MSO: Bernstein on Broadway
All his life Leonard Bernstein had a love affair with New York and in his many music theatre works he painted the most vivid picture of life in the ‘City That Never Sleeps’. This performance embraces Bernstein’s New York, offering a rare insight into the composer’s mind with Bernstein devotee Bramwell Tovey at the helm and on the keys. PROGRAM Music from Wonderful Town, On the Town, Candide, Peter Pan, Fancy Free and West Side Story
MSO: Chinese New Year Concert
Visionary composer and conductor Tan Dun returns to Melbourne to celebrate the Year of the Pig in a thrilling and personal program. His Double Bass Concerto is inspired by the Chinese novel Wolf Totem by Jiang Rong and reflects Tan Dun’s fascination with the sounds and customs of the ancient cultures along the Silk Road. Joining the maestro and the MSO is Hanggai, a troupe of traditional-meets-rock musicians from the steppes of Inner Mongolia via Beijing. Combining traditional instruments with a hearty serving of rock bravado, their performance with the MSO is unlike anything else you have seen all year.
MSO: Kate Mille-Heidke and the MSO
A recording of a very special one-night-only event, Australian theatre and music sensation Kate Miller-Heidke joins the Melbourne Symphony Orchestra, performing songs from her award-winning opera The Rabbits and popular hits featured on her new album ‘The Best of Kate Miller-Heidke: Act One’. Kate Miller-Heidke is a classically trained singer who traverses the worlds of contemporary pop, folk and opera. This is her first collaboration with the MSO. When the singer-songwriter combines her own material with a symphonic sound, you’re in for a special thrill! Featuring extraordinary visuals by Australian artist and film maker Amy Gebhardt, guitar accompaniment by Keir Nuttall and conducted by MSO’s Associate Conductor Benjamin Northey.
MSO: Hector Berlioz ” L’Enfance du Christ”
The 150th anniversary of Hector Berlioz’s death in 1869 will be commemorated in 2019. An ancient story with a modern parallel, Berlioz’s L’Enfance du Christ tells the story of the Holy Family fleeing their homeland and relying on the kindness of strangers as they journey across the desert to safety. Tender, intimate and intensely evocative, this oratorio is a stark musical contrast to the wild pagan dervishes, choruses of the damned and huge orchestral forces more commonly associated with Hector Berlioz. In almost cinematic style, Berlioz paints the human elements of the story in a series of visual tableaux: an uneasy night in Rome, the world-weariness of Herod, the blind fanaticism of the soothsayers, the joys and griefs of Jesus’ parents, the shepherds’ kindness and the bustling welcome of the Ishmaelite household. Prepare to be moved to tears, Berlioz would be proud! Why it’s a must-see: “This piece is very unusual for Berlioz as most of it is quite intimate. This work has wonderful writing for the chorus, it’s very varied and the narrator (sung by Andrew Staples) is so colourful. The final chorus is to die for!” (Sir Andrew Davis).
MSO: Handel/Davis: Messiah
This performance by the MSO stands apart – firstly, as Sir Andrew Davis’ farewell performance after six years as Chief Conduct, and secondly, as the Australian premiere of Davis’ own orchestration of Handel’s classic which has been nominated at the 2018 Grammy Awards. The all-Australian cast of soloists including soprano Shiobhan Stagg – “sparkling all night“ – (Herald Sun) and tenor Topi Lehtipuu sing excellently, the well-prepared MSO choir performs masterfully.
MSO: East Meets West – A Chinese New Year’s Celebration
Join the MSO and maestro Lü Jia with a stellar cast of guest artists to celebrate the Chinese New Year in a colourful and joyous one-night-only event showcasing Melbourne’s diverse culture. One of China’s most celebrated violinists, Lu Siqing, performs with the MSO for the first time since 2014 as soloist in one of China’s most famous orchestral works, the lush and romantic Butterfly Lovers’ concerto. Written by composers Chen Gang and He Zhahao in 1959, it is the perfect inclusion in this concert. Revel in the textured sounds of traditional Chinese instruments, new works and world-class musicians in the heart of Melbourne, a city with a rich Chinese-Australian history, worthy of celebration. MSO’s annual Chinese New Year celebration has become a highlight on the concert calendar, celebrating the city’s cultural diversity.
MSO: Season Opening Gala
Join us for a concert with two universally admired guest artists – Brazilian pianist Nelson Freire, described by The Guardian as ‘a master of (his) craft’, and Australian heldentenor and Grammy Award nominee, Stuart Skelton. The celebratory program includes: Beethoven’s majestic “Emperor” Piano Concerto; Carl Vine’s Symphony No. 1 “Microsymphony” (a work encompassing the dramatic features of a symphony compressed into just 12 minutes); and highlights from Fidelio, Die Walküre, Otello and Götterdämmerung sung by Stuart Skelton, who was awarded the International Opera Awards Male Singer of the Year.
200000 Taler
Boris Blacher was one of the most important and most widely performed composers in post-war Germany. In his 1969 opera “200 000 Taler” (200 000 Thalers) he adapted a comedy by famed and popular Jewish author Scholom Aleichem and created a sophisticated milieu study around tailor Schimele Soroker and his family who come to great fortune by winning the lottery.
This 1970 recording of the world premiere production stars a stunning Martha Mödl as Soroker’s wife and Günter Reich in the role of the shrewd tailor. Director Gustav Rudolf Sellner leads his fine cast meticulously through the comic and self-ironic material and supports the cliché-less score that Blacher conceived for Aleichem’s characters. Heinrich Hollreiser conducts the Orchestra of the Deutsche Oper Berlin with insight and musical mastery. As the Neue Zürcher Zeitung wrote after the premiere, “Blacher discovers forces and notions that move our century within the naive, unpretentious literary material at hand. … Without ever using Jewish melodies this score creates a kind of folklore of a setting that is fully Blacher’s own. Here lives a new style.
Oedipus
As one of the most versatile and best-known contemporary German composers, Wolfgang Rihm has always impressed and shocked with the powerful expressiveness of his music. And his “Oedipus”, originally commissioned by the Deutsche Oper Berlin in 1987 has lost nothing of its musical impact over the years. Rihm’s opera – in an impressive production by the intendant and principal director at the time, Götz Friedrich, with baritone Andreas Schmidt (at the start of his international career) in the title role – was praised by audiences and critics alike. Schmidt was subsequently not only much in demand as a performer of the classical repertoire and a lieder recitalist but also gained a reputation for his interpretations of works by other contemporary composers ranging from Hans Werner Henze to Peter Ruzicka.