New Year’s Eve Concert 1980

For his New Year’s Eve Concert 1980, Sir Georg Solti returned to Munich’s Herkulessaal, where he led the Bavarian Radio Symphony Orchestra in another colorful potpourri of entertaining pieces. The concert opens with Richard Strauss’ scintillating tone poem “Don Juan,” the first work to manifest Strauss’ mature individual style. The episodic work is based on Nikolaus Lenau’s romantic version of the Don Juan legend. Its triumphant premiere in Weimar in 1889 established Strauss as one of the leading German composers of his time. “The Moldavia,” part of Bedrich Smetana’s vast symphonic cycle “My Fatherland,” was composed in 1884 and has been synonymous with Czech music ever since. Despite the work’s highly descriptive programmatic episodes, it is the sweeping and melancholy “Moldavia” theme that captivates all listeners. In his “Two Episodes from Lenau’s ‘Faust’,” Franz Liszt, like Strauss above, also turned to Lenau for the first of his four “Mephisto Waltzes” (the episode is actually called “The Dance in the Village Inn”). It is a work which reaches heights of frenzy and sensuality. “Les Préludes” is one of Liszt’s most famous symphonic poems. The title was drawn from a poem by Alphonse de Lamartine. It was first performed in Weimar in 1854, seven years before the first “Mephisto Waltz.” The concert closes with Franz von Suppé’s Overture to the drama “Poet and Peasant” (1846). Suppé, one of the first Viennese operetta composers, also wrote many overtures, songs, etc. for Viennese comedies in his day. This is one of his most lastingly popular pieces.

New Year’s Concert 1989

For the 30th anniversary of the Vienna Philharmonic Orchestra’s New Year’s concerts, Carlos Kleiber appeared at the conductor’s podium to conduct his first Strauss family extravaganza. “What Carlos Kleiber presents here is the fulfillment of all waltz dreams,” wrote the trade magazine “Fono Forum.” All the beloved Viennese melodies such as the “Fledermaus” overture, the “Accelerationen” waltz, “Bei uns zu Haus,” “Csardas,” “Pizzicato Polka” and, of course, the “Blue Danube” waltz and the “Radetzky March” – all these Viennese warhorses took on an unexpected elegance, spirit and wit. Kleiber’s rubati and accelerandi, his sensitivity towards everything that is found between the staves of the music invest these pieces with a new urgency. Pieces that we thought were so overplayed as to be trite and meaningless assume a freshness and vitality that is nothing less than amazing. “There won’t be anything more beautiful this year,” gushed one of Vienna’s leading dailies – and it was probably right.

MSO: Chinese New Year Concert

Visionary composer and conductor Tan Dun returns to Melbourne to celebrate the Year of the Pig in a thrilling and personal program. His Double Bass Concerto is inspired by the Chinese novel Wolf Totem by Jiang Rong and reflects Tan Dun’s fascination with the sounds and customs of the ancient cultures along the Silk Road. Joining the maestro and the MSO is Hanggai, a troupe of traditional-meets-rock musicians from the steppes of Inner Mongolia via Beijing. Combining traditional instruments with a hearty serving of rock bravado, their performance with the MSO is unlike anything else you have seen all year.

MSO: Beethoven 9, Circa and Cheetham

The epic struggle for peace and ultimate triumphant bliss of Beethoven’s Ninth Symphony is physically embodied by ten world-class circus artists from Circa, Australia’s premier contemporary circus, in the Season Opening Gala of Melbourne Sypmphony Orchestra. This revolutionary world-first staging of Beethoven 9 is performed alongside a world premiere by revered Australian composer Deborah Cheetham. Her work “Dutalla, star filled sky” has been created in response to Beethoven’s Ninth.

World Orchestra for Peace at the Abu Dhabi Festival

For this concert of the World Orchestra for Peace at the Abu Dhabi Festival, conductor Valery Gergiev, head of St. Petersburg’s Mariinsky Theater and principal conductor of the London Symphony Orchestra, has put together a program that includes major works by two of his favorite composers, Prokofiev and Tchaikovsky. With the World Orchestra for Peace, Gergiev has at his command an orchestra that is truly remarkable from every point of view. It is not only put together of the best musicians from the best orchestras of the world; the orchestra, which was established by Sir Georg Solti in 1995, also pursues a very special goal: to “reaffirm the unique strength of music as an ambassador for peace”. The concerts given by this ensemble, whose musicians are all actively engaged in their respective orchestras, are rare but exquisite and highly appreciated events.