Antonio Pappano conducts two works in which love leads to lunacy: Berlioz’ Symphonie fantastique and Jake Heggie’s song cycle, Camille Claudel: Into the Fire, featuring mezzo-soprano Joyce DiDonato. Musical tales of boundless passion and madness come to life. Hector Berlioz explored his obsessive love in the Symphonie fantastique. Joyce DiDonato sings Into the Fire, Jake Heggie’s bittersweet song cycle about the French artist Camille Claudel, whose affair with her associate Auguste Rodin proved to be her undoing. Such a programme calls for a conductor who knows how to deliver drama in a perfectly measured way. Sir Antonio Pappano manages to lead the Concertgebouw Orchestra on this emotional roller coaster without going off the rails. PROGRAM Heggie: Camille Claudel – Into the Fire; Berlioz: Symphonie fantastique
RCO: Pappano conducts Beethoven & Schumann
Igor Levit returns to the Concertgebouworkest to perform Beethoven’s Third Piano Concerto under the direction of Sir Antonio Pappano. The outstanding Russian–German pianist made his Concertgebouworkest debut in April 2018. Levit’s performance was ‘self-assured and challenging’, wrote De Volkskrant of his performance of Beethoven’s Third Piano Concerto. Beethoven’s Third Piano Concerto ones again provides an opportunity for another exciting partnership. PROGRAM Beethoven: Piano Concerto No. 3; Schumann: Symphony No. 2
LSO: Antonio Pappano and Seong-Jin Cho
Beethoven’s defiant Symphony No 5 meets the sneering mockery of Shostakovich and Prokofiev in exhilarating mood. In 1945, Soviet authorities expected Shostakovich to use his Ninth Symphony to celebrate Soviet military might. What they got was a subversive, mischievous work that thumbed its nose at Stalin. Prokofiev’s Piano Concerto No 2 is one of the most powerful and technically challenging of all. Listen out for moments in the opening movement that test the soloist’s stamina to its limits, and a helter-skelter finale that never lets up. Fate rules over Beethoven’s Fifth Symphony, a revolutionary work that grows to dramatic, sublime heights from the simple germ of its opening four notes. The LSO is joined by South Korean pianist Seong-Jin Cho, Sir Antonio Pappano, LSO Chief Conductor, conducts. PROGRAM Shostakovich: Symphony No. 9; Prokofiev: Piano Concerto No. 2; Beethoven: Symphony No. 5
LSO: Pappano conducts Boulanger, Barber & Rachmaninoff
The sun comes out in Lili Boulanger’s lively tone poem, and lyrical feelings bloom in music by Samuel Barber and Serge Rachmaninoff. D’un matin de printemps is one of the few glimpses we have of Lili Boulanger’s compositional genius, a sparkling miniature that leaves a lasting impression of spring. The emotional sincerity of Samuel Barber’s lyrical Violin Concerto cuts to the heart, its nervy third movement building up to a burst of feeling. And passion reigns in Rachmaninoff’s opulent Second Symphony. Its third movement contains some of the most beautiful music he ever wrote. PROGRAM Boulanger: D’un Matin de printemps; Barber: Violin Concerto; Rachmaninoff: Symphony No. 2
LSO: Inaugural Concert – Sir Antonio Pappano
Two giants of British music, two blistering orchestral works from the early 20th century, as Sir Antonio Pappano begins his first season as Chief Conductor of the LSO. Elgar’s lyrical Violin Concerto was inscribed with the mysterious phrase, ‘Herein is enshrined the soul of ….’. Norwegian violinist Vilde Frang joins forces with Sir Pappano for “a concerto performance to treasure” (bachtrack). The whole ensemble glows across three emotionally wide-ranging movements – at times tempestuous, at others heartbreakingly tender. Completed in 1917, Holst’s The Planets can still surprise us. From ‘Mars’ – the piece that inspired countless film soundtracks – to the atmospheric fade-out of ‘Neptune’, this is composition on a cosmic scale.
LSO: Pappano conducts Strauss and Mozart
Two portraits from a magician of orchestral colour, Richard Strauss – plus a young Mozart dances on the violin. Lisa Batiashvili is the perfect partner for Mozart’s elegant Concerto, in the final performance of her LSO Artist Portrait series, while Sir Antonio Pappano and the LSO bring out every twist and turn in Strauss’ stories. PROGRAM Strauss: Till Eulenspiegel, Ein Heldenleben; Mozart: Violin Concerto No 5
LSO: Pappano conducts Strauss, Liszt and Kendall
A blast of trumpets, a pounding of timpani: the opening of Richard Strauss’ Also sprach Zarathustra heralds the rise of the sun. Stanley Kubrick used it to grab viewers’ attention in his film 2001: A Space Odyssey.But for Strauss, this is the dawn of an age full of questions: what does it mean to be alive? Joining the debate, Liszt’s Totentanz is a ferocious vision of mortality, complete with ghoulish jangling bones. And there’s a new work by Hannah Kendall, a composer whose music, in Pappano’s own words, ‘has an amazing ability to really grip the listener’. PROGRAM Kendall: O flower of fire (world premiere); Franz Liszt: Totentanz; Richard Strauss: Also sprach Zarathustra