Experience an extraordinary evening with the Qatar Philharmonic Orchestra, featuring the world premiere of Malek Jandali’s Syrian Symphony. This powerful, deeply moving work celebrates the resilience and spirit of the Syrian people. Composed during a turbulent chapter in modern Syrian history, the symphony weaves themes of revolution and hope, with sweeping melodies and intricate orchestration that capture both the struggles and triumphs of a nation. PROGRAM Jandali: Symphony No. 1 “Syrian Symphony”
New Year’s Eve Concert 1978
Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan’s subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to “let go” and enjoy a rollicking time with Suppé or a Lisztian Hungarian Rhapsody, as the present recording superbly illustrates. For the 1978 New Year’s Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi’s Overture to “La forza del destino” are the two major works of the program, Bizet’s Arlésienne Suite No. 2 and Liszt’s Hungarian Rhapsody No. 2. The Hungarian March, or “Rákóczy March,” from Berlioz’s “La damnation de Faust” never fails to rouse listeners with its dazzling instrumentation. The program closes with the Intermezzo from Mascagni’s “L’amico Fritz” and the ever-popular Overture to “Leichte Kavallerie” by Franz von Suppé.
New Year’s Eve Concert 1979
Gaiety and temperament are the keynotes of this New Year’s Eve program with the London Philharmonic Orchestra recorded live in Munich’s Herkulessaal on New Year’s Eve 1979. It begins with “Gaieté Parisienne,” an arrangement of Jacques Offenbach’s most popular operetta melodies. This is followed by a generous helping of central European esprit in the Slavonically inspired dances of Léo Delibes’ “Coppélia” ballet, and in the Viennese lightness of Franz von Suppé’s “Pique Dame” Overture, a delicious little work by the founding father of the Viennese operetta. Amilcare Ponchielli’s “Dance of the Hours” has delighted “promenade” concertgoers for years now – perhaps because it reminds us of his two great pupils Puccini and Mascagni? The luscious lyricism of the waltzes from Richard Strauss’s “Rosenkavalier” is dispelled by the solemn majesty of Sir Edward Elgar’s “Pomp and Circumstance March No. 4.” From Victorian England we travel to Czarist St. Petersburg, to the magical world of Peter I. Tchaikovsky’s “Nutcracker Suite.” And since all good things must come to an end, the Land of Sweets disappears under a vigorous sprinkling of fiery paprika in Johannes Brahms’s “Hungarian Dance No. 5,” which closes the program on a spicy note.
MSO: Sir Andrew Davis conducts 20th-Century Classics
Conducted by Sir Andrew Davis with Australia’s violin master Richard Tognetti, this concert features Vaughan Williams’ The Lark Ascending which was placed No. 1 in the ABC’s Swoon Classic 100 countdown in 2015. The work itself remains a glorious evocation of English pastoral life — the solo violin being the evocation of George Meredith’s soaring verse. Benjamin Britten’s Four Sea Interludes from Peter Grimes convey all the scrunchy saltiness of the coast of his beloved East Anglia. The program also includes the Partita for Violin and Orchestra by Witold Lutoslawski, and Sergei Rachmaninoff’s vibrant Symphonic Dances.
MSO: Russian Night with Maxim Vengerov
The world-renowned violinist Maxim Vengerov joins the MSO to perform the fiendishly difficult Violin Concerto by Tchaikovsky. Full of soaring melodies, melancholy and virtuosity, this work has rightfully claimed its place amongst the great violin concertos of all time. Scheherazade tells the story of a slave girl having to amuse the gruesome sultan by telling him a new story every night. Several of these come together in Rimsky-Korsakov’s colourful oriental fantasy; a highlight in the Russian orchestral repertoire and the ideal work for an ensemble of virtuosos like the MSO. Allow the MSO to transport you into the world of a thousand-and-one nights.
MSO: East Meets West – A Chinese New Year’s Celebration
Join the MSO and maestro Lü Jia with a stellar cast of guest artists to celebrate the Chinese New Year in a colourful and joyous one-night-only event showcasing Melbourne’s diverse culture. One of China’s most celebrated violinists, Lu Siqing, performs with the MSO for the first time since 2014 as soloist in one of China’s most famous orchestral works, the lush and romantic Butterfly Lovers’ concerto. Written by composers Chen Gang and He Zhahao in 1959, it is the perfect inclusion in this concert. Revel in the textured sounds of traditional Chinese instruments, new works and world-class musicians in the heart of Melbourne, a city with a rich Chinese-Australian history, worthy of celebration. MSO’s annual Chinese New Year celebration has become a highlight on the concert calendar, celebrating the city’s cultural diversity.
Christian Thielemann – Schumann Cycle: Symphonies 1 and 2
After Brahms and Bruckner, the Staatskapelle Dresden and its principal conductor Christian Thielemann now devote themselves to the symphonic works of Robert Schumann in a complete cycle. “The phantasmal, the poetry and the abysses of the Biedermeier era are particularly well suited to the orchestra; this music is part of the Staatskapelle’s soul” explains Christian Thielemann. The performance of all four symphonies by this composer, who also lived in Dresden, allows both artists and audience to concentrate on this outstanding repertoire in a unique way.
Christian Thielemann – Schumann Cycle: Symphonies 3 and 4
After Brahms and Bruckner, the Staatskapelle Dresden and its principal conductor Christian Thielemann now devote themselves to the symphonic works of Robert Schumann in a complete cycle. “The phantasmal, the poetry and the abysses of the Biedermeier era are particularly well suited to the orchestra; this music is part of the Staatskapelle’s soul” explains Christian Thielemann. The performance of all four symphonies by this composer, who also lived in Dresden, allows both artists and audience to concentrate on this outstanding repertoire in a unique way.
Christian Thielemann – Brahms Cycle: Symphonies No. 1 and 3
Christian Thielemann and the Staatskapelle Dresden open their Brahms Cycle with a performance at the stunning NHK Hall in Tokyo, Japan. The program includes Brahms’ Symphonies No. 1 in C minor and No. 3 in F major.
Manfred
As a young man, Schumann had got to know Byron’s works through his father’s publishing business. There is no question that the composer recognised his own psyche in Manfred’s rugged soul. But he also responded to the challenge of Byron’s artistic concept of Manfred as “mental theatre”.
In the Düsseldorf production, the audience “becomes” Manfred, experiencing through the eyes of the eponymous hero a projection of the visually alienated world of the Swiss mountains in which the story is set – visualisation by the Austrian media artist Johannes Deutsch.