In the monumental project BEETHOVEN 9, Christian Thielemann, one of the most widely recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker for their first-ever highdefinition recording of all nine symphonies by Ludwig van Beethoven.
Also available:
Overture ‘Coriolan’, Op. 62 (11’ – A045005410010),
Overture ‘Egmont’, Op. 84 (11’ – A045005410011)
A one-of-a-kind musical event is in the making! Christian Thielemann, one of the most recognized conductors of our time, joins forces with the prestigious Wiener Philharmoniker and UNITEL, the world’s leading audiovisual production company for classical music, in a monumental project: BEETHOVEN 9, the recording of all nine symphonies by Ludwig van Beethoven for TV, DVD and New Media: the “Beethoven cycle of the 21st century”! Using the newest technology of our century, UNITEL and Austrian Television (ORF) produce this “super-cycle” in the Golden Hall of Vienna’s Musikverein in HD and 5.0 Surround Sound. BEETHOVEN 9 kicked off in December 2008 with the recording of the First and Second Symphonies. At the rate of two recordings per year, the cycle will be completed by April 2010. The genesis and unfolding of this project will be accompanied by a documentary filmed in HD. Between 2010 and 2013 the orchestra will crown the venture with special event performances of the complete cycle in major cities around the world. These concert cycles will rank among the musical highlights of these years. They will be accompanied by the recordings, which will be released prior to the start of the world tour, when international attention is at its peak. Music lovers can enjoy Beethoven’s symphonies either live in the host cities or on television, Internet or DVD. Live transmission from the Golden Hall is possible already during the recording stage. BEETHOVEN 9 brings to a new climax the longstanding collaboration between Thielemann, who enjoys a sterling reputation as an interpreter of Beethoven and the German Romantics, and the Wiener Philharmoniker, which has been cultivating the music of Beethoven since its founding nearly 170 years ago and is one of the few great orchestras to have preserved its unique sound. UNITEL CLASSICA can look back on more than 40 years of collaboration with the Wiener Philharmoniker and on its pioneering cycles of Beethoven’s symphonic works with Herbert von Karajan and Leonard Bernstein.
Alban Berg’s opera ‘Lulu’ is the story of a lower-class girl who sleeps her way to fame and fortune before losing everything she has and finding death at the hands of Jack the Ripper. Conductor Marc Albrecht supports the two main protagonists, Patricia Petibon’s Lulu and Michael Volle’s Dr. Schön, with the rich sonorities of Berg’s music. Particularly impressive are the gigantic backdrops that dominate the stage and were painted by Daniel Richter, one of the leading German artists of our time.
Richard Strauss’s “Elektra” is an Expressionist masterpiece that shakes the listener to the core with its powerfully expressive chords, spooky waltzes and mad dance of triumph. The orchestra is so rich that only the finest orchestras can do full justice to this work, such as the Münchner Philharmoniker here under Christian Thielemann, in a production by Herbert Wernicke recorded at the Festspielhaus Baden-Baden. Topping the superb cast are Linda Watson in the title role, Jane Henschel, Manuela Uhl, Albert Dohmen and René Kollo.
The 150th anniversary of the birth of Gustav Mahler in 2010 gave rise to a number of celebratory performances of his works. For its program at the fabled London BBC Proms in August 2010, the World Orchestra for Peace under Valery Gergiev chose the master’s Fourth and Fifth Symphonies. In the words of London’s The Independent, ‘the World Orchestra for Peace gave exemplary performances’ of the Mahler symphonies. The demanding soprano solo part in the Fourth is impressively sung by Camilla Tilling. At the opening of the Fifth, the Mariinsky Theater’s trumpeter Timur Martynov provides a lustrous, golden fanfare. ‘A rapt Valery Gergiev […] sculpted the closing Adagietto like a sacred object of veneration.’
For the 300th anniversary of the birth of Giovanni Battista Pergolesi (1710–1736), the ‘Italian Mozart’, whose music is practically unknown today, the Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi’s music for years now, joined forces with UNITEL CLASSICA to record all eight of the master’s stage works on video in HD and 5.1 Surround Sound. A landmark project that will provide many impulses for the rediscovery of this composer’s epoch-making works.
For the 300th anniversary of the birth of Giovanni Battista Pergolesi (1710–1736), the ‘Italian Mozart’, whose music is practically unknown today, the Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi’s music for years now, joined forces with UNITEL CLASSICA to record all eight of the master’s stage works on video in HD and 5.1 Surround Sound. A landmark project that will provide many impulses for the rediscovery of this composer’s epoch-making works.
Filled with beautiful, original music, Rossini’s rarely performed “Sigismondo” was resurrected at the 2010 Rossini Opera Festival in Pesaro. The press called the production a “perfect symbiosis of music and stage work” (Quotidiano Nazionale). Director Damiano Michieletto sets the first act in a realistic “insane asylum” of past times; the second take place in an elegant palace. Mezzo Daniela Barcellona portrays the mad King Sigismondo with fierce intensity and flowing coloraturas; also outstanding are Olga Peretyatko, Antonino Siragusa and Andrea Concetti. Leading the orchestra with supreme musicality is Michele Mariotti, principal conductor of the Teatro Comunale di Bologna and acclaimed maestro at La Scala, the Met and other leading houses.
For the 300th anniversary of the birth of Giovanni Battista Pergolesi (1710–1736), the ‘Italian Mozart’, whose music is practically unknown today, the Fondazione Pergolesi Spontini, which has been devoting itself to the research and performance of Pergolesi’s music for years now, joined forces with UNITEL CLASSICA to record all eight of the master’s stage works on video in HD and 5.1 Surround Sound. A landmark project that will provide many impulses for the rediscovery of this composer’s epoch-making works.
