To this day, Beethoven’s Symphony No. 9 is one of the most popular pieces of classical music in the world. But what is it about this global hit? The film charts the success of the symphony around the globe and encounters passionate amateur musicians and musical personalities. Watch as Greek conductor Teodor Currentzis works on Beethoven’s Ninth with his ensemble, MusicAeterna. Follow Chinese composer and Oscar winner Tan Dun as he creates a new composition inspired by the great Beethoven symphony. Experience the Orchestre Symphonique Kimbanguiste in the Democratic Republic of the Congo, as they play the Ninth. Visit a favela in Brazil, where Beethovens’s music helps people get off the streets. Be amazed as a choir of 10,000 in Japan sings the final chorus of Beethoven’s Ninth Symphony, with great enthusiasm. Learn how Paul Whittaker helps make Beethoven accessible for deaf people. And find out how British DJ Gabriel Prokofiev performs a symphonic remix of Beethoven’s Ninth.
Aida Garifullina at Teatro Colón
The Russian-Austrian soprano singer has dedicated her life of the world of opera and songs. Aida Garifullina is acclamind as the next Netrebko – since her stunning performance for the football world championship 2018 and in the film „Florence Foster Jenkins“. She is a popular star, film star and Instagram star. Aida slips into the role of Norma, Juliette, Rusalka, the Snow Maiden – and is dressed up in harnd-tailored couture dresses. Arias and songs from France, Russia, Italy & Argentina
Boris Berezovsky – Pianist and Virtuoso
The Russian Pianist Boris Berezovsky is one of the most virtuous Piano Interpreter of our times. One can tell that for him the borders of keyboard possibilities have not yet been reached. Boris Berezovsky bought attention to himself with his daring dexterity at the 1990 International Tchaikovsky Competition in Moscow. He won the Gold Medal straight off. The film accompanies Boris Berezovsky on his musical journey. The Artist Boris Berezovsky drives through the nightly Yekaterinburg, as a passionate player he goes to the casino and improvises along with a little Band in a Jazz Club.
Anna Lapwood at the Elbphilharmonie
Film music arranged for the Elbphilharmonie Organ. Her enthusiasm is contagious: Anna Lapwood is the new face of an ancient instrument. “I love to surprise people!” exclaims Anna Lapwood. Audiences adore her unconventional approach to playing the organ. Millions of followers watch the 30-year-old British musician on Instagram, TikTok, and YouTube, captivated by her impressive concert arrangements. She repeatedly challenges the classical canon and devotes herself to popular and film music with the same dedication as Bach, Vierne, Poulenc, and contemporary composers. Can she play “Pirates of the Caribbean« on the organ? “Of course,” says the British social media star. At Elbphilharmonie Hamburg she plays a varied program of film music and organ classics, featuring Lapwood‘s own arrangements, cheerful introductions and audience engagement, dramatic organ sounds, and enchanting lighting design.
Virtuoso & Viral
Three young, highly virtuoso musicians are revolutionizing the classical music world with musical freedom, authenticity, and digital communities. Hayato Sumino on the piano, Anna Lapwood on the organ, and Marcin on the guitar successfully win over new audiences for old masters, hereby securing the future of classical music.
Hans Werner Henze – composer, communist, dandy
Hans Werner Henze was Germany’s most political composer, at the same time, he was the epitome of a dandy and bon vivant. On the occasion of his 100th birthday in July 2026, the film is a tribute to the courageous artist and humanist, showing his colourful life in all its complexity and with all its contradictions.
Premieres Revisited – Haydn’s Daytime Symphonies at Schloss Esterházy
Il Giardino Armonico, conducted by Giovanni Antonini, performs the three Daytime Symphonies two and a half centuries after their premiere at their original concert venue, the magnificent Haydn Hall at Esterházy Palace. Premieres Revisited provides insight into the three works and combines their background with interviews and a passionate and virtuoso performance to convey an impression of the premiere at that time.
Giovanni Antonini conducts Haydn’s Daytime Symphonies
More than 250 years after their premiere, conductor Giovanni Antonini and his ensemble Il Giardino Armonico are bringing Joseph Haydn’s three symphonies based on the times of day back to their place of origin, the magnificent Haydn Hall at Esterházy Palace in Austria. A musical journey through the day, in which the location, the work, and the musicians form a magical connection. Historical and very contemporary.
“The Morning.” “The Noon.” “The Evening.” Not just three times of day, but also three symphonies composed by Joseph Haydn, with which he probably celebrated his debut at the magnificent court of Prince Esterházy in 1761. More than 250 years later, Il Giardino Armonico, conducted by Giovanni Antonini, once again perform the cycle in the historic setting of its premiere: in the magnificent Haydn Hall of Esterházy Palace in Eisenstadt in Burgenland, Austria. Long Version includes additionally Haydn: Arianna a Naxos with Kate Lindsey
Andris Nelsons and Lucas & Arthur Jussen
In this concert from the state-of-the-art Konzerthaus Dortmund, Lucas and Arthur Jussen join the Gewandhausorchester Leipzig and Gewandhauskapellmeister Andris Nelsons for a rare performance of the brilliant concerto for two pianos and orchestra by the 14-year-old Felix Mendelssohn, himself Gewandhauskapellmeister from 1835 to 1847. To complete the programme, orchestra and conductor present first another rarity – the beautiful “Blumine” movement composed for the original version of Mahler’s
Symphony No. 1 – alongside Dvorák’s life-enhancing Symphony No. 8, a work in which the composer’s symphonic skill and melodic gifts mix to irresistible effect. PROGRAM Mahler: Blumine; Mendelssohn: Concerto for two Pianos; Dvorák: Symphony No. 8
Magic Moments of Music – The Four Seasons recomposed by Max Richter
Turn old into new – a tried and tested approach, but can you do the same with Vivaldi’s legendary Four Seasons? Organist Anna Lapwood’s answer is clear: ‘Nothing is off limits!’ After the release of his album ‘Recomposed’, composer Max Richter initially expected fierce criticism. But the opposite happened – he hit a nerve: over 450 million streams, concerts in classical halls as well as in clubs such as Berghain Berlin or Poisson Rouge in New York, and the distribution of individual tracks in the Bridgerton series testify to the success of the reinterpretation. What’s touching people when they hear ‘Recomposed’? In this magic moment, prominent artists and contemporary witnesses embark on a journey through the music, recall performance challenges and personal highlights, and explain how the British composer Max Richter put his hand to the 300-year-old work.