The vote was over, and a decision had been made: Claudio Abbado was the new chief conductor of the Berliner Philharmoniker. So it was in 1989, when – for the first time – the orchestra itself decided who was to be its leader. The result was a surprise for the music world – and also for Abbado himself. This documentary from 1990 traces the first year of the new chief conductor in Berlin, the special atmosphere of new beginnings and the diverse expectations the musicians had of Herbert von Karajan’s successor. Other than this, many insights are provided into the first artistic projects of the new man at the helm, starting with the rehearsals for Mahler’s First Symphony with which he ushered in his tenure in December 1989. We are also taken behind the scenes to see among other things Abbado’s first visit to Karajan’s room – which was now to be his – and to a first birthday party with the musicians of the Berliner Philharmoniker. Of course, the members of the orchestra have their say, and tell of their hopes and what they expected of their new boss. Even today, these impressions convey the special magic that was in the air at that time.
3 Stars in Munich
The superstars of classical music are together for the first time at the Königsplatz, Munich for one night only. With this rare meeting of opera superstars, the square transforms into an opera house under the open sky, and creates an atmospheric setting for its 15 000 strong audience. Anna Netrebko joins Jonas Kaufmann and Thomas Hampson at the cultural heart of Munich for an open-air evening of celebrated arias, duets and opera scenes by Verdi, Puccini, Giordano, Leoncavallo, Bizet, Offenbach, Lehár, and more. Special guests: Elena Zhidkova and Ildar Abdrazakov.
Blomstedt conducts Bruckner 9
To mark the bicentenary of Anton Bruckner’s birth, Herbert Blomstedt and the Bamberg Symphony Orchestra are bringing his Symphony No. 9 in D minor to the sumptuous Austrian abbey of St Florian, with which the composer had a strong bond.
Verdi: Requiem from Santa Cecilia
Set in the astonishing context of the “Basilica di San Paolo fuori le Mura”, one of the papal basilicas of Rome, this program combines Verdi’s Requiem, the excellent baton of British conductor Daniel Harding and one of the leading Italian orchestras and choir, the Accademia di Santa Cecilia. Harding’s interpretation of Verdi’s famous funeral mass recreates “an immaterial, disembodied, spiritual sound, suitable for this extreme meditation on the end of life and on the mystery that lies after life” (Il giornale della musica). The excellent soloists Masabane Cecilia Rangwanasha, Yulia Matochkina, Charles Catronovo, Roberto Tagliavini contribute to an outstanding performance and an optimal fusion with the choir’s sound. “The last bars, with the crescendo never heard so full of controlled tension and the following pianissimo “dum veneris judicare saeculum per ignem”, left the audience deeply touched and speechless: Only after a silence of emotional recollection, which seemed to never end, did the intense applause break out” (il giornale della musica).
Premieres Revisited – Sibelius in Helsinki
Another episode of the “Premieres Revisited” series follows the steps of Jean Sibelius in the Finnish capital. The Symphony n. 5, one of the composer’s must beloved works, was commissioned by the Finnish government and premiered on December 8, 1915, on the occasion of the composer’s 50th birthday. It was much revised thereafter, and the final version was presented in 1919. Under its Chief Conductor Jukka-Pekka Saraste, the Helsinki Philharmonic Orchestra performs again the Fifth together with the symphonic poem The Oceanides, both compositions that evoke elements of the Nordic world, such as the flying swans of the symphony’s finale.
Premieres Revisited – Mendelssohn’s A Midsummer Night’s Dream in Potsdam
This episode marks the start of a captivating series: compositions at their world premiere venues. Mendelssohn composed his famous Sommernachtstraum (Midsummer Night’s Dream) as a teenager, but was not able to incorporate it into the accompaniment to Shakespeare’s fantastic comedy until 16 years later. The incidental music was commissioned by King Friedrich Wilhelm IV of Prussia and is performed in this special performance at the Theater des Neuen Palais in Potsdam, exactly where the premiere took place in October 1843. Alongside the Kammerakademie Potsdam and its chief conductor Antonello Manacorda, soloists Jeanine De Bique and Christiane Karg, who also appear in Berlioz’s exquisite Les nuits d’été, a work created just two years before Mendelssohn’s Midsummer Night’s Dream.
Víkingur Ólafsson – My Favourite Melodies
Acclaimed pianist Víkingur Ólafsson shares his deep connection with music, from Icelandic songs to the works of Bach, Mozart, Rameau, and Philip Glass. He explores how these pieces shaped him and how his feelings differ when performing works like the Goldberg Variations or Bartok’s Folk Song. Ólafsson invites us into his world where musical knowledge, Nordic roots, and creativity merge in his interpretations.
Jonas Kaufmann – The Sound of Movies
Jonas Kaufmann is an ardent film enthusiast and now, for the first time, he brings this passion to the
stage. In his new program, „The Sound of Movies,“ Kaufmann presents film music hits from 80 years of film history, featuring music from various eras and genres including Ennio Morricone, Hans Zimmer, and musical hits like “West Side Story” and “The Sound of Music.” The program offers a cinematic experience for the ears, culminating in a captivating journey through the magic of cinema.
A Swan Lake
After his acclaimed literary adaptations of »Carmen« and »Peer Gynt«, The Swedish choreographer Johan Inger now turns towards a story that has become a ballet classic in the performance canon and that represents another facet of the choreographer: “A Swan Lake”. The new production of the Semperoper Ballett asks profound questions such as: What influence do violence and manipulation have on interpersonal relationships? What role do personal freedom, respect and acceptance play in a romantic relationship?
Joana Mallwitz – Momentum
Over two years, the film follows conductor Joana Mallwitz to the top of the Konzerthausorchester Berlin, one of Germany’s leading classical orchestras, in August 2023. As she embarks on a decisive phase of her international career with debuts in Munich, Paris, Salzburg, and Amsterdam, she and her husband have to reorganize their lives after the birth of their first child. JOANA MALLWITZ – MOMENTUM offers a candid and detailed portrait of the musician. Despite all her success, we feel the enormous pressure that the conducting profession brings with it.