The epic struggle for peace and ultimate triumphant bliss of Beethoven’s Ninth Symphony is physically embodied by ten world-class circus artists from Circa, Australia’s premier contemporary circus, in the Season Opening Gala of Melbourne Sypmphony Orchestra. This revolutionary world-first staging of Beethoven 9 is performed alongside a world premiere by revered Australian composer Deborah Cheetham. Her work “Dutalla, star filled sky” has been created in response to Beethoven’s Ninth.
World Orchestra for Peace at the Abu Dhabi Festival
For this concert of the World Orchestra for Peace at the Abu Dhabi Festival, conductor Valery Gergiev, head of St. Petersburg’s Mariinsky Theater and principal conductor of the London Symphony Orchestra, has put together a program that includes major works by two of his favorite composers, Prokofiev and Tchaikovsky. With the World Orchestra for Peace, Gergiev has at his command an orchestra that is truly remarkable from every point of view. It is not only put together of the best musicians from the best orchestras of the world; the orchestra, which was established by Sir Georg Solti in 1995, also pursues a very special goal: to “reaffirm the unique strength of music as an ambassador for peace”. The concerts given by this ensemble, whose musicians are all actively engaged in their respective orchestras, are rare but exquisite and highly appreciated events.
Güher and Süher Pekinel – The Istanbul recital
Turkish pianist twin-sisters Güher and Süher Pekinel were first discovered by Herbert von Karajan and have gained international success since their first appearance at the Salzburg Festival. They are considered one of the finest piano duos of our time. This concert focusses on composers who witnessed World War II and reflect in their works the basic values of humanism. Considering the current tragedies in the world, this recital offers a different meaning as a kind of invitation to fight against unjust sufferings. Accompanied by Berlin Philharmonic Orchestra percussionists they perform milestones of the repertoire for two pianos. Both the “Symphonic Dances” from West Side Story and “Ciaconna” were arranged for the Pekinel sisters under the auspices of the composers. PROGRAM Penderecki: Ciaconna (arr. For two pianos by K. Penderecki); Bartók: Sonata for Two Pianos and Percussion, Sz. 110; Gershwin: Three Preludes (arr. For two pianos); Bernstein: Symphonic Dances from West Side Story (arr. For two pianos and percussion by L. Bernstein); Lutoslawski: Variations on a Theme of Paganini (arr. For two pianos and percussion)
Syrian Symphony, Qatar Philharmonic & Alastair Willis
Experience an extraordinary evening with the Qatar Philharmonic Orchestra, featuring the world premiere of Malek Jandali’s Syrian Symphony. This powerful, deeply moving work celebrates the resilience and spirit of the Syrian people. Composed during a turbulent chapter in modern Syrian history, the symphony weaves themes of revolution and hope, with sweeping melodies and intricate orchestration that capture both the struggles and triumphs of a nation. PROGRAM Jandali: Symphony No. 1 “Syrian Symphony”
New Year’s Eve Concert 1978
Karajan had been appointed music director for life of the Berlin Philharmonic in 1955, and soon the orchestra mastered the entire palette of Karajan’s subtly defined phrasings, moods and orchestral colors. At home in the majesty of Bruckner or the raw power of Beethoven, the orchestra was also able to “let go” and enjoy a rollicking time with Suppé or a Lisztian Hungarian Rhapsody, as the present recording superbly illustrates. For the 1978 New Year’s Eve concert with the Berlin Philharmonic, Karajan put together a program of exclusively popular classical works, pieces that would guarantee a bubbly good time. Following Verdi’s Overture to “La forza del destino” are the two major works of the program, Bizet’s Arlésienne Suite No. 2 and Liszt’s Hungarian Rhapsody No. 2. The Hungarian March, or “Rákóczy March,” from Berlioz’s “La damnation de Faust” never fails to rouse listeners with its dazzling instrumentation. The program closes with the Intermezzo from Mascagni’s “L’amico Fritz” and the ever-popular Overture to “Leichte Kavallerie” by Franz von Suppé.
