2013 marked the 75th birthday of Lucerne Festival. Additionally, the Lucerne Festival Orchestra celebrates its 10th anniversary, and its founder, Claudio Abbado, celebrates his 80th birthday! For the anniversary season opening concert in 2013 Abbado gathers world-famous soloists, who are willing to ‘do the craziest things I ask of them in the interest of the compositions: to fly or to go through the fire.’ The maestro spans a wide and quite contrasting range, from the romantic sounds of BRAHMS’ Tragic Overture to the orchestral interlude and the Song of the Wood-Dove from SCHOENBERG’s Gurrelieder, back to BEETHOVEN’s Eroica. —– PROGRAM: Johannes Brahms: Tragic Overture, Op. 81 / Arnold Schoenberg: Orchestral Interlude and Song of the Wood-Dove from ‘Gurrelieder’ (with Mihoko Fujimura, Mezzo-soprano) / Ludwig van Beethoven: Symphony No. 3 in E-flat major, Op. 55 ‘EROICA’
Bach, Mass in B minor
Under the direction of Bach’s successor as “Thomaskantor”, Georg Christoph Biller, the St. Thomas Boys Choir and an outstanding soloist quintet perform with the prestigious Freiburg Baroque Orchestra, playing on authentic period instruments.
Elina Garanca Recital
The new season of the Opernhaus Zürich opened with an extraordinary recital. The celebrated mezzo-soprano Elina Garanca and the new artistic director Matthias Schulz transported the audience into a world of songs and arias with works by Saint-Saëns, Berlioz, Brahms, Schumann, and other romantic and late romantic composers. The centerpiece of the evening was the aria “Mon cœur s’ouvre à ta voix” from Saint-Saëns’ opera “Samson et Dalila,” which Garanca, as “Dalila,” knows to masterfully and emotionally interpret on the world’s greatest operatic stages and with full orchestras. Matthias Schulz’s sensitive piano accompaniment left nothing to be desired in terms of this emotionality and artistry. The two musicians have a longstanding musical collaboration, and their recitals delight European audiences.
Arvo Pärt Festival
To celebrate Arvo Pärt’s 90th birthday, the Estonian Philharmonic Chamber Choir and Concerto Copenhagen present an extraordinary concert at St. Peter and Paul’s Church in Görlitz. Under the direction of Grammy-winning conductor Tõnu Kaljuste, they perform works by the world’s most renowned and widely performed living composer.
Der Rosenkavalier
When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss’ score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz conducts the Orchester der Oper Zürich.
Eschenbach conducts Schönberg & Brahms
To mark the 80th anniversary of the end of World War II, conductor Christoph Eschenbach conducts Arnold Schoenberg’s “A Survivor from Warsaw” and Johannes Brahms’ “A German Requiem”, with the NFM Wroclaw Philharmonic and Choir as well as soloists Michael Nagy and Aleksandra Zamojska. Both works carry a profound emotional depth and humanistic message. Schoenberg’s “A Survivor from Warsaw” is one of the most significant compositions by this leading avant-garde artist of the early 20th century. And of his “German Requiem”, Brahms once said that he “would gladly omit the word ‘German’ and simply use ‘Human,’” emphasizing his desire for it to be seen as a “human requiem”. PROGRAM Schönberg: A Survivor from Warsaw; Brahms: Ein deutsches Requiem
Lucerne Festival 2025: Chailly conducts Rachmaninoff
The Lucerne Festival Orchestra and Riccardo Chailly continued their journey into Sergei Rachmaninoff’s emotional world. With the rarely performed The Rock, Op. 7, they immersed themselves in the composer’s early work. In his Rhapsody on a Theme of Paganini, Rachmaninoff counterposes his own piano virtuosity against the brilliance of the legendary violinist Paganini. The piece was performed by the exceptional pianist Beatrice Rana, renowned worldwide for her electrifying playing. To conclude the evening, the Lucerne Festival Orchestra, under Riccardo Chailly’s direction, presented Rachmaninoff’s Symphony No. 1. PROGRAM Rachmaninoff: The Rock, Rhapsody on a Theme of Paganini, Symphony No 1
Lucerne Festival 2025: Chailly conducts Mahler
In his internationally acclaimed interpretations of Mahler’s symphonies, Riccardo Chailly focuses on the musical quality of the works, avoiding false pathos and sentimentality while retaining the music’s dramatic intensity. Together with the Lucerne Festival Orchestra, and Elina Garanca, he opened the 2025 festival summer festival with Mahler’s poignant, unfinished 10th Symphony and Mahler’s Rückert-Lieder. The concert opened with Pierre Boulez’s Mémoriale, in reverence of the inaugural director of the Lucerne Festival Academy, who would have celebrated his 100th birthday in 2025. PROGRAM Mahler: Rückert-Lieder, Ssymphony No 10; Boulez: Mémoriale
Nelsons conducts Shostakovich
To commemorate the 50th anniversary of Dmitri Shostakovich’s death in 2025, the Leipzig Gewandhaus organized a unique festival featuring world-class artists and orchestras. The opening concert was the first highlight: the Gewandhausorchester, under the baton of its music director Andris Nelsons, performed Shostakovich’s Piano Concerto No. 2 with the acclaimed pianist Daniil Trifonov as well Shostakovich’s Symphony No. 4. PROGRAM Shostakovich: Festive Overture, Piano Concerto No 2, Symphony No 4
Nelsons conducts Shostakovich No 7
At the centre of the Shostakovich Festival 2025 in Leipzig was a performance of Shostakovich’s “Leningrad” Symphony, in which Andris Nelsons led the combined forces of the Gewandhausorchester and the Boston Symphony Orchestra in the Gewandhaus. Since 2018, both orchestras, at the helm of both of which Andris Nelsons stands, have continuously developed an ever-closer transatlantic partnership. Shostakovich’s 7th Symphony, known as the “Leningrad Symphony”, was composed during World War II and stands as a masterpiece of both artistic and historical significance. PROGRAM Shostakovich: Symphony No 7