The successful duo of Jossi Wieler und Sergio Morabito have rediscovered a Baroque gem in Niccolò Jommelli’s opera Il Vologeso. Their exciting staging, relocated to the present day, delighted both the audience and the press. Born in Naples in 1714, Niccolò Jommelli was in his day a superstar among composers. In the course of his life he set some 80 librettos. For this, the first staged performance of Il Vologeso for more than 200 years, a strong cast has been assembled. Sebastian Kohlhepp, Sophie, Ana Durlovski, Helene Schneiderman and Catriona Smith all bring the story of Vologeso to life again with their captivating and beautiful singing. Gabriele Ferro, conducting the State Orchestra, transforms Jommelli’s music into great waves of emotion with his differentiated and thrilling conducting style.
Mefistofele
Making his debut at the Bayerische Staatsoper with Munich’s first ever staging of Boito’s masterpiece, director Roland Schwab (a protégé of the legendary Ruth Berghaus) plays devil’s advocate by setting the opera in what looks like a garbage-strewn nightclub that then transforms into a geriatric hospital ward, by way of a drunken detour to Munich’s own Oktoberfest. Is Hell, then, simply the hell-on-earth that passes for the modern world? Singing “with clear, strong bass lines” (Deutschlandradio Kultur), René Pape plays Mephistopheles as the sardonic leader of a satanic cult. As Faust, his slave, tenor Joseph Calleja “hits his high notes with formidable vigour” (Financial Times). Latvian soprano Kristine Opolais’s Margherita “shines with understated Grace Kelly elegance” (Opera Today), in the pit, Israeli conductor Omer Meir Wellber.
The Swan of Pesaro – Rossini reloaded
Known as “The Swan of Pesaro,” Rossini was the most popular composer of the first half of the 19th century. His highly ornate musical style revolutionized the art form, inaugurating the “Golden Century” of Italian opera. While his creative life was rather short, his success and influence was immense – Intellectual giants from Richard Wagner to Arthur Schopenhauer where amongst his admirers. In this documentary director Theo Roos explores the era of Belcanto and it’s main protagonist Rossini. Together with star-tenor Juan Diego Flórez, Rossini expert Alberto Zedda, soprano Joyce DiDonato and many others, he sheds light on the complex character of a composer known to the world as musical jester while his admirers showed deepest respect for the compelling emotions, the vivid diversity and the profound depths hidden in the lightness of his music.
Muti conducts Brahms and Tchaikovsky – with Anne-Sophie Mutter
One thing you can rely on is the Salzburg Festival always offering compelling couplings of artistic personalities: in this case star violinist Anne-Sophie Mutter and Maestro Riccardo Muti. Exactly 30 years to the day since Mutter first performed Tchaikovsky’s Violin Concerto at the festival, Tchaikovsky’s masterpiece is back on the programme. Mutter’s playing is stupendous, she succeeds in a way that draws astonishment. In Brahms’s Symphony No. 2, the veteran conductor Muti “lets the string and wind groups demonstrate in exemplary manner how it can sound when all the musicians are in perfect harmony with one another.” (Salzburger Nachrichten)
Juan Diego Flórez & Vincenzo Scalera – The Salzburg Recital
The Salzburg Festival, where the world’s most famous artists come together, is always good for great concert experiences – and yet this unique concert is sure to go down in the annals of the festival. With a varied programme of popular Italian airs by Tosti and Leoncavallo, tender French songs by Henri Duparc and old favourites from Italian bel canto, the “Peruvian vocal miracle” (Die Presse) was an utter delight at his soldout lieder recital in the Grosses Festspielhaus. The first of the three encores brought for many the covert climax of the evening: Floréz plucked a guitar and accompanied himself in Consuelo Velázquez’ “Bésame mucho”. With infinite tenderness, gentle heights, heartfelt devotion and seemingly never-ending top notes, Floréz conquered every heart in the house, prompting storms of enthusiastic applause.
Hollywood in Vienna – A Tribute to James Newton Howard
“Hollywood in Vienna” is an annual symphonic gala concert celebrating classic and current masterpieces of film music and honouring each year one of today’s leading film music composer. In the first part of this edition of the concert, the ORF Vienna Radio Symphony Orchestra under the baton of Keith Lockhart takes you away on a magical mystery tour, full of eerily-beauty and musical delight. From the eccentric Addams Family in their Victorian Mansion, to the fabulous world of Alice in Wonderland the program, true to ist motto “Tales of mystery”, sets out for mysterious places and wondrous tales. The second part of the concert is dedicated to James Newton Howard, multi-award winning composer of film scores such as “Batman Begins”, “Pretty Woman”, and “The Hunger Games”. The Press raved: “Goosebumps, tears and standing ovations!” (Kurier)
András Schiff conducts Beethoven, Schubert and Mozart
The programme opens with Beethoven’s First Piano Concerto: “Sensitively supported by the rich and supple tone of the strings, Schiff’s pianistic virtuosity explores the length and breadth of Beethoven’s early work”, was the admiring verdict of the Salzburg press. Schiff again succeeds in Schubert’s Symphony No. 5 “from the first note to the last in creating a sound world that flooded the mind’s eye with images” (Drehpunkt Kultur). The climax of the concert is the Mozart Piano Concerto No. 23. “Schiff here demonstrates his skill in pianistic interpretation and in conducting, nuanced, passionate, a sensitive revelation”, enthused the press.
Minkowski conducts Mozart and Schubert
The Salzburg Mozart Week – arranged by the Mozarteum foundation, the trustees of Mozart’s musical legacy – is always offering something unique: under the direction of the principal conductor and artistic director of the Salzburg Mozart Week, Mark Minkowski, the Musiciens du Louvre perform on not one but two of Mozart’s original instruments! Mozart’s Violin Concerto and his Piano Concerto in A major are played on instruments that were once in the composer’s possession. In Franz Schubert’s Great C major Symphony, the culmination of this wonderful evening, ”Minkowski and the Musiciens du Louvre are entirely in their element” (Wiener Zeitung).
Rudolf Buchbinder and the Wiener Philharmoniker play Brahms Piano Concerts
“It is not every day that Brahms sounds as perfect as this,” enthuses the Kurier newspaper, describing Buchbinder’s performance with the Wiener Philharmoniker. The “phenomenal piano virtuoso” (Kurier) plays the First and Second Piano Concertos of Johannes Brahms in the Golden Hall of the Vienna Musikverein. On the rostrum is maestro Zubin Mehta, no less, who has long been intensively associated both with the orchestra and with soloist Rudolf Buchbinder. “What Rudolf Buchbinder, the Wiener Philharmoniker and conductor Zubin Mehta delivered at the Musikverein easily deserves the accolade ‘milestone’.” (Kurier)
Red Ribbon Celebration Concert – Building Bridges for Peace
Now, in its fourth year, the Red Ribbon Celebration Concert has become an integral part of the world famous Vienna Life Ball Weekend, one of the biggest fund-raising events to further the cause of those living with HIV or AIDS. Staged in the legendary Burgtheater, the concert assembles a line-up of stars which reads like the who is who of classical music. Anna Netrebko, Juan Diego Florez, Piotr Beczala, Elena Maximova, Thomas Quasthoff, Yusif Eyvazov and Kristine Opolais as well as the jazz singer Gregory Porter perform an extraordinary concert according to the motto “Building Bridges for Peace”. From Porter’s hit “Water under Bridges” to a humorous interpretation of Franz Lehar’s “Dein ist mein ganzes Herz” by Anna Netrebko and Yusif Eyvazov, the stars where celebrated with “only bravos” (Salzburger Nachrichten).