Many composers dedicate their works to important people or quite often to the musicians premiering them. In his Violin Concerto No° 4, Alfred Schnittke not only prefaced the piece with the dedication to the premiering soloist Gidon Kremer. He also put this dedication into music and placed it at the very beginning of the concerto, known as the “Kremer theme”. Kremer, who turns 75 in February 2022, performed this concerto for the first time at the Leipzig Gewandhaus under the baton of fellow Latvian Andris Nelsons. Nelsons and the Gewandhausorchester also performed Tchaikovsky’s Symphony No. 1, Winter Dreams. PROGRAM: Weinberg: Jüdische Rhapsodie; Schnittke: Concerto for Violin and Orchestra No. 4; Tchaikovsky: Symphony No. 1
Amid Times and Worlds – Music in Romania
Romania is a country of contrasts and astonishing diversity but its rich musical culture is still completely unknown to most. Amid Times And Worlds takes viewers on a fascinating journey to extraordinary musicians. It travels through the country and visits artists in Bucharest and Timisoara, the 2023 European Capital of Culture. We discover folk music traditions in Maramures and the Carpathians and experience singing in the famous wooden churches in the north of the country. Through conversations and interactions with musicians in Romania, the film paints a picture of the diversity of a country caught between tradition and modernity.
Bach: The Brandenburg Concertos
Johann Sebastian Bach’s Brandenburg Concertos rank among the most popular works of Baroque music, just like Antonio Vivaldi’s Four Seasons. To mark their 300th anniversary in 2021, Accentus Music recorded six Brandenburg Concertos in Köthen Castle’s restored Hall of Mirrors with Collegium 1704 on historical instruments. Founded by Václav Luks in 2005, the orchestra is one of the most renowned ensembles of our time specializing in baroque music. Given the great stylistic and structural diversity of these concertos, Collegium 1704 was the perfect choice to record this UHD HDR production at this historic location.
Lucerne Festival 2021: Chailly conducts Mozart & Schubert
to the podium of the Lucerne Festival Orchestra. Together, they opened the festival with two great masters of the Classic Romantic era: Mozart and Schubert. The overture to Don Giovanni was followed by a mesmerizing rendition of Mozart’s Symphony No. 40 – one of only two he wrote in a minor key. In contrast, Schubert’s Symphony No. 6 focuses on the sunny side of life: C Major, Viennese nonchalance, pleasure put to sound with playful ideas that orchestra and conductor expertly demonstrated.
Beethoven: The Last Three Piano Sonatas
Large industrial complexes, built of solid brick tell the story of industrialization of 19th century Leipzig. Where spinning wheels once rattled, chimneys smoked and thousands of workers carried out their daily work, new life has moved in over the past few years. Today, former factories are home to artists’ studios, galleries and manufactories. The term “industrial culture” is taken literally here. The Kunstkraftwerk Leipzig is one of these buildings that tell the story of time and was now the chosen location for a very special production: the exceptional Korean pianist Sunwook Kim played Ludwig van Beethoven’s last three Piano Sonatas op. 109-111 in an industrial setting framed by light projections that filled the brick hall. Beethoven’s last three piano sonatas occupy a very special place within his oeuvre. Completely deaf by then, the composer puts three of his most intimate and personal works on paper, which at the same time radiate optimism and point musically into the future like hardly any other works.
Music for Eternity – Bach’s Brandenburg Concertos
The Brandenburg Concertos by Johann Sebastian Bach are, together with Vivaldi’s “Four Seasons”, the most famous concerts in the history of early music. They are true “evergreens” with an exciting genesis, brilliantly orchestrated and extremely varied. The flautist Ana de la Vega is one of the dazzling personalities of a young generation of musicians. On the occasion of the 300th anniversary of the Brandenburg Concertos, she embarks on a journey into the history and musical characteristics of the works. Fascinated by Bach and his music, she searches for traces in Leipzig, Weimar, Köthen and Berlin: How did the concerts come about? What makes them so unique? And what is the truth of the claim that they were a secret application of Bach?
Winterreise: Ballet by Christian Spuck
Franz Schubert’s “Winterreise” is not only regarded as the zenith of Schubert’s song composition, but as the pinnacle of German art song in its entirety. German composer Hans Zender arranged the cycle in 1993 with the title “Schuberts Winterreise – a composed interpretation”. Zender’s version for tenor and chamber orchestra reveals the cycle’s potential to disturb, and approaches Wilhelm Müller’s poems in its own way. Like Hans Zender, Christian Spuck’s production, which was awarded the renowned «Prix Benois de la Danse» in 2019, undertakes a journey into the innermost self.
Lucerne Festival 2019: Chailly conducts Rachmaninoff
Everything changed for Sergei Rachmaninoff after 1917. As a result of the October Revolution, power impinged directly on his life – and on his art. The new political conditions forced him to leave his Russian homeland and flee into exile in the West. In order to earn a living, he had to perform for the most part as a piano virtuoso, constantly touring Europe and America. Which meant he had hardly any time left over to compose. The program with which Riccardo Chailly and his Lucerne Festival Orchestra open the 2019 Summer Festival orbits around this turning point in Rachmaninoff’s life, pairing the legendary Third Piano Concerto, written in Russia in 1909, with the melancholy Third Symphony, which he created as an émigré in Hertenstein near Lucerne in 1935-36. PROGRAM Rachmaninoff: Piano Concerto Nr. 3; Symphony No. 3; Vocalise op. 34 No. 14
Ivor Bolton conducts the Dresden Festival Orchestra
This glamerous concert opened the prestigious Dresden Music Festival 2019. Together with Dresden-born singer René Pape the Dresden Festival Orchestra under the baton of Ivor Bolton dived deeply into the romantic repertoire. Highlight of the evening was the world premiere of songs by Franz Schubert arranged for bass and orchestra, including “Prometheus“ D 674 as well as songs from the cycle “Schwanengesang“: Das Fischermädchen, Am Meer, Die Stadt, Der Doppelgänger, Ihr Bild, Der Atlas and An die Musik. Preceeding is Carl Maria von Weber’s overture to his opera “Euryanthe”, which during his lifetime had no easy lot: the music was greatly praised, the libretto however was laughed at. The spring-like first symphony by Robert Schumann was drafted in only four days and written out in three weeks – in a blissful stage of his life shortly after his marriage to Clara Wieck.
Paavo Järvi – Tonhalle Orchester Zürich, Inaugural Concert
The Tonhalle Orchester Zürich has appointed one of the best conductors of our time as ist new artistic director: Paavo Järvi takes over the post with the 2019/2020 season. Born in Estonia in 1962, Järvi is currently music director of the NHK Orchestra in Tokyo. In 2009, he worked with the Tonhalle Orchestra for the first time and again most recently in December 2016. Kullervo, Op. 7, is a suite of symphonic movements by the Finnish composer Jean Sibelius. Although often referred to as a „choral symphony,“ the work avoids traditional symphonic structure and its five movements constitute a set of related but independent tone poems. PROGRAM Sibelius: Kullervo