It was the existential turning point of a career that until then had known mainly triumphs: During a rehearsal, José Carreras learns that he has leukemia – an almost certain death sentence in 1987. He is transferred from Barcelona to a special clinic in Seattle. His only chance is a therapy that until then was considered impossible: stem cell transplantation. He survives the disease and feels a real commitment to others suffering from leukemia. Starting with the cancer and the subsequent healing as the frame story, the film tells the stages of a world career in an associative and emotional way, jumping back and forth. Tightly edited archive footage brings these chapters to life. Newly filmed material shows the most important scenes from Carreras’ life and career. In addition, interviews with prominent companions, contemporaries and experts as well as a central interview with the jubilarian himself reflect a dramatic biography without slipping into one-sided hero worship. Cross-genre greetings and birthday serenades from Pretty Yende to Diana Damrau and from Plácido Domingo to David Garrett demonstrate the high regard in which the artists’ colleagues hold his life’s musical achievements and document the enormous impact José Carreras continues to make.
Carnival of the Animals – A music piece tells the story
The “Carnival of the Animals” is his best known work. Camille Saint-Saëns never wanted to publish it during his lifetime. On the 100th anniversary of the composer’s death in December 2021, the music piece itself tells us how the dwindling act of birth occurred in the composer’s mind. It is the notes that tell us of its suffering and of its triumph on the great stages of the musical world. According to the will of its creator, “Carnival of the Animals” was to be performed only once, in March 1886, on Shrove Tuesday. And now this piece has stolen the show from Camille Saint-Saëns’ other works for a hundred years. Directors have brought Saint-Saëns’ music to Hollywood. At the Cannes International Film Festival, “The Aquarium” is the signature tune. The film shows that “Carnival” is more than the musical characterization and exaggeration of various species. The role of the narrator was taken over by German actor Sebastian Koch. An orchestra specially assembled for the film lets the music of the “Carnival of the Animals” resound.
Magic Moments of Music – Jessye Norman and Kathleen Battle “Spirituals”
When Jessye Norman and Kathleen Battle took the stage of Carnegie Hall March 18, 1990 a breath of history wafted through America‘s most famous concert hall. It is a camera view of the audience that makes clear how long the road to this moment in music history was: there, the now very old African-American opera singer Marian Anderson, one of the great voices of her generation. In 1939, she had been barred from singing in Constitution Hall, because she was black. The twelve-year-old Jessye Norman had absorbed Anderson‘s biography, just like the music she performed that evening together with her great colleague and competitor Kathleen Battle: Spirituals. That evening in March 1990 was under enormous pressure of expectation and the tension crackled at all corners. For one thing: Would the two compete? Where did the competition lie? Divas who would actually manage to sing together and not against each other? But the two divas take Carnegie Hall by storm; critics and audiences alike pay homage to them: It is a musical feast of charisma, virtuosity, liveliness and show. Jessye Norman dominates the stage with her authentic timbre and an African colourful costume, Kathleen Battle still hits the finest high coloraturas.
Rachlin conducts Tchaikovsky
Pianist Denis Matsuev and his good friend, the violinist Julian Rachlin, perform in the venerable Moscow Conservatory. On this occasion, the artists dare to try something new: instead of his violin, Julian Rachlin reaches for the conductor’s baton to conduct a piece which he, with his violin, would neve approach. Together and for the first time, they give an interpretation of a work put to paper by Tchaikovsky in the Moscow of 1874: his Piano Concerto No. 1 as well as the Symphony No. 5.
7 Lives of Music – The Kanneh-Mason Familiy
Seven siblings whom nobody expected – but the classical music world desperately needed. The story of the Kanneh-Mason Family reads like a fairytale. They have dealt with prejudice, they have been overlooked, they have been made to feel out of place. But they have picked themselves up and they have proven themselves time and time again. The Kanneh-Masons light up every room they enter and they have found this to ensure the support of people like Prince Harry and Meghan Markle, who invited Sheku to play at their wedding, and Elton John, who supported Isata with a scholarship. This film accompanies this family on their path and join them on and behind the stages of the world as they conquer it together, as they grow into their own as a family of talented musicians.
