An absolute highlight of Salzburg’s Mozart Week with “highest art of sound and riding“ (Kronenzeitung): the French equine artist and theatrical genius Bartabas presents Wolfgang Amadeus Mozart’s Requiem. Horses and riders from the formidable Académie Équestre de Versailles join forces with the Musiciens du Louvre, conducted by Marc Minkowski, the Salzburger Bachchor and “an excellent quartet of soloists“ (Kurier), namely Genia Kühmeier, Elisabeth Kulman, Julien Behr and Charles Dekeyser, to place the Requiem into a new theatrical context. Restoring the Felsenreitschule’s original purpose – a riding school – and at the same time including its impressive architecture of arcades into the musical dramaturgy, the production is a breath-taking synthesis of the arts. By meticulously refining the skillfully regulated interactions between humans, animals and music, Bartabas and his horsemen have created a production which is much more than a great show riding choreography: it’s a moving exploration of the interconnectedness of existence. A piece of art with an “exceptional power of attraction” (Schwäbische Zeitung), “a requiem for all senses“ (Kronenzeitung).
Verdi Messa da Requiem
When the revered writer Alessandro Manzoni died in 1873, Verdi was unable to bring himself to attend the funeral. Instead he composed his monumental Messa da Requiem in Manzoni’s memory and conducted its first performance on the first anniversary of the writer’s death. In addition to its profound spirituality, the work also brings together all the finest qualities familiar from Verdi’s operas, qualities that include endless melodic lines and powerful musico-dramatic effects. The present performance was recorded in Los Angeles’s legendary Hollywood Bowl in August 2013 and brought together three superstars from the world of music: the conductor Gustavo Dudamel, the tenor Vittorio Grigolo and the bass-baritone Ildebrando D’Arcangelo, all of them at the top of their form. “It was an important and exceptional evening … That experience involved a radical and wondrous rethinking of the Requiem on Dudamel‘s part.” Los Angeles Times
Elbphilharmonie Hamburg – Grand Opening Concert
The Elbphilharmonie, the “hall of wonders” (The Guardian), is undoubtedly the new landmark of Hamburg, a monumental synthesis of breath-taking architecture, a unique location and a world-class concert hall. In varying instrumentation the NDR Elbphilharmonie Orchestra under the baton of Principal Conductor Thomas Hengelbrock and several top-class soloists explores in the opening concert the possibilities of the Elbphilharmonie’s Grand Hall and ist acoustics with an exciting programme that spans across all musical eras, from the Renaissance to the present. It culminates in a brand-new commissioned work, created especially for this occasion by the most important living German composer, Wolfgang Rihm.
“A striking building, a scintillating concert!” (The New York Times). BONUS: This documentary accompanies the formation process of this grand building, from the first sketch plans to the rehearsals before it´s festive inauguration and includes statements by the architects Pierre de Meuron and Jacques Herzog, the acoustician Yasuhisa Toyota, Christoph Lieben-Seutter, Thomas Hengelbrock and more.
