For the first time in his career, Riccardo Chailly conducts an opera in Spain: “La Bohème” at the magnificent Palau de les Arts Reina Sofía in Valencia. The striking result is a lively, colorful symphonic reading of the opera that turns the orchestra into one of the stars of the performance, on a par with the vocal soloists. Stage director Davide Livermore interprets the work with the help of large video projections of Impressionist paintings that harmonize with the period in which the action takes place. This co-production with the Philadelphia Opera features a cast of up-and-coming young singers (cf. Documentary “Riccardo Chailly – A Portrait” Prog. No. 9858).
Beethoven, Missa Solemnis
With this performance of the Missa solemnis Nikolaus Harnoncourt, Honorary Guest Conductor of the Royal Concertgebouw Orchestra, once more attained the status of a living legend, due mostly to his wide-ranging expertise of music from the Baroque and Classical era. The highly acclaimed soloists are Marlis Petersen (Soprano), twice the singer of the year by the renowned Opernwelt magazine, Elisabeth Kulman (Alto), Werner Güra (Tenor), winner of the BBC Music Magazine Award for the best vocal performance, and Gerald Finley (Bass), Grammy-Awardwinner for the best opera recording. They are accompanied by the famous Netherlands Radio Choir.
Overture 1912 – Deutsche Oper Berlin
In 2012 the Deutsche Oper in Berlin had ist centennial celebrations. Although today’s building was not opened until 1961, the history of the house on the Bismarckstrasse goes further back: it was built in 1912 and opened as Deutsches Opernhaus upon the initiative of a group of people from Berlin–Charlottenburg as the citizen’s opera in opposition to the Königliche Hofoper, now Staatsoper Unter den Linden. The film illustrates all facets of the different eras of this Berlin opera institution from the beginning
until today through interviews with artists closely connected to the Deutsche Oper Berlin as well as a large variety of archive footage that also includes documentations of rehearsals and performances from the last 100 years.
Luisa Miller
Giuseppe Verdi’s Luisa Miller is an opera in three acts based on Schiller’s Kabale und Liebe (Intrigue and Love). Just before Christmas 2012, it was recorded at the Malmö Opera, the leading opera house in the expansive region of Öresund in Sweden. Luisa Miller is the story of the lovers Luisa and Rodolfo. Their love is challenged by class distinctions between their families. Despite the couple’s struggle, the story eventually ends in inevitable tragedy. The Russian opera singer and rising star Olesya Golovneva is breathtaking as Luisa and the Swedish Expressen writes that Luc Robert as Rodolfo “is a gold treasure from Canada. A real tenor!” Conducted by internationally acclaimed Michael Güttler, who works for opera houses and orchestras all over the world, including the Orchestre de Paris and the Wiener Staatsoper, this opera is a must have’.
Christian Thielemann – Brahms Cycle: Symphonies No. 1 and 3
Christian Thielemann and the Staatskapelle Dresden open their Brahms Cycle with a performance at the stunning NHK Hall in Tokyo, Japan. The program includes Brahms’ Symphonies No. 1 in C minor and No. 3 in F major.
Lorin Maazel and Alice Sara Ott: Fauré, Ravel, Stravinsky
Music of the late 19th and early 20th centuries is on the program of this concert given by the Münchner Philharmoniker under its principal conductor Lorin Maazel and with pianist Alice Sara Ott. The young German-Japanese soloist dazzles in the main work of the program, Maurice RAVEL’s Piano Concerto in G major, a sparkling work in the spirit of Mozart and Saint-Saëns. Also on the program is Gabriel FAURÉ’s “Pelléas et Mélisande”, a poetic orchestral suite. Closing the concert is Igor STRAVINSKY’s exuberant “Pétrouchka” for solo piano and orchestra, and, as an encore, RAVEL’s vibrant “La Valse”. —– Program: Gabriel FAURÈ: Pelléas et Mélisande, Op. 80; Maurice RAVEL: Piano Concerto in G major; Igor STRAVINSKY: Petrushka – Burlesque in four scenes (Original Version of 1911), Maurice RAVEL,La Valse
Festive Advent Concert at the Frauenkirche Dresden 2012
Program: J.S.BACH: Orchestra Suite No. 4: Réjouissance / G. F. HANDEL: Messiah: “Alle Tale macht hoch erhaben”, “Denn die Herrlichkeit Gottes des Herrn”, “Halleluja” / W. KIENZL: Weihnacht (Kulman) / W. A. MOZART: Great Mass in C minor: Gloria in excelsis Deo, Laudamus te / A. BRUCKNER: Locus iste (Chor a cappella) / J. MASSENET, Méditation aus „Thais“ / MENDELSSOHN BARTHOLDY: Weihnachtskantate „Vom Himmel hoch“ / E. HUMPERDINCK: Christmas Cantata: “Vom Himmel hoch”, Hänsel und Gretel: Abendsegen und Traumpantomime, CH. GOUNOD: Saint Cecilia Mass: Sanctus
The Kálmán Gala
With this Gala Concert from the Semperoper in Dresden, Christian Thielemann gives eloquent testimony to an early love of his, the operetta. Since the beginning of his conducting career he has had a fascination for this genre. Time and again he has drawn parallels between the heavyweight Wagner and lighter works, his principal aim being to demonstrate the skills he acquired while conducting operettas: “Anyone who can handle The Merry Widow,” he says, “will have no problems with Lohengrin.” For this gala he turned his attention to Lehár’s contempory Emmerich Kálmán. He found two enthusiastic partners in Ingeborg Schöpf, the leading soprano from the Dresden State Operetta company, and internationally acclaimed tenor Piotr Beczala, and was frenetically applauded by the audience. They are joined by the Dresden State Opera Chorus and the Dresden Opera Ballet dancing in the beautiful interiors of the Semperoper.
Sol Gabetta and Hélène Grimaud in Concert
Two outstanding artists, pianist Helene Grimaud and the cellist Sol Gabetta, performing a highly acclaimed recital in Berlin’s Philharmonic Hall. On the programme cello sonatas by DEBUSSY (D minor), BRAHMS (No. 1 op. 38) and SHOSTAKOVICH: op. 40., and furthermore SCHUMANN’s Fantasiestücke op. 73. “Both bestselling artists it’s very easy to see why they’ve joined together. There are four extremely different composers featured, each one calling for a completely different musical approach. What is particularly brilliant is that these two capture the essence of each composer and their world. Lyrical and light Debussy, heartwrenching Shostakovich, dark and brooding Brahms and the strangely whimsical Schumann. I look forward to hearing how this musical partnership matures over the coming years”.(Readings, Australia)
Daniel Barenboim – 70th Birthday Concert
Performing the solo parts of two of the great piano concertos in the concert repertoire – BEETHOVEN’s Piano Concerto no. 3 and TCHAIKOVSKY’s Piano Concerto no. 1 – in one sitting is a feat that few pianists can pull off apart from Daniel Barenboim. Pianist, conductor and chamber musician extraordinaire, Daniel Barenboim hands over the reins of “his” orchestra, the Staatskapelle Berlin, to his close friend and colleague Zubin Mehta. To honor his friend the composer Elliott CARTER, who passed away at the age of 103, Barenboim performs a work written especially for him by Carter. —– Program: BEETHOVEN: Piano Concerto No. 3; ELIOTT CARTER: Dialogues II for piano and orchestra; TCHAIKOVSKY: Piano Concerto No. 1