When Kit Armstrong was only 14, he overcame his mentor Alfred Brendel’s reluctance to take on pupils. Said Brendel: “He played so beautifully that I thought to myself, ‘I have to make time for him.’ It was a performance that really led you from the first to the last note.” Soon Armstrong was winning international prizes both as pianist and as composer and was appearing as soloist at some of the world’s foremost venues. At the Concertgebouw, Armstrong mesmerized his audience with Bach’s monumental Goldberg Variations – preceded by earlier polyphonic variation masterpieces by William Byrd, Jan Pieterszoon Sweelinck and John Bull. “Enlightening and exhilarating.” (Revierpassagen). “Armstrong’s phenomenal recital was so exceptional that every attempt to describe it falls short.” (NRC)
Madrigals with the Consort of Musicke
Two concerts, recorded live from the Holland Festival of Early Music, feature the internationally-acclaimed ensemble conducted by lutenist Anthony Rooley, with soprano Emma Kirkby and guest performer, recorder-player Marion Verbruggen. The repertoire highlights the close musical links that existed between Holland and England around the beginning of the seventeenth century, and the influence of the Italian madrigal composers of the day. Programme One: Songs by Jacob van Eyck, Luca Marenzio, Jan Pieterszoon Sweelinck, John Ward, Thomas Ravenscroft and John Dowland. Programme Two: Songs by Jacob van Eyck, Cornelis Schuyt, Peter Philips and Robert Jones.
Kit Armstrong – Bach’s Goldberg Variations and its predecessors
“Armstrong’s phenomenal recital was so exceptional that every attempt to describe it falls short” (NRC). When Kit Armstrong performed at Amsterdam’s hallowed Concertgebouw for the first time, he mesmerized his audience with Bach’s monumental Goldberg Variations. By combining them with earlier polyphonic variation masterpieces by William Byrd, Jan Pieterszoon Sweelinck and John Bull, in the present program he is shedding a new light on Bach’s masterpiece. When Kit Armstrong was only 14, the Los Angeles-born musical prodigy overcame his mentor Alfred Brendel’s reluctance to take on pupils. Brendel said: “He played so beautifully that I thought to myself, ‘I have to make time for him.’” Soon Armstrong was winning international prizes both as pianist and as composer and was appearing at some of the world’s foremost venues.