New Year’s Eve Concert 1979
Gaiety and temperament are the keynotes of this New Year’s Eve program with the London Philharmonic Orchestra recorded live in Munich’s Herkulessaal on New Year’s Eve 1979. It begins with “Gaieté Parisienne,” an arrangement of Jacques Offenbach’s most popular operetta melodies. This is followed by a generous helping of central European esprit in the Slavonically inspired dances of Léo Delibes’ “Coppélia” ballet, and in the Viennese lightness of Franz von Suppé’s “Pique Dame” Overture, a delicious little work by the founding father of the Viennese operetta. Amilcare Ponchielli’s “Dance of the Hours” has delighted “promenade” concertgoers for years now – perhaps because it reminds us of his two great pupils Puccini and Mascagni? The luscious lyricism of the waltzes from Richard Strauss’s “Rosenkavalier” is dispelled by the solemn majesty of Sir Edward Elgar’s “Pomp and Circumstance March No. 4.” From Victorian England we travel to Czarist St. Petersburg, to the magical world of Peter I. Tchaikovsky’s “Nutcracker Suite.” And since all good things must come to an end, the Land of Sweets disappears under a vigorous sprinkling of fiery paprika in Johannes Brahms’s “Hungarian Dance No. 5,” which closes the program on a spicy note.
MSO: Kate Mille-Heidke and the MSO
A recording of a very special one-night-only event, Australian theatre and music sensation Kate Miller-Heidke joins the Melbourne Symphony Orchestra, performing songs from her award-winning opera The Rabbits and popular hits featured on her new album ‘The Best of Kate Miller-Heidke: Act One’. Kate Miller-Heidke is a classically trained singer who traverses the worlds of contemporary pop, folk and opera. This is her first collaboration with the MSO. When the singer-songwriter combines her own material with a symphonic sound, you’re in for a special thrill! Featuring extraordinary visuals by Australian artist and film maker Amy Gebhardt, guitar accompaniment by Keir Nuttall and conducted by MSO’s Associate Conductor Benjamin Northey.
MSO: Hector Berlioz ” L’Enfance du Christ”
The 150th anniversary of Hector Berlioz’s death in 1869 will be commemorated in 2019. An ancient story with a modern parallel, Berlioz’s L’Enfance du Christ tells the story of the Holy Family fleeing their homeland and relying on the kindness of strangers as they journey across the desert to safety. Tender, intimate and intensely evocative, this oratorio is a stark musical contrast to the wild pagan dervishes, choruses of the damned and huge orchestral forces more commonly associated with Hector Berlioz. In almost cinematic style, Berlioz paints the human elements of the story in a series of visual tableaux: an uneasy night in Rome, the world-weariness of Herod, the blind fanaticism of the soothsayers, the joys and griefs of Jesus’ parents, the shepherds’ kindness and the bustling welcome of the Ishmaelite household. Prepare to be moved to tears, Berlioz would be proud! Why it’s a must-see: “This piece is very unusual for Berlioz as most of it is quite intimate. This work has wonderful writing for the chorus, it’s very varied and the narrator (sung by Andrew Staples) is so colourful. The final chorus is to die for!” (Sir Andrew Davis).
MSO: Eumeralla – A War Requiem for Peace
Eumeralla, a war requiem for peace brings into focus a period of Australia’s history that is yet to be fully understood. Written and composed by acclaimed Yorta Yorta soprano and composer Deborah Cheetham, this requiem for peace will be sung entirely in the ancient dialects of the Gunditjmara people. Benjamin Northey is “superbly conducting” the Melbourne Symphony Orchestra, receiving “well-deserved and spontaneous standing ovations” (Limelight Magazine). Above all, this performance is a sign of willingness to continue on the path of reconciliation, in which Eumeralla represents a significant step.
MSO: Handel/Davis: Messiah
This performance by the MSO stands apart – firstly, as Sir Andrew Davis’ farewell performance after six years as Chief Conduct, and secondly, as the Australian premiere of Davis’ own orchestration of Handel’s classic which has been nominated at the 2018 Grammy Awards. The all-Australian cast of soloists including soprano Shiobhan Stagg – “sparkling all night“ – (Herald Sun) and tenor Topi Lehtipuu sing excellently, the well-prepared MSO choir performs masterfully.