Julian Rachlin & Denis Matsuev in Moscow
Pianist Denis Matsuev and his good friend, the violinist Julian Rachlin, perform in the venerable Moscow Conservatory. On this occasion, the artists dare to try something new: instead of his violin, Julian Rachlin reaches for the conductor’s baton to conduct a piece which he, with his violin, would neve approach. Together and for the first time, they give an interpretation of a work put to paper by Pyotr Tchaikovsky in the Moscow of 1874: his Piano Concerto No. 1. The film accompanies the rehearsals and concert which, together with the youthful and vibrant energy of the Russian National Youth Symphony Orchestra, turns out to be very special indeed.
Magic Moments of Music – Nigel Kennedy and the Four Seasons
It is a recording that is shaking up the classical music scene. Suddenly, an audience feels addressed that until then had heard little of classical music, of Bach or Vivaldi. Nigel Kennedy succeeds in overcoming the fears of an audience for whom Schubert and Beethoven had previously been too elitist and too aloof. He inspires as many and as varied people as probably few classical music stars before him. The CD with a recording of the Four Seasons becomes the best-selling classical album of all time. Nigel Kennedy enter the Guinness Book of Records: more than 3 million records sold. The album stays at the top of the UK classical charts for over a year and also reaches high positions in the pop charts. The tabloids and magazines pounce on the young artist. The recording of this tour, which sells out within minutes, becomes one of music‘s finest moments. With wildly gelled hair and in unusual designer garb, Nigel Kennedy appears before his audience. He succeeds in addressing his listeners simply, without airs and graces, and in introducing them to his world without creating any hurdles.
Magic Moments of Music – Der Rosenkavalier by Herbert von Karajan
The Salzburg Festival is celebrating its 100th anniversary in the summer of 2020. Among the co-founders of the festival were the composer Richard Strauss and his librettist Hugo von Hofmannsthal. Their most popular work was without doubt the comic opera Der Rosenkavalier (The Knight of the Rose). In 1960, the newly constructed Great Festival Hall in Salzburg opened its doors to the public with a performance of this very same opera. On the conductor’s podium was Herbert von Karajan. The production was such a success that it was decided that it should be captured for posterity on 35mm film. The performers included Elisabeth Schwarzkopf, who is still considered by many as unmatched in the role of the Marschallin, and Anneliese Rothenberger. Among the artists returning to this 1960 opera for Great Moments in Music are Ioan Holender, conductor Franz Welser-Möst, singers Anna Prohaska and Günther Groissböck. Lastly, the episode accompanies André Heller as he fulfils a long-cherished dream: he is directing the new production of Der Rosenkavalier at the Berlin State Opera.
Magic Moments of Music – Montserrat Caballé sings Norma
On the day of the open-air performance of Vincenzo Bellini’s opera ‘Norma’ in 1974, a severe storm is blowing through the city of Orange in southern France. The much-anticipated event may have to be called off at the last moment. All the while, in the spectacular Roman amphitheatre, nine thousand spectators await Montserrat Caballé in the title role of Norma. In the face of these adverse conditions, the singer and musicians nevertheless decide to perform. It will be a legendary evening of music. For this film, Montserrat Caballé’s brother, Carlos Caballé, has given the first interview since the death of his sister in October 2018. Carlos had accompanied her throughout her life and was also in attendance for the rehearsals and performances in Orange in 1974. Soprano Sonia Yoncheva and Olga Peretyatko tell of their admiration for “La Superba”, as Caballé was known to her fans. And just a few short years after this performance, Maria Callas would describe Caballé her as her true successor – high praise indeed.
Magic Moments of Music – Martha Argerich in Warsaw
Martha Argerich’s appearance at the 1965 Chopin Piano Competition in Warsaw marks the beginning of an incomparable career. With her flowing hair and impetuous and mysterious demeanour, the 24-year-old Argentinian conquers the hearts of everyone present. For much of the competition, however, her victory is far from certain. Her closest competitor is Arthur Moreira Lima from Brazil. It comes down to the final performance of Chopin’s First Piano Concerto, and a legend is born. The film includes excerpts from the dramatic musical duel between Martha Argerich and Arthur Moreira Lima, and from Martha Argerich’s interpretation of Chopin’s First Piano Concerto in Warsaw forty-five years later. We also hear from close friends of Martha Argerich, including the conductor Daniel Barenboim, pianists Gabriela Montero and Sophie Pacini, violinist Gidon Kremer, her competitor Arthur Moreira Lima, the Polish star pianist Rafal Blechacz, who won first prize in the Chopin Competition in 2005, and other people present at the competition in 1965.