Il palazzo incantato (The Enchanted Palace) by Luigi Rossi (1597-1653) has not been performed since its premiere in 1642. In Dijon, Leonardo García Alarcón and Fabrice Murgia bring back to life this unique work with singers, dancers and comedians. The libretto was written by Giulio Rospigliosi, who would later become Pope Clement IX. It is an adaptation of Ariosto’s Orlando furioso, a chivalric epic considered one of the great masterpieces of Italian literature and set to music by numerous other composers like Handel and Vivaldi as well. “A remarkable work of intelligence, and powerfully poetic” (Le Monde).
Camille Saint-Saëns – The elusive composer
The film follows the life of a man who is said to have been a revolutionary for 40 years and then a conservative for 40 years who considered Debussy, Ravel, Stravinsky and Webern (among others) as naughty punks… However, as a composer and a pianist Camille Saint-Saëns was incredibly talented in music as in various sciences and arts. The film contains archive material, original drawings, musical excerpts and interviews with specialists, with a light comment made from Saint-Saëns’ personal writings as if he commented himself some parts of his long and rich life.
Zéphyr
Dance against the wind: French choreographer Mourad Merzouki sails towards a new adventure in the direction of the “Everest of the seas” – the sailing race Vendée Globe. After Vertikal, which propelled hip-hop into the air, Merzouki continues to exalt this dance in a play with natural forces: from weightlessness to the breath of the wind, from vertical to horizontal, he performs a 90-degree rotation and imagines a new poetics of space in which a gentle wind of lightness blows from the west: the Zephyrus. César Award winner Armand Amar (“Le Concert”) wrote the music. “A great fresco on life […] And the magic works.” Le Figaro
Daniel Harding – The Inaugural Concert: Schumann Scenes from Faust
For his inaugural concert as the new Musical Director of the Orchestre de Paris, the young British conductor Daniel Harding chose to conduct a work with which he has already enjoyed phenomenal success in Berlin, Munich and London: Robert Schumann’s rarely performed Szenen aus Goethes Faust (Scenes from Goethe’s Faust). A Magical evening in the Parisian concert hall, with an aesthetic excellence that leaves you speechless.” (Huffington Post) “For his inauguration concert Harding lands a coup.” (Le Figaro)
Paris: Harding conducts Schumann “Paradise and Peri”
Daniel Harding, the new music director of the prestigious Orchestre de Paris, pays homage to Schumann through one of his most radiant works: Das Paradies und die Peri (Paradise and the Peri), an adaptation for orchestra, choir and soloists of an oriental tale and a jewel of romanticism. Matthias Goerne, Christiane Karg, Andy Staples, Kate Royal, Gerhild Romberger and Allan Clayton join Harding and the Orchestre de Paris in a worldly Oratorio that exalts the heavenly purity of paradise in the shimmering and magical colours of Arabian Nights.
Harding conducts Elgar’s “The Dream of Gerontius”
“The Dream of Gerontius”, Edward Elgar’s striking musical meditation on life after death, showcases superb choral writing and Wagnerian inflections. Daniel Harding leads the Orchestre de Paris. Mezzo-soprano Magdalena Kožená performs as Guardian Angel alongside Andrew Staples and John Relyea in the Grand Salle Pierre Boulez. Created in 1900, this great oratorio, often called the “English Parsifal”, is considered a national gem. While it has been the subject of unconditional admiration for more than a century in England, it was rarely performed outside England’s borders. Even if George Bernard Shaw had no doubt that Elgar’s music was to be immortal, it took some time to prove that he was right. The powerful work, which keeps in tradition with greats like Beethoven, is now revered throughout the world and in this case receives a stellar staging in the beautiful Philharmonie de Paris.
Le Ballet royal de la nuit
A unique and extravagant spectacle at the crossroads of opera, ballet and artistry, captured on film for the very first time: Conductor Sébastien Daucé recreates the Sun King’s opulent Ballet royal de la nuit and evokes the splendour of the 17th century’s French court at the Théâtre de Caen. To recreate this total work of art, which brings together music and imagery, lavish decorations and opulent costumes, Daucé enlists the help of 20 singers, twelve acrobats and three jugglers as well as dancer Sean Patrick Mombruno and the musicians of Ensemble Correspondance, distinguished specialists in the music of the French Grand Siècle. And when Ballet royal de la nuit culminates in the rise of the radiating Sun, there’s nothing left but “unreserved admiration” (Le Monde) for this “exquisite Gesamtkunstwerk” (Welt.de). “A king-like, no, a veritable Sun-King-like delight!” (br.de)
Berlioz, Requiem
In September 1975 Leonard Bernstein celebrated a triumphal return to Paris after a four-year absence, conducting the Orchestre National de France in two concerts. One featured exclusively works by Maurice Ravel, the other the Berlioz Requiem. Both concerts were recorded by Unitel. Bernstein had the good fortune to be able to conduct the monumental Requiem at the venue of its 1837 world premiere, the church or St. Louis des Invalides.
Plácido Domingo at Arena di Verona
Opera legend Plácido Domingo returns to the spectacular Arena di Verona with a programme dedicated to the great Italian composers Verdi and Giordano. Jordi Bernàcer conducts the orchestra of the Arena di Verona from the center of the Arena, which creates an incredible surround sound, embedded in a perfectly staged light show. The musical heart of the evening are long excerpts from La Traviata, where Domingo’s dark voice fits wonderfully for the role of Germont. An extraordinary evening, culminating in long applause for the charismatic singer. “Domingo performed with bravura, alternating with the spectacular Saioa Hernández” (operaactual.com).
Sonya Yoncheva & Vittorio Grigolo at Arena di Verona – Love Duets
Passion that burns, consumes and sometimes kills – it’s the central theme of this concerto lirico, which marks the finale of a very special summer festival at the Arena. The two star singers Sonya Yoncheva and Vittorio Grigolo present “with dramatic and passionate synergy” (OperaClick) some of the most beautiful love duets of opera history. Accompanied by Plácido Domingo as conductor, they combine French repertoire (Gounod, Massenet, Bizet) with famous Italian pieces by Verdi and Puccini, like “E lucevan le stelle” from Tosca, “Un bel di vedremo” from Madama Butterfly or “Mimì?!…Speravo di trovarvi qui” from La Bohème.