Kit Armstrong: Bach´s Goldberg Variations and its predecessors
When Kit Armstrong was only 14, he overcame his mentor Alfred Brendel’s reluctance to take on pupils. Said Brendel: “He played so beautifully that I thought to myself, ‘I have to make time for him.’ It was a performance that really led you from the first to the last note.” Soon Armstrong was winning international prizes both as pianist and as composer and was appearing as soloist at some of the world’s foremost venues. At the Concertgebouw, Armstrong mesmerized his audience with Bach’s monumental Goldberg Variations – preceded by earlier polyphonic variation masterpieces by William Byrd, Jan Pieterszoon Sweelinck and John Bull. “Enlightening and exhilarating.” (Revierpassagen). “Armstrong’s phenomenal recital was so exceptional that every attempt to describe it falls short.” (NRC)
Bruckner Symphony No. 3
Christian Thielemann and the Staatskapelle Dresden already released the Bruckner symphonies Nos. 4, 5, 6, 7, 8 and 9 and continue their Bruckner Cycle at the Philharmonie in Munich with a “radiant and majestic” (The Guardian) performance of Symphony No. 3, also known as “Wagner Symphony”. Thielemann, a more than experienced Bruckner interpreter, has once again proven himself as the top of his class, with masterly control over a shining wind section, which “pushed the audience deeply into their seats”. With “moments of disruptive suspense and intense audio density he displays the full musical maelstrom of Bruckners Symphony No. 3” (Münchner Merkur). „Thielemann and the Dresdeners played the Third Symphony … here radiant and majestic, clean ensemble giving a welcome illusion of structural clarity.” (The Guardian about the performance at the Proms) „… the orchestra unfolds from the beginning in fullest splendor“. (Süddeutsche Zeitung)
Brahms The Complete Symphonies
Before moving into the Elbphilharmonie, chief conductor Thomas Hengelbrock and his NDR Elbphilharmonie Orchester performed a “Brahms Marathon” with all four symphonies of the Hamburg-born composer in the historic Laeiszhalle. Brahms’ music has always played an important role in the history of the orchestra, whose defining interpretations of the symphonies by Brahms and Bruckner have become the ensemble’s artistic hallmark. The orchestra, founded in 1945, was led by outstanding conductors such as Günter Wand, Christoph Eschenbach and Christoph von Dohnanyi. Since 2011, chief conductor Thomas Hengelbrock is in charge of continuing the NDR Elbphilharmonie Orchester’s history. In the bonus program Discovering Brahms, Thomas Hengelbrock offers interesting background information on all four symphonies. “The evening was more than worth it” (Hamburger Abendblatt).
Festive Concert at Grafenegg Festival 2016
Freedom, fraternity and humanity – this is what Beethoven’s 9th Symphony stands for. It opens the 10th Grafenegg Festival, performed by the Tonkunstler Orchestra, joined by 24 alumni of the European Union Youth Orchestra (EUYO) and “a soloist quartet which no one could possibly imagine to be more prestigious” (Die Presse). “Vogt’s tenor and the Wiener Singverein were especially moving” (Wiener Zeitung) and “the vocal performance by excellent bass René Pape, the fabulous soprano Camilla Nylund and the brilliant mezzosoprano Elena Zhidkova … in Beethoven’s Ninth was just sensational. Bravo!” (Kurier). Composer in Residence Christian Jost’s new work also centres around Beethoven, featuring the song “An die Hoffnung” (“To Hope”), and “convincingly used an impressive orchestra” (Der Standard), with “tenor Klaus Florian Vogt as a well-cast soloist” (Salzburger Nachrichten).
Opera Gala für die deutsche Aids Stiftung
Excerpts from the musical program of the 5th Opera Gala for the German AIDS Foundation on 21 May 2016 at the Bonn Opera House. Featuring renowned singes like Simone Kermes, Roberto De Biasio and Robin Johannsen.
Gustavo Dudamel – Tango under the Stars
Gustavo Dudamel and the LA Philharmonic accent the colors, rhythms, and passion of music by leading composers from Argentina in this invigorating evening at the Hollywood Bowl: Astor Piazzolla, the master of Nuevo Tango, who´s four tangos feature on stage the dance company Tango Buenos Aires, known worldwide as the most authentic and uncompromising representative of the tango, Alberto Ginastera, one of the most important 20th-century classical composers of the Americas and Piazzolla´s first teacher, and Lalo Schifrin, who, beside his concert music, is the composer of the famous scores of Mission: Impossible and Dirty Harry. His “Concerto for Guitar and Orchestra”, a world premiere recording, is composed for Ángel Romero, an iconic master of the classical guitar.
LGT Young Soloists
Highly gifted young soloists between the ages of 12 and 23 have gathered to form this unique string ensemble. Together they have won over 80 first prizes in national and international music competitions. The project was launched in the summer of 2013 by Alexander Gilman and LGT Private Banking. Their first CD Italian Journey was released in 2015 by RCA Red Seal (Sony) and was nominated for the International Classical Music Award (ICMA). The LGT Young Soloists captivate audiences around the globe with their enjoyment of playing, spontaneity and passion for music.