Hailed by the press as “the definitive video production” of Tchaikovsky’s music, this exceptional concert series, recorded live from the Alte Oper Frankfurt, features the leading Russian conductor Vladimir Fedoseyev and the Moscow Radio Symphony Orchestra. Fedoseyev’s perceptive reading of the works of his fellow countryman, the masterly playing of the orchestra and guest soloists combine to produce performances which are revelatory in their execution and understanding of Tchaikovsky’s music and the Russian heritage.
St Matthew Passion BWV 244
Recorded live from the Romanesque church in Alpirsbach, Enoch zu Guttenberg conducts the Neubeuern Choral Society and the Munich Bach Collegium, with soloists Claes-Hakon Ahnjsö (tenor), Margaret Marshall (soprano), Jard van Nes (contralto), Aldo Baldin (tenor) and Anton Scharinger (bass). The culmination of Bach’s writing for the Church, this massive choral work is a deeply moving combination of joy and grief which attains the utmost heights of expressiveness.
Madrigals with the Consort of Musicke
Two concerts, recorded live from the Holland Festival of Early Music, feature the internationally-acclaimed ensemble conducted by lutenist Anthony Rooley, with soprano Emma Kirkby and guest performer, recorder-player Marion Verbruggen. The repertoire highlights the close musical links that existed between Holland and England around the beginning of the seventeenth century, and the influence of the Italian madrigal composers of the day. Programme One: Songs by Jacob van Eyck, Luca Marenzio, Jan Pieterszoon Sweelinck, John Ward, Thomas Ravenscroft and John Dowland. Programme Two: Songs by Jacob van Eyck, Cornelis Schuyt, Peter Philips and Robert Jones.
Via Crucis – The Fourteen Stations of the Cross
This performance by the Dutch Chamber Choir, conducted from the piano by Reinbert de Leeuw, presents a rare opporunity to hear Liszt’s moving late work. The recording was made at the Church of St. Peter in Utrecht and is rich in visual imagery, using costumed singers positioned in striking tableaux to enhance the music. Inspired by a series of paintings depicting the Stations of the Cross, Liszt’s piety expresses itself in a composition of unadorned simplicity.
La damnation de Faust
This live recording was made at the Royal Albert Hall during one of London’s famous Promenade Concert seasons. Sir Georg Solti conducts the Chicago Symphony Orchestra and Chorus in a magnificent performance of Berlioz’s concert cantata. This feast of Berlioz launched Solti’s farewell tour with the orchestra he had directed for twenty years and was described by The Times as “the unsurpassable culmination of two decades of music-making…one that summarised all that has been most admirable about Solti’s long reign in Chicago.
Great Arias
This on-going series of ten-minute programmes introduces some of opera’s finest
moments, performed and presented by some of the greatest singers of our day, Dame Joan
Sutherland, Dame Kiri Te Kanawa, Eva Marton, Marilyn Home, Anne Sofie von Otter, Roberto Alagna,
Philip Langridge, René Kollo and Yuri Marusin among them. Their performances are drawn from
recent live recordings of acclaimed productions of key works in the operatic repertoire and
include such high-spots as Vissi d’arte from Puccini’s Tosca, the Mad Scene from Donizetti’s
Lucia di Lammermoor, Elektra’s murderous confrontation with her mother in Strauss’s Elektra, and
Leonora’s D’amor sull’ali rosee from the final act of Puccini’s Tosca.
Pärt: St. John Passion
Arvo Pärt’s St. John Passion stands foremost among the large number of works which can be assigned to the liturgical period of the Passion, for he takes up the narrative tradition of the Christian liturgy yet dramatises the Passion story to reveal historical and even timeless aspects as well. What most clearly distinguishes his works from other liturgical compositions is the silence, the many pauses. The missing notes are in some ways more important than those which have been composed. ‘Silence is always more perfect than music. One must just learn to hear this.’ (Arvo Pärt). With introduction.
Resounding through Durham Cathedral, Arvo Pärt’s St. John Passion is performed by the world-renowned Hilliard Ensemble, the Western Wind Choir and numerous soloists (including John Potter as Pilate and Michael George as Christ) under the overall direction of Paul Hillier.
Das Lied von der Erde
Recorded live from the Philharmonie in Munich, Sir Colin Davis conducts the Bavarian Radio Symphony Orchestra for this performance of Mahler’s great song symphony.
Missa Glagolitica
In this recording, Janácek’s great choral work, the Glagolitic Mass, is performed by the Czech Philharmonic Chorus and Orchestra, conducted by Václav Neumann, with Jan Hora on the organ. The soloists are Gabriela Benackova (soprano), Drahomira Drobkova (contralto), Josef Kundlak (tenor) and Sergej Kopcak (bass).
Gabriela Benackova (soprano), Drahomira Drobkova (contralto), Josef Kundlak (tenor) and Sergej Kopcak (bass).
A Child of Our Time
Sir Colin Davis conducts the Bavarian Radio Symphony Chorus and Orchestra in a performance of Sir Michael Tippett’s oratorio. Written during the years before the Second World War, when Tippett’s political and social beliefs gained momentum, it is a compassionate outcry against injustice and persecution, and is enhanced by the use of Negro spirituals.