International Jerusalem Chamber Music Festival

Every year in summer some of the best musicians worldwide meet in Israel for The Jerusalem International Chamber Music Festival founded by Elena Bashkirova. In 2016, the 19th Festival is dedicated to interrelated composers like Brahms/Schumann, Bartók/Kodály or Schubert/Beethoven and many more – played by artists like Sir András Schiff, Baiba Skride or Emmanuel Pahud.

Blomstedt conducts Beethoven and Nielsen

The Swedish conductor Herbert Blomstedt is a phenomenon – as he approaches his 88th birthday, he is one of the oldest conductors in the world. And yet: on the rostrum he embodies such a vitality and energy, that he at once enthralls his musicians as well as his audiences. Blomstedt directs the orchestra in two symphonies that could scarcely be less alike: The musicians play Ludwig van Beethoven’s Fourth Symphony and Symphony No. 5 by the Danish composer Carl Nielsen with concentrated intensity, honouring Nielsen in his 150th anniversary year.

Nelsons conducts Mahler No. 5

Almost no other orchestra has been so involved with Gustav Mahler and established such an outstanding Mahler sound as the Lucerne Festival Orchestra. This tradition was continued in the summer of 2015. In his concerts with the Lucerne Festival Orchestra, the renowned 37-year-old Andris Nelsons conducted Mahler’s Fifth Symphony, a work whose emotional spectrum ranges from the opening movement’s funeral march, through the declaration of love in the famous Adagietto – which Nelsons interpreted as an “intense chamber music love song in the passionate dimensions of Tristan” (Neue Zürcher Zeitung) – to the jubilant hymn of the finale.

Nelsons conducts Mahler – Des Knaben Wunderhorn

With Gustav Mahler, laughter and tears are often closely connected. As performed by Matthias Goerne, Andris Nelsons, and the Lucerne Festival Orchestra, the songs from Des Knaben Wunderhorn showed this at the Lucerne Summer Festival in 2015. The gaiety of Rheinlegendchen is placed here with the tale of starvation in Das irdische Leben, and the satirical Fischpredigt of St. Anthony is juxtaposed with the march of the fallen soldiers in Revelge. Baritone Goerne shapes these songs with “introspection and narrative clarity”, while Nelsons “proves to be a sensitive accompanist”, according to Neue Zürcher Zeitung.

Chailly conducts Mahler No. 1

Gustav Mahler was 28 when he wrote his First Symphony in Leipzig in 1888. For a long time, he was uncertain whether the work was a symphonic poem or a symphony and finally abandoned the first version and later also the work’s subtitle, Titan. A few years later, Mahler went on to revise the symphony into the four-movement work we know today, which was premiered in 1896. Riccardo Chailly and the Gewandhausorchester continue their Leipzig Mahler cycle by bringing Mahler’s First Symphony to life in a riveting performance, paying homage to the composer.

Lucerne Festival 2016: Rattle conducts Berliner Philharmoniker

Even if the music world is often dominated by rivalry, examples of genuine friendships can certainly be found. Take Johannes Brahms and Antonín Dvorák: a pair whose friendship was free of self-interest. And sure enough, his first publication, the spirited Slavonic Dances, enjoyed a sensational success. The Berlin Philharmonic paid homage to this musical friendship by pairing Dvorák’s bravura Slavonic Dances with the Second Symphony of Brahms, also composed in 1877. And as an “appetizer” Sir Simon Rattle has commissioned a new work from his compatriot Julian Anderson. PROGRAM: Julian Anderson: Incantesimi for Orchestra; Dvorák: Slavonic Dances, Op. 46; Brahms: Symphony No. 2

3 Stars in Munich

The superstars of classical music are together for the first time at the Königsplatz, Munich for one night only. With this rare meeting of opera superstars, the square transforms into an opera house under the open sky, and creates an atmospheric setting for its 15 000 strong audience. Anna Netrebko joins Jonas Kaufmann and Thomas Hampson at the cultural heart of Munich for an open-air evening of celebrated arias, duets and opera scenes by Verdi, Puccini, Giordano, Leoncavallo, Bizet, Offenbach, Lehár, and more. Special guests: Elena Zhidkova and Ildar Abdrazakov.

Claudio Abbado’s inaugural concert from 1989

It was only logical that Claudio Abbado should start his tenure with the Berliner Philharmoniker in December 1989 conducting Mahler’s First Symphony. Firstly, because Abbado was even then considered one of the great Mahler conductors of his time, and secondly because this symphony by the still young composer is infused with an irresistible expression of freshness and new beginnings. Even today we can feel the special magic of this new beginning in this video document. The election of Claudio Abbado came as a surprise to the music world – not least to the conductor himself. In many ways he embodied a contrast to Herbert von Karajan who, particularly in his later years, had became ever more remote from his musicians. Claudio Abbado, however, made it clear from the outset that he was simply “Claudio” to everyone. Furthermore, he followed new musical directions; he aimed at a more transparent sound, and put an emphasis on new music – and also on Mahler who had only occasionally appeared in Philharmoniker concerts under Karajan.

Arvo Pärt – Adam’s Passion

Adam’s Passion is the moving first collaboration between two “masters of slow motion who harmonize perfectly with each other” (Frankfurter Allgemeine Zeitung). In the spectacular setting of a former submarine factory, American director and universal artist Robert Wilson creates a poetic visual world in which the mystical musical language of the Estonian composer Arvo Pärt can cast its meditative spell. Three of Pärt’s major works – Adam’s Lament, Tabula rasa, and Miserere, as well as Sequentia, a new work composed especially for this production – are brought together here using light, space, and movement to create a tightly-woven Gesamtkunstwerk in which the artistic visions of these two great artists mirror each other.