“What an evening. What a kickoff. The future of the Lucerne Festival Orchestra – it has now begun.” This is how Peter Hagmann of the Neue Zürcher Zeitung described Riccardo Chailly’s debut as the new artistic director of the Lucerne Festival Orchestra last year. Chailly devoted himself in his second year in Lucerne to the works of composers that strongly influenced him during his conducting career. Among these are Felix Mendelssohn and Pyotr Ilyich Tchaikovsky. The program included Mendelssohn’s enchanting tone poems to Shakespeare’s “A Midsummer Night’s Dream” and Tchaikovsky’s “Manfred Symphony”, based on the poem written by Lord Byron.
Lucerne Festival 2017: Rattle conducts Haydn’s Schöpfung
It was a farewell and the end of an era: Sir Simon Rattle was in Lucerne as principal conductor of the Berliner Philharmoniker one final time this summer. Together, they evoked the original state of the world with a performance of Haydn’s Schöpfung. It was a finale that touched upon life through music – thereby proving once again the distinctiveness and the outstanding standard of the artistic cosmos of Rattle and his orchestra. Earlier in the program, they played “ein kleines symphonisches Gedicht” by Georg Friedrich Haas, who was “composer-in-residence” of the Lucerne Festival in 2011. “Rattle highlights the story of the creation with a great sense of detail” NZZ
Werther
Goethe’s Sturm und Drang drama is echoed in Massenet’s score by emotionally wide-ranging vocal parts written on a grand scale. The world star Juan Diego Flórez, who “iscurrently the best representative of his rare field” (NZZ), sings one of the most poetic and expressive tenor roles of the French repertoire. At his side, Anna Stéphany sang her critically acclaimed role début as Charlotte. Tatjana Gürbaca, known for her great narrative imagination, directed Zurich’s new production of Massenet’s drame lyrique: the one-room staging cleverly renders the social stranglehold of oppression. “This is how musical theater should be (..).” Neue Zürcher Zeitung
St. Matthew Passion
In 2017 – the year of Luther – Hans-Christoph Rademann and the Gaechinger Cantorey take on Johann Sebastian Bach’s St. Matthew’s Passion, the key work of the Protestant church. The exceptional concert impressively documented the new sound and superb manner of playing on historical instruments, which Hans-Christoph Rademann was able to hone in masterfully with the Gaechinger Cantorey over the course of just one year. In its choreographed version of the St. Matthew Passion, the programme offers new dimensions to Bach‘s musical drama. And, for the one hundred schoolchildren who delved into Bach‘s monumental work and learned to dance as an artistic form of self-expression, it was an opportunity to experience the power of his music first hand. The interplay of professional musicians and young amateurs turned into a creative bridge for all involved.
Lucerne Festival 2017: Long Yu conducts Tchaikovsky and Shostakovich
For the first time ever, a Chinese symphony orchestra is performing at Lucerne Festival. If yet more evidence that classical music has long since become a global language were needed, it would be this appearance by the Shanghai Symphony Orchestra under music director Long Yu. Their concert is dedicated to Russian composers, among them Tchaikovsky whose immortal Violin Concerto is performed by one of the leading virtuosos of our time: Maxim Vengerov and Shostakovich’s Symphony No. 5.
Jordi Savall – Jerusalem
It is one of the oldest existing cities in the world and at the same time one of the most contested: Jerusalem. All three major monotheistic religions refer to it as the “Holy City”. Jerusalem has been and still is the center of fierce conflicts for centuries. With his ensembles Hespèrion XXI and La Capella Reial de Catalunya, however, Jordi Savall is already making this wish come true in a musical way. Together with guest musicians from Israel, Palestine, Syria, Armenia, Greece, and Turkey, they trace the history of Jerusalem authentically and in a touching manner. Jordi Savall places Islam, Judaism, and Christianity on equal footing, allowing the musicians to sow a seed of hope for peace.
Andris Nelsons’ Inaugural Concert – Gewandhausorchester Leipzig
A new era in Leipzig has just begun: Andris Nelsons started his tenure as the 21st Gewandhaus conductor. The inaugural concert combined the world premiere of Relief, a new piece by composer Steffen Schleiermacher, with one of the most important premieres in the history of the orchestra. In March 1842, the Gewandhausorchester performed the famous Scottish Symphony by Felix Mendelssohn Bartholdy under the direction of the composer himself for the first time. In choosing this repertoire, Andris Nelsons pays tribute to the grand history of the city of Leipzig and its Gewandhausorchester. Alban Berg’s violin concerto, performed by Latvian Baiba Skride, works as a link between the decades. After Andris Nelsons’ first concert as the 21st Gewandhaus Kapellmeister, the Financial Times states: “the new partnership brims with artistic promise.” PROGRAM Schleiermacher: Relief for Orchestra; Berg: Concerto for Violin and Orchestra; Mendelssohn Bartholdy: Symphony No.3
Nelsons conducts Mozart and Tchaikovsky
This concert is devoted to Andris Nelsons’ assumption of the position of Gewandhauskapellmeister. It marks the beginning of the highly promising Tchaikovsky cycle by Andris Nelsons and the Gewandhausorchester. Andris Nelsons: “Being appointed as the next Gewandhauskapellmeister of the Gewandhausorchester is a completely overwhelming honour. This extraordinary orchestra and its wonderful musicians are unique in so many respects, and particularly in their creation of an exceptional sound world based on outstanding tradition that is, at its heart, inspirational.” PROGRAM Mozart: Symphony K. 550; Tchaikovsky: Symphony No.6
LSO: Rattle conducts Haydn & Bartok
Music Director Designate Sir Simon Rattle conducts the work of a composer who has always been close to his heart: Haydn. To begin, the “Prelude and Liebestod” from Wagner’s ground-breaking opera, Tristan and Isolde, leads to Bartók’s notorious technically demanding Piano Concerto No. 2, all racing scales, fistfuls of notes and frantically quick tempos. Rattle himself calls the final part of the programme ‘an eccentric journey through Haydn’. ‘I thought how wonderful it would be if all the most outlandish and particularly the most forward-looking pieces of his were all put together like a kind of ‘greatest hits’,’ he says. ‘The idea is to make a musical journey through all that is quirky and extraordinary, humorous and profound in Haydn. Hopefully this pasticcio will give a picture of the composer who most summed up all the ideals of the Enlightenment, of intelligence, respect, humour, wit and profound thought.’ Program WAGNER: “Prelude and Liebestod” from Tristan und Isolde; BARTÓK Piano Concerto No 2; HAYDN An imaginary orchestral journey – featuring excerpts from Symphonies Nos 6, 45, 46, 60, 64, 90 and 101; ‘The Creation’, ‘The Seasons’, ‘The Desert Island’ and ‘The Seven Last Words of Christ on the Cross’
The Bernstein Centennial Celebration at Tanglewood
The Bernstein Centennial Celebration at Tanglewood spotlights Bernstein’s wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, and his role as an inspirer of a new generation of musicians and music lovers across the country and around the globe. The gala concert features a kaleidoscopic array of artists from the worlds of classical music, film, and Broadway. The entire first half of the program is dedicated to selections from such brilliant Bernstein works as Candide, West Side Story, Mass, and Serenade. Music from the classical canon very dear to Bernstein’s heart-selections from Mahler’s Des Knaben Wunderhorn and music by Copland – plus a new work by John Williams, makes up a good portion of the program’s second half; the finale of Mahler’s Resurrection Symphony No. 2 brings the program to a dramatic close. 141 mins (including Bernstein at Tanglewood film + Video Greetings) /
127 mins (concert version only)