The documentary film explores the Austrian-Hungarian composer Györgyi Ligeti, whose sound-intensive choral and orchestral works, influenced by other sciences and cultures, shaped the music of the 20th century like no other. The composer also became known by Stanley Kubrick, who used Ligeti’s compositions in the films 2001: A SPACE ODYSSEY, SHINING and EYES WIDE SHUT. The film aims to make the cosmos of Ligeti tangible and to get closer to the always curious and very demanding man Ligeti, who broke the boundaries of music and interpretation. In addition to many companions, Kubrick’s producer and brother-in-law Jan Harlan appears in the film alongside the pianist Cathy Krier.
Bryn Terfel – Songs of the Sea
The Welsh bass-baritone Sir Bryn Terfel takes us to his home country Wales in his new project “Songs of the Sea”. The wildly romantic coast is the starting point for a musical journey through Wales, England, Ireland, New Zealand and French Brittany. We experience Bryn in authentic locations, such as in a historic church, in a pub and on the cliffs of the Atlantic. With friends and companions like the Welsh instrumental ensemble Calan and other guests, he sings and plays hits like “What Shall We Do With The Drunken Sailor”, “Wellerman”, but also very authentic songs from the life of sailors. The musical performance is framed by Bryn’s explanations of the history of these shanties and sea songs, the deprived Welsh life, the emigration story to the New World and his own 57-year biography.
Pretty Yende & Nadine Sierra – Women’s Day Concert 2023
Two sopranos among the rising stars in the field, Pretty Yende and Nadine Sierra, in a recital of arias and duets, accompanied by the Les Frivolités Parisiennes, conducted by Giacomo Sagripanti. A Women’s Day Concert 2023 filmed in the Philharmonie de Paris.
Yuja Wang – The Vienna Recital
Pianist Yuja Wang has become an integral part of the world‘s major stages, inspiring young and old alike. Her playing displays technical brilliance and a seemingly endless range of emotions. The Piano Recital from the Wiener Konzerthaus allows her to display her fiery virtuosity as well as her mature musicality and imagination with an eclectic, personally chosen program. It combines masterpieces from famous works by Ludwig van Beethoven and Alexander Scriabin to lesser-known compositions by György Ligeti and Nikolai Kapustin, including also sublime musical miniatures by Christoph Willibald Gluck and Philip Glass. A historical milestone that is not to be missed! „The hall went wild!“ (Der Standard)
Teodor Currentzis – UTOPIA
Theodor Currentzis presents his new orchestra project „Utopia“ – and brings together 112 musicians from 22 nations. Outstanding musicians from international orchestras, the independent scene, soloists and chamber musicians come together to work on exemplary works of orchestral literature. The debut concerts of the new orchestra focus on refined and complex orchestral works of the early 20th century: Stravinsky‘s rarely performed third „Firebird“ suite from 1945, as well as the masterfully orchestrated second suite from „Daphnis et Chloé“ and the choreographic poem „La Valse“ by Maurice Ravel. All of the compositions exemplify the aesthetic thinking of the time. They are exquisite artefacts for demanding connoisseurs: The latest achievements in the art of orchestration, rousing dance rhythms and frenzied apotheoses stand for themselves. The „l‘art pour l‘art“ principle („art for art‘s sake“) is in the foreground here. In keeping with the orchestra‘s name, all three works thematize a form of the golden age: the ancient Greek pastoral („Daphnis et Chloé“), the Russian fairy-tale world („The Firebird“) and the Austrian imperial court in its heyday („La Valse“). PROGRAM Stravinsky: Firebird; Ravel: Daphnis et Chloé, La Valse, Boléro
DANCE ON!
When one thinks of dance as an art form, images of seemingly endlessly flexible bodies full of beauty, strength and youth inevitably come to mind. But the impression of lightness is deceptive. Dance is hard physical work and, as in high-performance sport, the pressure to perform is high. This takes its toll. With a few exceptions, most dancers have reached their zenith at the age of forty. The duet with their own transience begins and a possible farewell from the stage becomes foreseeable. At the same time, this maturity harbours great artistic potential, for it is their enormous wealth of experience that gives many dancers their magical charisma. The film accompanies the dancers Friedemann Vogel (1st soloist, Stuttgart Ballet), Polina Semionova (prima ballerina, Staatsballett Berlin), William Moore (1st soloist, Ballett Zurich) and Gesine Moog (dancer in Dance On Ensemble, Berlin) on a piece of their journey. All four offer personal insights into their dance careers and reflect on this threshold of “transition”.
Carmina Burana by Edward Clug
Discover Orff’s Carmina Burana like never before, filmed during the 71st Festival Ljubljana – the SNG Maribor Symphony Orchestra and SNG Maribor Ballet perform this satirical stage cantata. With a fresh Slovenian touch, conductor Simon Krecic, choreographer Edward Clug, and a top-notch design team present a thrilling interpretation. Witness the power of 28 dancers forming a captivating circle in harmony with nature’s cycles.
LSO: Roth conducts Saint-Saens & Beethoven
Every revolution has its roots. The two explosive chords that open Beethoven’s Eroica symphony shook classical music to its foundations. For François-Xavier Roth, though, no artist operates in a vacuum, and tonight he places Beethoven’s era-defining masterpiece alongside the strikingly original music of one of his contemporaries from revolutionary France: François-Joseph Gossec. It’s a fascinating rediscovery – exactly what we’ve come to expect from a conductor as adventurous as Roth. Saint-Saëns’s Second Piano Concerto, on the other hand, needs no introduction: In the hands of the ‘simply formidable’ (The Guardian) Bertrand Chamayou, it’ll fizz like champagne. PROGRAM Gossec: Symphonie à 17 parties; Saint-Saëns: Piano Concerto No 2; Beethoven Symphony No 3 “Eroica”
LSO: Pappano conducts Ravel, Say & Rachmaninoff
A Dance to the Music of Time – Ravel, Say and Rachmaninoff. Spellbinding storytellers, dancing ghosts and melodies that will stay with you forever.The fairy-tale heroine Scheherazade must keep her audience entertained on pain of death in the One Thousand and One Nights. In Fazil Say’s concerto, the violin plays the part of the endlessly fascinating tale-teller. The piece is paired with impassioned music originally written for the ballet: Ravel’s haunting waltz and Rachmaninoff’s mysterious Symphonic Dances. Ravel imagined whirling couples in a Viennese concert hall in music that seems haunted by World War I. Rachmaninoff also conjures up a ghostly waltz, amid the expressive melodies of the last music he ever wrote. PROGRAM Ravel: La valse; Fazil Say: Violin Concerto (1001 Nights in the Harem); Rachmaninoff: Symphonic Dances
LSO: Pappano conducts Strauss, Liszt and Kendall
A blast of trumpets, a pounding of timpani: the opening of Richard Strauss’ Also sprach Zarathustra heralds the rise of the sun. Stanley Kubrick used it to grab viewers’ attention in his film 2001: A Space Odyssey.But for Strauss, this is the dawn of an age full of questions: what does it mean to be alive? Joining the debate, Liszt’s Totentanz is a ferocious vision of mortality, complete with ghoulish jangling bones. And there’s a new work by Hannah Kendall, a composer whose music, in Pappano’s own words, ‘has an amazing ability to really grip the listener’. PROGRAM Kendall: O flower of fire (world premiere); Franz Liszt: Totentanz; Richard Strauss: Also sprach Zarathustra