In 2014, a memorable concert took place at the Teatro Colón: Martha Argerich and Daniel Barenboim as a piano duo on two pianos. Since their youth, the two have enjoyed an artistic friendship rich in magic moments of music. What happens when these very different personalities form a piano duo? The two superstars had already performed together almost everywhere in the world – but not in their hometown. Their first joint performance in Buenos Aires was a magic moment of music and a kind of folk festival in equal parts. During their stay in Buenos Aires, Argerich and Barenboim went in search of traces of the places where they met as children. And how does Daniel Barenboim himself remember the concert? He laughs: “It’s totally easy with Martha. It’s not like that with everyone. You can only fall in love with her.”
Magic Moments of Music – Leonard Bernstein and Krystian Zimerman interpret Brahms
It was a unique coming together in Vienna in 1984 when enigmatic pianist Krystian Zimerman and charismatic maestro Leonard Bernstein stepped onto the stage and in front of the cameras to perform Brahms’ Piano Concerto No. 2. The result was indeed a magic moment of music and a landmark in the career of Krystian Zimerman. In this episode Zimerman gives a rare interview, and for the first time in a TV documentary, speaks in detail about the background to the concert recording and why the collaboration with Leonard Bernstein radically changed the course of his artistic life. Eminent colleagues including Hélène Grimaud and Igor Levit as well as close confidants of Leonard Bernstein such as the conductor Marin Alsop and his former assistant Charlie Harmon also tell us what makes this concert a great moment for them.
Magic Moments of Music – Menuhin & Karajan play Mozart
Yehudi Menuhin is considered the prodigy of the past century. He was celebrated and adored as once W.A. Mozart, whose Violin Concerto No. 5 he interprets for this recording. After many years of performing and traveling, the outbreak of World War II marked a turning point for Menuhin. He plays in front of Allied troops, soldiers, and wounded. His concert in the liberated concentration camp Bergen-Belsen confronts him, the protected boy prodigy, with unimaginable horror. But Yehudi Menuhin does not despair. He decides to dedicate his life and his music to reconciliation and peace. As early as 1947, he returns to Berlin for a guest performance, the first Jewish musician to do so. Only a few years older, Herbert von Karajan takes a completely different path. His life is marked by the search for perfection and musical greatness. During the Nazi era, Herbert von Karajan builds his career in Germany and becomes one of the most influential and important conductors of the postwar period. This 1966 recording, masterfully staged by award-winning feature film director Henri-Georges Clouzot, proves that such contrasting biographies do not stand in the way of magical musical moments. International stars from the music scene such as Anne-Sophie Mutter, Daniel Hope, or Hillary Hahn, but also greats of cinematic art such as Sunnyi Melles and Bruno Monsaigeon, let themselves be enchanted by this valuable contemporary testimony, which documents the only collaboration of these musical legends. Together we experience how timeless beauty is realized in sound ideals and how music can still contribute to reconciliation today.
In the Maze – Jörg Widmann
Clarinettist, conductor and composer Jörg Widmann is working on a composition. He has been commissioned to write a large-scale trumpet concerto (“Towards Paradise”) for the Gewandhaus Orchestra in Leipzig and the Boston Symphony Orchestra. The film accompanies Widmann on this journey, from the very first drafts of the piece to the premiere performance, taking the audience through diverse psychic and sonic realms. Music takes on a life of its own in the moment of writing, believes Jörg Widmann. It assumes its own form, becoming a living being that forges its own path. As such, it remains a fragment, because it is not what he, the writer, had intended. For Widmann, the image that best describes this progression is a maze. We follow Jörg Widmann into his maze, reaching for the thread that runs through his life and work. Together with him, we experience the ups and downs, the euphoric moments as well as the moments of crisis that are brought about by the process of writing.
