Mozart’s Concert for two pianos belongs to the most artful and ambitious works of this genre. Pierre-Laurent Aimard and Tamara Stefanovich, these days two of the leading interpreter’s of Mozart’s Music, performed this work at the “Mozartwoche 2008” in Salzburg. Jonathan Nott conducts the Camerata Salzburg. Also on the programme: Mozart’s Serenade D Major KV 185 „Antretter-Serenade“. At the age of 16, Pierre-Laurent Aimard was awarded the chamber music prize of the Paris Conservatoire. In the same year he won the first prize at the international Olivier Messiaen Competition. In 1977, at the invitation of Pierre Boulez, he became a founding member of the Ensemble InterContemporain. In addition to his work with contemporary music, Aimard has recorded the five Beethoven piano concertos with Nikolaus Harnoncourt and the Chamber Orchestra of Europe, at the invitation of Harnoncourt. Tamara Stefanovich enjoys a busy performance schedule which includes recitals, music festivals and concert performances with some of the world’s leading symphonic and chamber orchestras.
Blomstedt conducts Bach’s Mass in B Minor
Just a few weeks before his 90th birthday, Herbert Blomstedt gifted himself a special birthday present: conducting Bach’s Mass in B Minor, in the Leipzig Thomaskirche – the composer’s former workplace. According to Blomstedt, Bach’s last complete vocal work is the climax of his creativity and is one of the most important works in his life: “It is like a reflection of doubt. It is enormously powerful music in the same way that a wedge is enormously powerful.” For Peter Wollny, director of the Bach-Archiv Leipzig, Bach’s magnum opus is “without doubt the most intellectually and musically varied and challenging of Bach’s compositions” and “one of the greatest achievements of Western culture.” The concert closed the Bachfest Leipzig 2017 and was performed by the Gewandhausorchester, the Dresdner Kammerchor, and the soloists Christina Landshamer, Elisabeth Kulman, Wolfram Lattke and Luca Pisaroni.
Gabriela Montero plays her first Piano Concerto
Accentus Music recorded Gabriela Montero playing her Piano Concerto No.1, the “Latin Concerto”, as well as Ravel’s Piano Concerto together with the pan-American YOA Orchestra of the Americas under the baton of Carlos Miguel Prieto. The performance took place in one of the most beautiful concert halls in the world: the Teatro del Lago in Frutillar, Chile. With her 1st piano concerto, Gabriela Montero extends an invitation to share in a multi-layered and passionate expression of her beloved, native continent. Additionally, the rehearsals have been filmed as well as impressions of country and people of this region. In an accompanying interview, Montero spoke about composing, improvisation and the interpretation of her own works. She also talked about her home country Venezuela, where she no longer performs for political reasons.
Lucerne Festival 2017: Chailly conducts Tchaikovsky and Mendelssohn
“What an evening. What a kickoff. The future of the Lucerne Festival Orchestra – it has now begun.” This is how Peter Hagmann of the Neue Zürcher Zeitung described Riccardo Chailly’s debut as the new artistic director of the Lucerne Festival Orchestra last year. Chailly devoted himself in his second year in Lucerne to the works of composers that strongly influenced him during his conducting career. Among these are Felix Mendelssohn and Pyotr Ilyich Tchaikovsky. The program included Mendelssohn’s enchanting tone poems to Shakespeare’s “A Midsummer Night’s Dream” and Tchaikovsky’s “Manfred Symphony”, based on the poem written by Lord Byron.
Lucerne Festival 2017: Rattle conducts Haydn’s Schöpfung
It was a farewell and the end of an era: Sir Simon Rattle was in Lucerne as principal conductor of the Berliner Philharmoniker one final time this summer. Together, they evoked the original state of the world with a performance of Haydn’s Schöpfung. It was a finale that touched upon life through music – thereby proving once again the distinctiveness and the outstanding standard of the artistic cosmos of Rattle and his orchestra. Earlier in the program, they played “ein kleines symphonisches Gedicht” by Georg Friedrich Haas, who was “composer-in-residence” of the Lucerne Festival in 2011. “Rattle highlights the story of the creation with a great sense of detail” NZZ
Lucerne Festival 2017: Long Yu conducts Tchaikovsky and Shostakovich
For the first time ever, a Chinese symphony orchestra is performing at Lucerne Festival. If yet more evidence that classical music has long since become a global language were needed, it would be this appearance by the Shanghai Symphony Orchestra under music director Long Yu. Their concert is dedicated to Russian composers, among them Tchaikovsky whose immortal Violin Concerto is performed by one of the leading virtuosos of our time: Maxim Vengerov and Shostakovich’s Symphony No. 5.
Jordi Savall – Jerusalem
It is one of the oldest existing cities in the world and at the same time one of the most contested: Jerusalem. All three major monotheistic religions refer to it as the “Holy City”. Jerusalem has been and still is the center of fierce conflicts for centuries. With his ensembles Hespèrion XXI and La Capella Reial de Catalunya, however, Jordi Savall is already making this wish come true in a musical way. Together with guest musicians from Israel, Palestine, Syria, Armenia, Greece, and Turkey, they trace the history of Jerusalem authentically and in a touching manner. Jordi Savall places Islam, Judaism, and Christianity on equal footing, allowing the musicians to sow a seed of hope for peace.
Andris Nelsons’ Inaugural Concert – Gewandhausorchester Leipzig
A new era in Leipzig has just begun: Andris Nelsons started his tenure as the 21st Gewandhaus conductor. The inaugural concert combined the world premiere of Relief, a new piece by composer Steffen Schleiermacher, with one of the most important premieres in the history of the orchestra. In March 1842, the Gewandhausorchester performed the famous Scottish Symphony by Felix Mendelssohn Bartholdy under the direction of the composer himself for the first time. In choosing this repertoire, Andris Nelsons pays tribute to the grand history of the city of Leipzig and its Gewandhausorchester. Alban Berg’s violin concerto, performed by Latvian Baiba Skride, works as a link between the decades. After Andris Nelsons’ first concert as the 21st Gewandhaus Kapellmeister, the Financial Times states: “the new partnership brims with artistic promise.” PROGRAM Schleiermacher: Relief for Orchestra; Berg: Concerto for Violin and Orchestra; Mendelssohn Bartholdy: Symphony No.3
Nelsons conducts Bruckner and Widman
The Gewandhaus season 2017/18 celebrates two momentous occasions: the investiture of Andris Nelsons to the position of the 21st Gewandhauskapellmeister and the 275th anniversary of the Gewandhausorchester’s founding. This festive concert with Bruckner’s Symphony No. 7 and a World Premiere of Jörg Widmann’s Partita promises to become one of the emotional highlights of the festival. PROGRAM Bruckner: Symphony No. 7; Widman: Partita
Nelsons conducts Mozart and Tchaikovsky
This concert is devoted to Andris Nelsons’ assumption of the position of Gewandhauskapellmeister. It marks the beginning of the highly promising Tchaikovsky cycle by Andris Nelsons and the Gewandhausorchester. Andris Nelsons: “Being appointed as the next Gewandhauskapellmeister of the Gewandhausorchester is a completely overwhelming honour. This extraordinary orchestra and its wonderful musicians are unique in so many respects, and particularly in their creation of an exceptional sound world based on outstanding tradition that is, at its heart, inspirational.” PROGRAM Mozart: Symphony K. 550; Tchaikovsky: Symphony No.6