Canadian pianist Jan Lisiecki has won acclaim for his extraordinary interpretive maturity, distinctive sound, and poetic sensibility. The New York Times has called him “a pianist who makes every note count”. Lisiecki’s insightful interpretations, refined technique, and natural affinity for art give him a musical voice that belies his age. The concert halls in Germany opened their doors during difficult times: Jan Lisiecki played a classic-romantic program on June 9th, 2020 in the Philharmonie Essen at the Ruhr Piano Festival with sensitivity and strength. “Perhaps the most ‘complete’ pianist of his age” BBC Music Magazine
Jonas Kaufmann – It’s Christmas
Jonas Kaufmann echoes his own Christmas memories and joys, celebrating the most festive time of the year with a unique selection of beloved songs and carols. The concert is shot at the Silent Night Chapel in Oberndorf near Salzburg, the original place where the Christmas carol Silent Night, by Joseph Mohr and Franz Xaver Gruber, was performed for the first time on December 24th 1818. In addition, festive location shots at the Christmas market in Salzburg. Including a rich selection of beloved worldwide favorites such as Adeste fidelis / O come and Silent Night, American holiday favorites like Let It Snow! Let It Snow! Let It Snow!, Winter Wonderland and White Christmas and traditional German Christmas songs as Ihr Kinderlein kommet and Kling, Glöckchen.
Hope for Prague
A special concert in a stunning setting: British violinist Daniel Hope, who studied under the legendary Yehudi Menuhin, performs Max Richter’s iconic composition “Vivaldi Recomposed”, a re-imagining of the Four Seasons, with the Epoque Orchestra on a floating stage on the Vltava against the backdrop of Prague Castle and overlooked by the imposing National Theatre complex. The concert also features the world premiere of a new version of Czech composer Bedrich Smetana’s “Vltava”, which is named after the river.
RCO: Mäkelä conducts Beethoven & Debussy
The concert is being led by the young Finnish conductor Klaus Mäkelä. He is conducting two undisputed highlights of the history of orchestral music, taking us on a journey over land and sea with Beethoven’s Symphony No. 6, the ‘Pastoral’, and Debussy’s “La mer”.
RCO: Noseda conducts Liszt, Dvorák and Kodály
Yefim Bronfman is performing Liszt’s Second Piano Concerto, which makes a colourful Eastern European programme in combination with evocative works by Dvorák and Kodály under the baton of Gianandrea Noseda. Yefim Bronfman is performing Liszt’s Second Piano Concerto, which makes a colourful Eastern European programme in combination with evocative works by Dvorák and Kodály under the baton of Gianandrea Noseda. PROGRAM Liszt: Piano Concerto No.2; Dvorák: The Noon Witch; Kodály: ‘Peacock’ Variations
RCO: Dudamel conducts Mozart & Mahler
After an absence of more than seven years, Gustavo Dudamel returns to the Concertgebouworkest. And how! For the first time, he will be leading the Amsterdam-based orchestra with its illustrious Mahler tradition in a symphony by Gustav Mahler. Relative to the rest of Mahler’s œuvre, the Symphony No. 4 is comparatively short, airy in tone and lightly scored, yet it is no less ambitious in its conception – the final movement, entitled Das himmlische Leben, is a childlike vision of heaven. It is sung in this performance by the Swedish soprano Camilla Tilling. PROGRAM Mozart: Overture “Die Zauberflöte”; Mahler: Symphony No. 4
RCO: Pappano conducts Beethoven & Schumann
Igor Levit returns to the Concertgebouworkest to perform Beethoven’s Third Piano Concerto under the direction of Sir Antonio Pappano. The outstanding Russian–German pianist made his Concertgebouworkest debut in April 2018. Levit’s performance was ‘self-assured and challenging’, wrote De Volkskrant of his performance of Beethoven’s Third Piano Concerto. Beethoven’s Third Piano Concerto ones again provides an opportunity for another exciting partnership. PROGRAM Beethoven: Piano Concerto No. 3; Schumann: Symphony No. 2
Moment Musical – Albrecht Mayer
As concert halls are silent and theatres dark during the COVID-19 Coronavirus Pandemic, bringing performers and audiences together demands creative solutions. C Major Entertainment, in collaboration with Arte Concert and DG, is set to launch a series of professional live relays of concerts given by artists at Berlin’s legendary Meistersaal. The programmes focus on solo or duo works. This approach limit the number of artists, technicians and backstage staff involved, in compliance with government regulations, while drawing on the endlessly rich repertoire of chamber pieces past and present. Using remote cameras, members of the audio and video crew are safely dispersed in different rooms. The third episode featuring Berlin-based oboist Albrecht Mayer and pianist Kimiko Iman.
Moment Musical – Seong-Jin Cho
As concert halls are silent and theatres dark during the COVID-19 Coronavirus Pandemic, bringing performers and audiences together demands creative solutions. C Major Entertainment, in collaboration with Arte Concert and DG, is set to launch a series of professional live relays of concerts given by artists at Berlin’s legendary Meistersaal. The programmes focus on solo or duo works. This approach limit the number of artists, technicians and backstage staff involved, in compliance with government regulations, while drawing on the endlessly rich repertoire of chamber pieces past and present. Using remote cameras, members of the audio and video crew are safely dispersed in different rooms. The fifth episode featuring Berlin-based Korean pianist Seong-Jin Cho.
Moment Musical – Hera Hyesang Park
As concert halls are silent and theatres dark during the COVID-19 Coronavirus Pandemic, bringing performers and audiences together demands creative solutions. C Major Entertainment, in collaboration with Arte Concert and DG, is set to launch a series of professional live relays of concerts given by artists at Berlin’s legendary Meistersaal. The programmes focus on solo or duo works. This approach limit the number of artists, technicians and backstage staff involved, in compliance with government regulations, while drawing on the endlessly rich repertoire of chamber pieces past and present. Using remote cameras, members of the audio and video crew are safely dispersed in different rooms. The sixth episode featuring Berlin-based Korean soprano Hera Hyesang Park and pianist Sarah Tysman.