Roméo et Juliette

While Charles Gounod’s ‘Roméo et Juliette’ is less well-known than his ‘Faust,’ it is blessed with four great show-stopping love duets that let its two title roles bask in lyrical luxury. In this Salzburg Festival production recorded at the Felsenreitschule, the titular heroes are the much acclaimed Mexican tenor Rolando Villazón and the young Georgian soprano Nino Machaidze – two singers and personalities with the makings of a new ‘dream couple.’ ‘Villazón is ‘an ideal Roméo … His vocal cords seem to be grafted directly onto his heart’ (Der Tagesspiegel). His Juliette, Nino Machaidze, unites captivating good looks with a bright, clear voice and an agile, youthful stage presence – a singer on her way to stardom! Broadway director Bartlett Sher and his team succeed in evoking Shakespeare’s Verona with a few evocative props, many fine

costumes and much plot-driven action.

Tutto Verdi – The Complete Operas

Operas: Oberto, Un giorno di regno, Nabucco, I Lombardi, Ernani, I due Foscari, Giovanna d´Arco, Alzira, Attila, Macbeth, I masnadieri, Il corsaro, La Battaglia di Legnano, Luisa Miller, Stiffelio, Rigoletto, Il Trovatore, La Traviata, I vespri siciliani, Simon Boccanegra, Un ballo in maschera, La forza del destino, Don Carlo, Aida, Otello, Falstaff. “This is how Verdi should be played.” FAZ Including all 26 Verdi Operas + Requiem + BONUS: 10 mins introductions of each opera + documentary “Verdi´s Backyard” + booklet 280 pages

Le Siège de Corinthe

When Rossini’s opera Le Siège de Corinthe was premiered in 1826 in Paris it became a huge success all over Europe. The Rossini Opera Festival presents the opera in a new production from Carlus Padrissa of the Barcelona collective La Fura dels Baus, “which here has one of its most interesting shows” (connessiallopera.it). Artisticly “Roberto Abbado holds the ranks excellently and supports a well-cohesive and balanced cast” (L’ape musicale) “where bass-baritone Luca Pisaroni growled fearsomely as Sultan Mahomet, tenor Sergey Romanovsky as Néoclès matched a warm tone with pinging top notes, and tenor John Irvin was self-assured as Cléomène, but soprano Nino Machaidze as Pamyra thrilled most of all, as she purred effortlessly through pyrotechnic coloratura” (Financial Times).

Tutto Verdi Highlights

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances.

“This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

Rigoletto

TUTTO VERDI – this edition to mark the Verdi bicentenary sets standards by which all similar projects will be judged. It includes all twenty-six operas by the greatest Italian stage composer, together with his immortal Requiem, all of them in definitive performances. “This is how Verdi should be played” – Frankfurter Allgemeine Zeitung on TUTTO VERDI

For Verdi, Victor Hugo’s play Le roi s’amuse was “arguably the greatest drama of the present day“. But many of his contemporaries were scandalized by this tale of corpses, jesters, cripples and a king addicted to venal love. And yet this no doubt helps to explain why Rigoletto turned out to be Verdi’s second great success and laid the foundations for his emergence as Italy’s leading opera composer.

Tutto Verdi – The Complete Operas

Tutto Verdi – for the first time all 26 operas are available on DVD and Blu-ray in HD and Surround Sound.

“This is how Verdi should be played.” FAZ

Belcanto D´Amore (Aida, La Traviata, Madama Butterfly, Rigoletto, Turandot)

AIDA

Iano Tamar, Iain Paterson,

Tatiana Serjan, Rubens

Pellizzari

Vienna Symphonic Orchestra

Carlo Rizzi

Staged by Graham Vick

MADAMA BUTTERFLY

Raffaela Angeletti

Nino Batatunashvili

Annunziato Vestri

Fondatione Orchestra

Regionale Delle Marche

Daniele Callegari

Staged by Pier Luigi Pizzi

TURANDOT

Maria Guleghina, Marco Berti,

Javier Agulló

Orquestra de la Comunitat

Valenciana

Zubin Metha

Staged by Chen Kaige

LA TRAVIATA

Svetla Vassileva, Massimo

Giordano, Valdimir Stoyanov

Orchestra e Coro del Teatro

Regio di Parma

Yuri Temirkanov

Staged by Karl-Ernst & Ursel

Herrmann

RIGOLETTO

Francesco Demuro, Leo Nucci

Nino Machaidze, Marco Spotti

Orchestra e Coro del Teatro

Regio di Parma

Massimo Zanetti

Staged by Stefano Vizioli

Best of Verdi Arias

La traviata

1. È strano! È strano! … Ah, fors’è lui … Sempre libera

2. Lunge da lei … De’ miei bollenti spiriti

3. Di Provenza il mar, il suol

Rigoletto

4. Questa o quella

5. Gualtier Maldè … Caro nome che il mio cor

6. Cortigiani, vil razza dannata

7. La donna è mobile

Don Carlo

8. Fontainebleau! … Io la vidi e al suo sorriso

9. Ah, più mai non vedrò la regina! … O don fatale

Aida

10. Se quel guerrier io fossi! … Celeste Aida

11. Ritorna vincitor! … Numi, pietà del mio soffrir!

Luisa Miller

12. Quando le sere al placido

Il trovatore

13. Stride la vampa!

14. Ah! Sì, ben mio … L’onda de’ suoni mistici … Di quella pira

I vespri siciliani

15. Mercé, dilette amiche

Un ballo in maschera

16. Forse la soglia attinse … Ma se m’è forza perderti

La forza del destino

17. Pace! Pace, mio Dio!

18. La vita è inferno all’infelice … O tu che in seno agli angeli

Otello

19. Piangea cantando nell’erma landa … Ave Maria, piena di grazia

20. Niun mi tema

Stars of Tomorrow presented by Rolando Villazón – Episode 3

PROGRAM: Wolfgang Amadeus Mozart: Overture from Die Entführung aus dem Serail // Felix Mendelssohn Bartholdy: Intermezzo from A Midsummer Night’s Dream // Charles Gounod: “Je veux vivre” from Roméo et Juliette (Soloist: Nino Machaidze) // Astor Piazzolla: Tango Etude No. 3 (Soloist: Eva-Nina Kozmus) // Wolfgang Amadeus Mozart: Flute Concerto No. 1 – Allegro maestoso (Soloist: Eva-Nina Kozmus) // Léo Delibes: Les filles de Cadix (Soloist: Nino Machaidze) // David Orlowsky: Juli (Orlowsky Trio) // Jens-Uwe Popp: Satin (Orlowsky Trio) // Édouard Lalo: Symphonie espagnole – Intermezzo (Soloist: Vilde Frang) // Charles Dumont, Michel Vaucaire: Non, je ne regrette rien