Ot(h)ello – the most famous black theatrical hero, a reflection of 4 centuries of racism on stage. What role did black people play in the world of Shakespeare and Verdi? What influence did the colonial period have on the genesis of the play and the opera? How did the ideas of “white people” about “black people” influence their interpretation? Jonas Kaufmann and Antonio Pappano, as well as the legendary football player Jimmy Hartwig, explore the “Mythos of Ot(h)ello”.
7 Lives of Music – The Kanneh-Mason Familiy
Seven siblings whom nobody expected – but the classical music world desperately needed. The story of the Kanneh-Mason Family reads like a fairytale. They have dealt with prejudice, they have been overlooked, they have been made to feel out of place. But they have picked themselves up and they have proven themselves time and time again. The Kanneh-Masons light up every room they enter and they have found this to ensure the support of people like Prince Harry and Meghan Markle, who invited Sheku to play at their wedding, and Elton John, who supported Isata with a scholarship. This film accompanies this family on their path and join them on and behind the stages of the world as they conquer it together, as they grow into their own as a family of talented musicians.
LSO: Simon Rattle & Leonidas Kavakos at Barbican
The 2020s meet the 1920s, as Sir Simon Rattle conducts Sibelius, Bartók, and the world premiere of Unsuk Chin’s new Violin Concerto. A new year, and a brand-new masterpiece from Unsuk Chin, the poetic, dazzlingly original musical mind behind the opera Alice in Wonderland. She’s called it Shards of Silence, and it prepares the way for a musical journey back to the 1920s – when Sibelius and Bartók found equally astonishing, equally uncompromising new ways of listening to the world. This is Chin’s second violin concerto. Her first is already a modern classic, and she hadn’t planned to write another – but when she heard the playing of Leonidas Kavakos, she broke her own rule. Naturally, he’s the soloist for tonight’s world-premiere performance, and since history demands context (even while you’re making it) Sir Simon Rattle completes the programme with Sibelius’ Seventh Symphony and Bartók’s brutal, brilliant Miraculous Mandarin Suite. PROGRAM: Chin: Violin Concerto No 2 (workd premiere); Sibelius: Symphony No 7; Bartók: The Miraculous Mandarin – Suite
LSO: Harry Christophers conducts Haydn’s Creation
Haydn’s The Creation conducted by Harry Christophers with the London Symphony Chorus and Orchestra and an all-star team of soloists in a performance sung in English to mark the 40th anniversary of the Barbican Centre. Out of chaos comes wonder; from darkness, light. Haydn’s oratorio The Creation is more than just a gloriously tuneful retelling of the Book of Genesis. Inspired by Haydn’s visits to London and the optimism of the Enlightenment, it’s a celebration of the act of creativity itself, overflowing with majesty, humour and the joy of life. With its famous depictions of Chaos through the dawning of light to a tawny lion, a flexible tiger and a nimble stag and the great chorus, ‘The Heavens are telling’, the work has been a favourite since its first performance some 224 years ago.
LSO: Noseda conducts Tchaikovsky and Prokofiev
Gianandrea Noseda conducts Prokofiev’s ‘symphony of the greatness of the human spirit’, and Janine Jansen is the soloist in Tchaikovsky’s hugely popular Violin Concerto. Put aside all thoughts of turmoil and angst; Tchaikovsky wrote his Violin Concerto by the shores of Lake Geneva, surrounded by people he loved – and you can tell. Simone Lamsma is a most welcome guest and Gianandrea Noseda follows her performance in grand style, with a truly epic Russian symphony. In fact, it’s said that at the Moscow premiere in 1945, Prokofiev couldn’t begin his Fifth Symphony until an artillery barrage had fallen silent. This is music of iron and steel, and LSO Principal Guest Conductor Gianandrea Noseda is passionate about it. First, though, he puts down a marker for the future, with a new, Russian-inspired orchestral work by George Stevenson – a rising star of the LSO’s Panufnik Composers Scheme. PROGRAM Tchaikovsky: Violin Concerto; Prokofiev: Symphony No 5; Stevenson: Vanishing City.
