Anne-Sophie Mutter – The Club Concert

For a change, rather than standing on stage in one of the worlds renowned grand concert halls, Anne-Sophie Mutter spent two evenings playing in a tiny graffiti-scrawled nightclub in the Friedrichshain district of Berlin, jam-packed with hip young people. “I definitely wanted to put the audience in touch with the music I love and believe in, music that packs such a huge emotional punch. An audience which I’ll never find in the Philharmonie. So I thought to myself: If there’s a bunch of people who will never go to the Philharmonie, I’ll have to go to them”. Accompanied by pianist Lambert Orkis, Mahan Esfahani and her own Virtuosi – young scholarship holders from her foundation – Mutter performed works ranging from the Baroque to the present day – from J.S. Bach and Antonio Vivaldi (Four Seasons) to George Gershwin and John Williams. The music she otherwise plays behind a sort of cordon sanitaire in the world’s great concert halls acquired an incredible intensity, if only from her proximity to the listeners. The audience, to Anne-Sophie Mutter’s great joy, was equally euphoric in ist response: “The applause was moving. I will always cherish the enthusiasm of the audience in these intimate club appearances.”

Thielemann conducts Bruckner No. 6 & Beethoven

Bruckner’s music has played a central role in Thielemann’s relationship with the Staatskapelle; he launched each new concert season with a Bruckner symphony – now the Sixth, this recording of which completes Thielemann’s cycle of the mature Bruckner symphonies. For the Sächsische Zeitung this performance marked “another Bruckner triumph for Dresden” by revealing “the greatness of the work with a rarely heard transparency and clarity. It could hardly have been better!” Beethoven’s Piano Concerto No. 3 featured one of today’s outstanding keyboard virtuosos, the Soviet-born Israeli-American pianist Yefim Bronfman, in a performance marking the start of his residency as the Staatskapelle’s “Capell-Virtuos”. In the words of the Dresdner Neueste Nachrichten: “He has music ‘in his fingertips’ (…) ‘High School’ of piano playing.”

Christian Thielemann conducts Chausson, Debussy and Fauré

Christian Thielemann conducts the Berliner Philharmoniker in a programme of late Romantic French masterpieces, accompanied by the outstanding voices of Christiane Karg, Sophie Koch and Adrian Eröd. Gabriel Fauré’s heart-easing Requiem with its famous “Pie Jesu” is turned into a “magical moment” by Karg’s “divine” way of singing (Kulturradio). Ernest Chausson’s haunting song cycle Poème de l’amour et de la mer, in which Sophie Koch performs “superbly with her dramatic, yet light voice” (FAZ), constitutes the Requiem’s temporal counterpart. Thematically bridging the two works are Debussy’s Danse sacrée and Danse profane for harp and strings, with the orchestra’s principal harp Marie-Pierre Langlamet creating “cascades of artful polyphony in delicate nuances” (FAZ).

The Prokofiev Marathon

This suite of five concerts at Munich’s Philharmonic Hall performed by the Münchner Philharmoniker, the Mariinsky Orchestra and several soloists, forms part of the MPhil 360° Festival. The MPhil 360° Festival is a new festival which marks the beginning of Valery Gergiev’s collaboration with the Münchner Philharmoniker. Core of the program of the festival’s first edition are the five piano concertos of Prokofiev who enter into a dialogue with history and modern age. All of Prokofiev’s piano concertos are complemented by works of the German musical literature. PROGRAM: Prokofiev: Piano Concerto No. 1, Symphony No. 1, Haydn: Symphony No. 82

Jansons conducts Shostakovich, Bartók & Ravel

Mariss Jansons is one of the leading conductors of his generation and a close friend of the Berliner Philharmoniker. For this special concert he brings works by Bartók, Shostakovich and Ravel to the rostrum and together with the Berliner Philharmoniker he succeeds in “rocking the Berlin Philharmonie” (Süddeutsche Zeitung). For Shostakovich’s 2nd Violin Concerto Jansons and the Berliner Philharmoniker are joined by the German violinist Frank Peter Zimmermann. PROGRAM Bartók: Music for Strings, Percussion and Celesta; Ravel: “Daphnis et Chloé”; Shostakovich: Violin Concerto No. 2

Strauss: A Hero’s Life

A Hero’s Life: In 2014, the year that marked the 150th birthday of the composer, Daniel Barenboim conducted his Staatskapelle Berlin with Strauss’ tone poem. The aplomb with which the composer is quoting his own works in this musical portrait of a “hero” was criticized as well as admired… but A Hero’s Life stays one Strauss’ masterpieces.

Brahms Piano Concertos No. 1 and No. 2

The Berlin Music Festival gets off yet again to “a brilliant start” (Tagesspiegel).: Daniel Barenboim plays both of the Brahms piano concertos at the Philharmonie with Gustavo Dudamel and the Staatskapelle accompanying him. Dudamel and Barenboim had already appeared on stage together at La Scala in Milan to celebrate Daniel Barenboim’s 70th birthday. That winning collaboration now continues in Berlin with a programme that is particularly demanding for the pianist: “Barenboim launches with near-superhuman enthusiasm into Brahms’s two piano concertos (…), masterpieces of monumental dimensions. (…)” is how the Berliner Morgenpost describes it, while the Tagesspiegel newspaper is impressed by the pianist’s accomplishment in mastering the works’ complexity: “This artist is a phenomenon: he appears to enjoy limitless energy, concentration and love of music-making. (…) In the D minor concerto Barenboim focuses entirely on the intimate moments, eschewing a display of strength which this piece sometimes

seems to encourage.”

Salonen conducts Sibelius and Grieg

This concert by the Symphonieorchester des Bayerischen Rundunks has an entirely Scandinavian theme. Under the aegis of Finnish-born Esa-Pekka Salonen the orchestra begins the recital with “Eleven Gates”, a work of soundpainting by the contemporary Swedish composer Anders Hillborg. Alice Sara Ott provides the focal point of the evening, with the Piano Concerto by the Norwegian Edvard Grieg. The orchestra rises to the challenge with the impressive final work, the great Fifth Symphony by Finnish composer Jean Sibelius, a performance marking his 150th birthday “that no one who was present will ever forget.” (Süddeutsche Zeitung)

Haitink conducts Shostakovich and Webern

Bernard Haitink begins the musical programme at the rostrum of the Symphonieorchester des Bayerischen Rundfunks with Anton Webern’s early and seldom played orchestral work “Im Sommerwind”. It is followed by Dmitri Shostakovich’s 15th Symphony.