Hungarian folk tunes run through the veins of Iván Fischer and the Budapest Festival Orchestra, while Gypsy rhythms set their pulses dancing. This concert – a true celebration of Hungary’s national music – traces the development of folk songs and dance, from their colourful, rough-hewn originals into virtuosic concert-hall reimaginings by Liszt, Brahms and Sarasate. In the second half comes Brahms’s dramatic First Symphony, whose darkness and drama eventually give way to an ending of transcendent musical triumph.“A masterclass. Oh, that concerts could all be like this!” (The Spectator) PROGRAM Liszt: Hungarian Rhapsody No. 1 & 3; Brahms: Hungarian Dance No. 1 & 11, Symphony No 1; Sarasate: Zigeunerweisen
BBC Proms 2016 – Gergiev, Abduraimov and Munich Philharmonic Orchestra
Valery Gergiev and his Munich Philharmonic Orchestra open with Ravel’s hypnotic Boléro and close with a suite from Richard Strauss’s waltz-filled opera Der Rosenkavalier. In between, Galina Ustvolskaya’s Symphony No. 3 pleads for redemption on raw brass and winds. Composed in 1983 it is based on the texts of the 11th-century German monk and musician Hermanus Contractus and includes solo recitatives performed by Alexei Petrenko. Young Uzbek pianist Behzod Abduraimov is the soloist in Rachmaninov’s soaring Piano Concerto No. 3. “Abduraimov ist phenomenal!“ (Frankfurter Allgemeine Zeitung). “He should be on any must-hear list.” (The New York Times).
John Wilson at the BBC Proms – George & Ira Gershwin Rediscovered
Once again John Wilson and his orchestra, “combining swing authenticity with the poise of a deluxe concert Orchestra” (The Times), return to the Royal Albert Hall with a performance counted among “the star attractions” (Financial Times) of this year’s Proms. Their concert, accompanied by three of the “greatest West-End musical theatre stars” Louise Dearman, Matthew Ford and Julian Ovenden (also known from Downtown Abbey), pays tribute to George and Ira Gershwin, one of America’s most celebrated song-writing duos. Divided between film score theme tunes, dance numbers, and songs from musicals such as the favourites “Embraceable You”, “Love Walked In”, “Fascinatin’ Rhythm” and the ballet music from the 1951 film An American in Paris, “this glorious concert” (The Times) just “dazzled on every level.”
BBC Proms 2016: WEDO and Barenboim perform Widmann, Liszt, Wagner
Proms don’t come more stellar than this!”, raved The Independent about the WEDO’s performance at the BBC Proms. The concert opens with a rendition of Jörg Widmann’s overture Con brio. Martha Argerich continues with an “unforgettable performance” of Franz Liszt’s Piano Concerto No. 1, dazzling with her “frighteningly precise” playing (The Guardian). As encore the two childhood friends join forces at the piano for a four handed rendition of Schubert’s Rondo in A “that for 12 minutes provides a glimpse of paradise” (The Standart) holding “6000 people spellbound” (The Times). Further repertoire includes Wagner’s Overtures to Tannhäuser and Meistersinger; Dawn, Siegfried’s Rhine Journey and Funeral March from Götterdämmerung et al.
Solti’s Vision – The World Orchestra for Peace
BBC Proms 2017: Rattle conducts Schönberg’s Gurre Lieder
Sir Simon Rattle starts his tenure as the London Symphony Orchestra’s new Music Director with a concert at the prestigious BBC Proms – 40 years after his first appearance with the LSO, in October 1977 at the age of 22. The Royal Albert Hall’s cavernous space provides the perfect surroundings for this supersize scale performance of Arnold Schoenberg’s Gurrelieder. The force of over five hundred voices from the London Symphony Chorus, the CBSO Chorus, and Orfeó Català meet the LSO and a superb lineup of soloists, led by Rattle, putting on “a brilliantly blazing show” (The Daily Telegraph). Their BBC Proms performance is “an intoxicating embrace of the gigantic ebb and flow of Schoenberg’s score … an ecstatic celebration!” (The Guardian)
BBC Proms 2017: András Schiff – The Well-Tempered Clavier (Part I)
Bach specialist Sir András Schiff returns to the BBC Proms in a Piano recital performing Bach’s The Well-Tempered Clavier (Part I). Bach’s The Well-Tempered Clavier represents one of Western music’s greatest achievements. Described as the ‘Old Testament’ of the keyboard repertoire, it represents a wealth of musical invention, ingenuity and delight. A supreme technical challenge for any performer, they also offer an astonishing experience for every listener – especially when they are played with the mastery and sensitivity of András Schiff. His recital of the first volume at the BBC Proms is “one of those unforgettable revelations” (Observer).
BBC Proms 2018: András Schiff – The Well-Tempered Clavier (Part II)
Often heralded as one of the finest Bach interpreters today, Sir András Schiff embarks on Book II of Bach’s The Well-Tempered Clavier at the prestigious BBC Proms – a supreme technical challenge for any performer and an astonishing experience for every listener, especially when they are played with the mastery and “gracious lucidity” (ArtsDesk) of Sir András Schiff. Schiff, “travelling deeper into the inexplicable mysteries of Bach’s music” (Observer), provides “masterly interpretations” (Bachtrack). His recital of the first volume at the BBC Proms was “one of those unforgettable revelations” (Observer).
Tchaikovsky, String Quartet No.1, op.11
Recorded in 1987, this program features the Borodin Quartet of Moscow. Founded in 1946, it concertized until 1955 under the name of Moscow Philharmonic Quartet. The ensemble is celebrated not only for its performances of Tchaikovsky but also, and especially, for its interpretations of Shostakovitch’s quartets. All of them have been recorded by the ensemble. The Borodin Quartet has frequently performed with Sviatoslav Richter, Emil Gilels, Leonid Kogan, David Oistrakh and Heinrich Neuhaus.
Tchaikovsky, String Quartet No.2, op.22
Recorded in 1987, this program features the Borodin Quartet of Moscow. Founded in 1946, it concertized until 1955 under the name of Moscow Philharmonic Quartet. The ensemble is celebrated not only for its performances of Tchaikovsky but also, and especially, for its interpretations of Shostakovitch’s quartets. All of them have been recorded by the ensemble. The Borodin Quartet has frequently performed with Sviatoslav Richter, Emil Gilels, Leonid Kogan, David Oistrakh and Heinrich Neuhaus.