Magic Moments of Music – Rudolf Nureyev’s Swan Lake
An incredible 89 curtain calls is testament to the ballet history that was written at the Vienna State Opera on October 15, 1964. The event is a performance of Swan Lake choreographed by Russian dancer Rudolf Nureyev, who also took on the male lead role of the Prince. His partner is the British prima ballerina Margot Fonteyn. In his novel interpretation of Swan Lake, Nureyev revolutionises the role of the male dancer, seeking to be her equal counterpart. This great moment in music includes theexcerpts of the legendary ballet recording, while the documentary passages with Nureyev reveal and make tangible this exceptional and fascinating personality. In newly filmed conversations, dancers and companions Michael Birkmeyer and Gisela Cech, who danced alongside Nureyev at the premiere of Swan Lake, share some personal memories of the iconic figure, while new protagonists of today’s ballet world look back at Nureyev and his work from the perspective of our times.
Magic Moments of Music – Franco Zeffirelli’s La Bohème
This magic moment with music by Giacomo Puccini and artworks by Zeffirelli opens a window into the tender and melancholically intimate story of Mimì in bohemian Paris.
After the great success of Zeffirelli’s production of La Bohème at La Scala in Milan, Herbert von Karajan and Zeffirelli were compelled to turn it into an opera film. The screen adaptation of Puccini’s masterpiece featured the choir and orchestra of the Milan Scala and among others, Mirella Freni, Gianni Raimondi and Rolando Panerai. The young Mirella Freni, who sang the role of Mimì for over 50 years, gained fame the world over, not least because of her natural and pure voice. South African soprano Pretty Yende, who was a student of Mirella Freni and later sang in Franco Zeffirelli’s production of La Bohème, recounts her experiences with her mentor. As a very young tenor, Franco-Italian singer Roberto Alagna sang alongside Mirella Freni in the Zeffirelli production and is grateful to count himself among the great tenors, alongside Pavarotti and Carreras – thanks in large part to this performance of La Bohème.
Magic Moments of Music – Grace Bumbry is Carmen
When Grace Bumbry performed Carmen under Karajan in 1966/67, she was the shooting star of the international opera scene. Her career almost seems like a fairy tale: Due to racial segregation, she could not begin her studies at the St. Louis Institute of Music in the USA, although she had already won a radio competition at the age of 17. Against this background, one has to see her later triumphs. She celebrated her breakthrough in Bayreuth, where Wieland Wagner brought her for his Tannhäuser and where the press praised her as the “black Venus” and the audience clapped her in front of the curtain 40 times. Many have had great careers. Grace Bumbry’s was more than that: it was significant – and Carmen was one of her finest moments.
Magic Moments of Music – Rubinstein plays Chopin
In April of 1975, a piece of music history is filmed in London’s Fairfield Hall: the legendary pianist Arthur Rubinstein wants to leave a legacy to the world. 63 years after he made his debut there, 88 year old Rubinstein returns to London to record Chopin’s Second Piano Concerto, completely without an audience, especially for the cameras, with the London Symphony Orchestra under conductor André Previn. Chopin’s Second Piano Concerto has accompanied him throughout his life. Rubinstein dominated the world stage for three quarters of a century and lived life to the fullest as a connoisseur, globetrotter and notorious womaniser. Although he claimed to practice as little as possible, he would go on to become one of the most important pianists of the 20th century and described himself as “the happiest man I ever met in my life”.
Magic Moments of Music – The Centenary Ring in Bayreuth 1976
Uproar, disruption, violent dispute – this was the response to the much-anticipated centenary of the Bayreuth Festival in 1976, which presented a new production of Richard Wagner’s Der Ring des Nibelungen. But before Pierre Boulez could step up to the conductor’s podium and the curtain could rise on Bayreuth’s Green Hill for Patrice Chéreau’s bold new production, the festival was rocked by artistic and political upheaval. The film tells how one of the greatest scandals in opera went on to become one of the greatest musical moments in history.
Robert Wilson – The Beauty of the Mysterious
We know Winston Churchill’s saying about a “riddle wrapped inside an enigma”. Nothing could better describe Robert Wilson’s symbolic productions. What do minimalist fuel pumps have to do with Shakespeare’s sonnets? Why does Parsifal wear a triangular helmet? How did Alice from Wonderland end up on the Reeperbahn? Why and how does all this move many audience member to tears? This film sets out on a journey to uncover the mystery in the heart of Robert Wilson’s mysterious art – with the help of Tom Waits, Willem Dafoe, Marina Abramovic, Coco Rosie, and Rufus Wainwright.