LSO: Gardiner conducts Mozart & Tchaikovsky
Sir John Eliot Gardiner conducts Symphony No 2 from the great Tchaikovsky and incidental music from Schubert’s Rosamunde. He is joined on stage by Portuguese pianist Maria João Pires who performs Mozart’s Piano Concerto No 27. PROGRAM Schubert: Entr’acte Nos. 2 & 3 from ‘Rosamunde’; Mozart: Piano Concerto No. 27: Tchaikovsky: Symphony No. 2 ‘Little Russian’
LSO: Rattle conducts Sibelius & Bruckner
Sir Simon Rattle conducts music in which vast landscapes merge with the human soul: Sibelius’ tone poems and Bruckner’s radiant Seventh Symphony. Bruckner said that the beginning of his Seventh Symphony came to him in a dream, played by an angel. This huge, glowing mountain-range of sound is basically soul music by any other name. Far away in Finland, meanwhile, Sibelius was thinking big too. Whether it’s the sun dancing on the Mediterranean sea, or the forests of the far north, you can practically feel the freshness in the air. Sir Simon Rattle has been conducting Sibelius since he was a teenager, making him an unrivalled guide through this untamed musical landscape. PROGRAM Sibelius: The Oceanides, Tapiola; Bruckner: Symphony No. 7
LSO: Nathalie Stutzmann conducts Brahms & Beethoven
Nathalie Stutzmann dives deep into the dark heart of 19th century music, with storm-swept thrillers by Beethoven, Brahms and Franck. The stars shine most brightly when the night is at its darkest. Brahms stares tragedy in the face in his final symphony: music that wrestles beauty and hope from a lifetime of sorrow. Beethoven finds poetry among the shadows, in his moody Third Piano Concerto. And César Franck gallops through the night in a wild, supernatural sonic thriller. We’re going to hell and back – hold on tight! Nathalie Stutzmann’s concerts with the LSO always bring out the drama and emotion of romantic music, repertoire that she lives and breathes. In her own words, to inspire people, “you have to be the incarnation of the music you have in your heart.” PROGRAM Franck: Le chasseur maudit; Beethoven: Piano Concerto No. 3; Brahms: Symphony No. 4
John McLaughlin & The 4th Dimension in Sofia
Join us on the stage of the A to JazZ Festival in Sofia, Bulgaria, and witness the stunning virtuosity of legendary guitarist John McLaughlin and his band The 4th Dimension. This promises
to be an intense and captivating evening of music with poignant tributes to Pharoah Sanders and Paco de Luci a.
British guitarist and composer John McLaughlin has been an emblematic figure of the world jazz stage since the 1970s, known for his frequent excursions in the fields of rock, Indian
music, and flamenco. He notably played on Miles Davis’s first jazz rock albums, In a Silent Way and Bitches Brew. In the early 70s, he also founded groups such as Mahavishnu Orchestra and Shakti with Indian musicians L. Shankar, Zakir Hussein, and Ragahvan.
Other collaborations include Jimi Hendrix, Charlie Haden, Dave Liebman, Carlos Santana, Chick Corea, and Paco de Lucia, to name just a few.
John Scofield’s Long Days Quartet in Rome
After experimenting with different ensembles, John Scofield has configured a new group for the summer of 2025. Naming it Long Days Quartet in honor of the long daylight hours of July, this group is forming now to debut Scofield’s groovy new compositions and revisit some of his classics with fresh perspectives. Twenty-six years after their first collaboration (Scofield’s “A GoGo” album), keyboardist John Medeski and Scofield continue their fantastic collaboration together. For this concert at Casa del Jazz in Rome inside the SUMMERTIME Festival, they will be joined by the brilliant and versatile bassist Vicente Archer and a new team member, Seattle’s Ted Poor on drums.