Staatskapelle Berlin. Before embarking on this journey Barenboim and Boulez entered into a long period of reflection and discussion. For the accompanying documentary, director Christoph Engel compiled a rich selection of statements, conversations and musical excerpts by both conductors that provides a guide to the world of Mahler’s towering symphonies. BONUS: THE MAHLER PROJECT – Daniel Barenboim and Pierre Boulez working on the symphonies of Gustav Mahler Performed as a complete cycle in Berlin, Vienna and New York, the concerts were a tremendous success. The Financial Times even wrote “New York is going Mahler mad.” “A milestone for the Staatskappelle Berlin.” New York Times
The Unesco Beethoven Symphony No.9 for Peace
In 2018, marking the exact 100th anniversary of the Armistice ending World War 1, the all-star World Orchestra for Peace gave two UNESCO designated performances of Beethoven’s 9th Symphony. Symbolically one in each of the UK and Germany – for the BBC Proms in London and for the Würth Music Foundation in Künzelsau. Founded in 1995 by Sir Georg Solti to reaffirm, in his words, “the unique strength of music as an ambassador for peace”, leading players from the world’s finest orchestras gave this performance at ‘the 11th hour of the 11th day of the 11th month’, 100 years after the guns fell silent in 1918. The performance is preceded by moving words of welcome and introduction from Prof. Würth and Lady Solti, both highlighting the need for brotherhood and joy amongst all nations, as reflected in the words of Schiller’s Ode in the choral finale.
Andris Nelsons conducts the Wiener Philharmoniker
Conducting the Wiener Philharmoniker, Andris Nelsons presents a concert night which concentrates every conceivable passion: Bernd Alois Zimmermann’s Trumpet Concerto “Nobody knows de trouble I see” performed with “technical perfection” (Kronenzeitung) by “the fantastic Håkan Hardenberger” (Salzburger Nachrichten) and Mahler’s Symphony No. 2 in C minor “Resurrection”. “Nelsons proved to be delicate but hearty when interpreting Mahler.” (Wiener Zeitung). The conductor led the Vienna Philharmonic Orchestra to “enticingly beautiful sounds” (Die Presse). “High praise goes to the vocal soloists Ekaterina Gubanova, Lucy Crowe and the Bavarian Broadcasting choir.” (Salzburger Nachrichten) “Standing ovation”! (Kurier)
Midsummer Night’s Gala Grafenegg
The “spectacular opening” (Salzburger Nachrichten) of the Grafenegg Festival 2018 presented at the Midsummer Night´s Gala lots of famous opera aria and orchestral hits from Verdi, Puccini, Rossini, Bellini, Offenbach, Elgar and more. The Tonkunstler Orchestra under Yutaka Sado was joined by the “terrific singer” (Kurier) Pretty Yende, her “congenial partner” (Kurier) Joseph Calleja and the wonderful cellist Harriet Krijgh. “A feast for the ears” (Kurier)
Bernstein at 100: The Centennial Celebration At Tanglewood
The Bernstein Centennial Celebration at Tanglewood spotlights Bernstein’s wide-ranging talents as a composer, his many gifts as a great interpreter and champion of other composers, and his role as an inspirer of a new generation of musicians and music lovers across the country and around the globe. The gala concert features a kaleidoscopic array of artists and ensembles from the worlds of classical music, film, and Broadway. The entire first half of the program is dedicated to selections from such brilliant Bernstein works as Candide, West Side Story, Mass, and Serenade. Music from the classical canon very dear to Bernstein’s heart-selections includes from Mahler’s Des Knaben Wunderhorn, the finale of Mahler’s Resurrection Symphony and music by Aaron Copland, plus a new work by John Williams.
Leonard Bernstein: French Music
The French program offer a stimulating blend of celebrated repertoire works as well as “special tips” from the Romantic era to the early 20th century. These concerts of Leonard Bernstein were unanimously hailed in the press, both for the dynamism and brio of a conductor at the peak of his artistic powers, and for the unmistakable signs of rejuvenation of the Orchestre National de France. Featuring works of Hector Berlioz’ Symphonie fantastique, subtitled Episode in the Life of an Artist, Albert Roussel‘s Symphony No. 3 – Leonard Bernstein is, in a sense, paying homage to his friend and benefactor Serge Koussevitzky, who commissioned the work for the 50th anniversary of the founding of the Boston Symphony Orchestra in 1930 – Ambroise Thomas´ sparkling, Rossini-like overture to Raymond and Camille Saint-Saëns’ Le Rouet d’Omphale it was “… one of the most wonderful Berlioz concerts that you can dream of …” (Le Monde)
Vienna Johann Strauss Orchestra – 50 Years Anniversary Concert
The Vienna Johann Strauss Orchestra can rightly claim to be one of the most authentic ensembles for interpreting the music of the Strauss dynasty. In 1966 – nearly 120 years after Johann Strauss I had founded the Strauss Orchestra, the great demand for high-quality interpretations of light music led a group of musicians in Vienna who belonged to the small ensemble of the Austrian Radio Orchestra to found the Vienna Johann Strauss Orchestra. The aim of new orchestra was to cultivate the music of the Strauss dynasty, together with so-called ‘light’ Viennese music. It was formed of fortytwo musicians, that it to say the ensemble was the same size as that which, according to authentic accounts, was preferred by the members of the Strauss family. With this festive concert from the Golden Hall of the Musikverein Vienna the Vienna Johann Strauss Orchestra celebrates its 50th anniversary!
Leonard Bernstein: Joseph Haydn Symphonies
Haydn is generally seen as one of the main originators of the “Viennese sound”, the inimitable style of playing which is still very much alive today and is particularly cultivated by the Vienna Philharmonic Orchestra. This orchestra has Haydn’s music in its blood, and its interpretation of his symphonies demonstrates a supreme confidence, musical sophistication and lightness of touch. As a noted American music critic remarked following a performance of the Oxford Symphony conducted by Leonard Bernstein: “Let’s have no further argument: the Vienna Philharmonic Orchestra is the best orchestra in the world. Bernstein’s interpretations of the symphonies have consistently met with unreserved critical acclaim. He, of all conductors, possessed precisely the qualities which Haydn’s music requires: grace, charm and a generous measure of wit.”
Salzburg Festival Concert Box
A Box Set releasing 6 Concerts from the Salzburg Festival recorded between 2007 and 2013, featuring the Wiener Philharmoniker, the West-Eastern Divan Orchestra, the National Children´s Symphony Orchestra of Venezuela under the batons of Pierre Boulez, Nikolaus Harnoncourt, Daniel Barenboim and Sir Simon Rattle.
Bruckner Symphony No. 1
Christian Thielemann and the Staatskapelle Dresden already released the Bruckner symphonies Nos. 3, 4, 5, 6, 7, 8 and 9 and continue their Bruckner Cycle at the Philharmonie in Munich with a radiant performance of Symphony No. 1. Thielemann, widely regarded as the leading Brucknerian of our age, demonstrates his skill once more and shows a masterly control over his orchestra. Thielemann opted for the more lively early original Linz version of this symphony. Bruckner himself called it “a cheeky wench” and said about the finale: “Never again have I been so audacious and bold.” “How Thielemann elicits diabolical trills and how he puts emphasis on syncopation, no matter how small – that’s in a class of it’s own.” (Die Presse.com)