her record label, concert halls and into her private life. Having started to play the cello at age four, Anastasia struggles with the decisions made for her and those she must make, when asking herself: “Is it my choice or the choice of my parents?” Torn between her own and other people’s expectations Anastasia forges her path through a demanding industry and inspires by proving her ambition, talent, and resilience.