Based on the novella “The People of Seldwyla” by Gottfried Keller, this opera was written in 1901 and first performed in German at Berlin’s Komische Oper on 21 February 1907. Its first English-language production was given in London on 22 February 1910. Frederick Delius (1862-1934) obtained his first successes in Germany. He numbers among the late-Romantic composers in the line of Richard Strauss and Gustav Mahler. The dramatic weightiness and heroic sweep of these composers is, however, missing in Delius’s music, which is more dream-like and limpid, as in the well-known “Walk to Paradise Garden”, an intermezzo from the opera “A Village Romeo and Juliet”. Delius’s most important opera, it radiates a fairy-tale atmosphere similar to that found in Pfitzner and Humperdinck.
In memoriam Jean-Pierre Ponnelle
Haydn, Piano Sonata in A flat major, Hob.XVI:46
Ivo Pogorelich was born in Belgrade on 20 October 1958. After his classical training at the Moscow Conservatory, he took master classes from Aliza Kezeradze, whom he married in 1980. In 1978 he won the Casagrande Competition in Italy and in 1980 the International Music Competition in Montreal. At the International Chopin Competition in 1980, his spectacular failure to win the first prize made him famous overnight. Martha Argerich, member of the jury, protested: “Pogorelich is a genius!” Since then, Pogorelich has been pursuing a brilliant international career. His often controversial and always stunning interpretations confirm the originality of his talent and intellect. The artist founded the “Ivo Pogorelich Festival” in Bad Wörishofen in 1989, an event dedicated to the promotion of young artists. In 1993 he launched the Ivo Pogorelich Piano Competition in California. Our program was recorded at the Castello Reale in Racconigi near Turin, one of the residences of the Italian royal family.
Leonard Bernstein: Teachers and Teaching – An Autobiographic Essay by Leonard Bernstein
This 60-minute program honors the great American conductor, pianist and composer Leonard Bernstein as a teacher. It assesses his importance, his credo and his sense of obligation to pass on to following generations what he himself learned and experienced. Leonard Bernstein saw himself as a link in a long chain of musical tradition leading from Koussevitzky, Mitropoulos, Reiner and Copland to himself and on to a younger generation represented by Seiji Ozawa and Michael Tilson Thomas, and to the youngest musicians he particularly enjoyed teaching, those who were still dreaming of a career. The film shows Leonard Bernstein as the great “roaming rabbi” of music and love, two concepts which were synonyms for him, just like learning and teaching. We see the great musician who offered his knowledge without reservation and was still developing himself in his last years, eager to learn from other artists. The film also shows Bernstein during rehearsals with orchestras, with famous soloists (e.g. Krystian Zimerman), in conversation with friends and pupils and at work in Vienna, New York, Tanglewood and Salzau.
Bruckner, Symphony No.9 in D minor
When Leonard Bernstein died in 1990 at the age of 72, music lovers the world over mourned the loss of one of the 20th century’s artistic giants. In addition to his role as conductor, composer, educator and performing artist, Bernstein was one of the early pioneers in bringing the arts to television. As such, he became one of the most internationally recognized musical personalities in the world. He was a man who not only needed music in order to live, but who saw in artistic communication the means to touch the mind, the heart and the spirit all at once. His need to generate this communication dictated his life from the day he discovered music to the day he died. Recorded in March 1990, this performance is Leonard Bernstein’s last concert with the Vienna Philharmonic, an orchestra he deeply loved.
New Year’s Concert 1992
After this sensational, rousing concert, the most popular event of the year for the Vienna Philharmonic Orchestra, the entire Austrian media were unanimous: this was a one-of-a-kind sensation. Broadcast in 25 countries and reaching a potential viewership of a billion viewers and listeners, the concert carried the spirit of Vienna and its most popular son, Johann Strauss Jr., across the entire world. While the waltzes of Johann and Joseph Strauss (as well as an overture by Otto Nicolai) were certainly one reason for the concert’s enormous success, it could not have reached this level of peerlessness without Carlos Kleiber. Known rather as an introspective musician, Kleiber proved in the 1989 New Year’s Concert that he was a master of the light and bubbly as well. All of the works – from the Pizzicato Polka and the Tritsch-Tratsch Polka to the Blue Danube waltz and the Radetzky March – were played with such brilliance, virtuosity and overflowing good spirits that one Vienna daily titled the event “a miracle in 3/4 time.”
The Transformation of the World into Music – Werner Herzog in Bayreuth.
Orff, Carmina Burana
The “Carmina Burana” is a manuscript collection of medieval songs which was discovered at the Bavarian monastery of Benediktbeuren in the 19th century. The songs glorify the secular aspects of life as a counterweight to the menaces of plague, war, terror and the Inquisition. The texts radiate the ribald, robust love of life shared by all social classes – nobility, clergy and peasantry. The premiere of “Carmina Burana” in Frankfurt/Main on 8 June 1937 caused an absolute sensation. It seemed as though Orff had reduced music to its most basic elements of rhythm and melody. He utilized the simplest harmonies and eliminated virtually all counterpoint and polyphony. Called a “scenic cantata” by Orff, the work was intended to be danced and staged. Horant Hohlfeld’s production enhances Orff’s music with its sensuality and primeval energy.
Prokofiev, Peter und der Wolf (Symphonic Fairy Tale for Children)
Loriot, alias Vicco von Bülow, is one of Germany’s most popular and beloved humorists. He delights in unmasking the foibles of everyday life in many animated shorts, cartoons and stories. With the orchestra of the Deutsche Oper Berlin conducted by Marcello Viotti, Loriot gives a as memorable performance as an avuncular narrator. Moreover, Loriot has slightly revised the original text to make it even more appealing to children of today.
Liszt, A Faust Symphony
Liszt had discovered Goethe’s Faust in a French translation just before the premiere of Berlioz’s Symphonie fantastique, and it was Berlioz who drew his attention to it. Though he initially contemplated writing an opera on this topic, he ultimately decided on a symphonic work which he called “A Faust Symphony in Three Character Pictures” which evoke Faust, Marguerite and Mephistopheles. His goal was to create psychological portraits that capture the character from within and, through recurring motifs and melodies, show that the three figures are interconnected. The work was premiered in Weimar on 5 September 1857 under the direction of the composer. In this performance, Leonard Bernstein conducts the Boston Symphony Orchestra and tenor Kenneth Riegel at Boston’s Symphony Hall.