Since the death of Herbert von Karajan in 1989, the prestigious Vienna Philharmonic Orchestra’s concerts around Ascension Day (15 August) have firmly been in the hands of Riccardo Muti. Always sold out, they are among the highlights of every festival summer. For this year’s concert and on occasion of his 80th birthday, the maestro was acclaimed for his interpretation of Beethoven’s Missa solemnis, a piece he has never conducted before. “Muti is a master in conveying extremes: monumentality, where it is compositionally intended, and highest internalization alternate with each other in a dense interplay.” FAZ
Bregenz Festival 2022: Madama Butterfly
Puccini’s Madama Butterfly, one of the most played operas today, was staged on the Seebühne for the first time. Enrique Mazzola, who was also responsible for the Rigoletto production, leads “the Wiener Symphoniker to a beguiling string sound and a flexibility that is so important for Puccini” (Der Tagesspiegel). Director Andreas Homoki, who is the artistic director of the Opernhaus Zürich, and his internationally renowned team use Michael Levine’s magical stage set with its subtle landscape paintings to bring Japanese flair to Lake Constance. Barno Ismatullaeva’s performance as Cio-Cio-San “is simply world class!” (Online Merker). “Rightly a standing ovation ended the multiple dramatic evening.” (Neue Musikzeitung)
Salzburg Festival 2021: Bruckner Symphony No. 7 (Chamber Version)
The first performance of Bruckner’s Seventh Symphony in Leipzig 1884 was one of the few unalloyed triumphs of his career. Eisler, Stein and Rankl, all three involved in making the arrangement, were all Schönberg pupils. Their chamber version allows us to hear Bruckner’s ideas with an extraordinary refreshing clarity – a most sympathetic and touching tribute to Bruckner by three of Vienna’s most progressive musical modernists in the 1920s. “A summit victory without heavy baggage. Monumental orchestral work in fabulous chamber sound: Renaud Capuçon and friends thrilled with Bruckner’s 7th Symphony… More intensity is hardly possible.” (Salzburger Nachrichten). PROGRAM: Bruckner: Symphony No. 7 (Chamber Version), arranged by Hanns Eisler, Erwin Stein, Karl Rankl
Theater an der Wien: Zazà
With Ruggero Leoncavallo’s rarity Zazá, the Theater an der Wien scored a coup with the grandiose house debutante Svetlana Aksenova in the title role. Christof Loy delivers a striking staging of the Verismo drama and conductor Stefan Soltez spiritedly leads the ORF Radio-Symphonieorchester Wien through the highly acclaimed evening. At the center of the piece is the provincial variety theatre artist Zazà who soon finds herself between two men, but also between the life she has been used to up to now and the hope for the happiness of a secure middleclass existence through marriage and love. One is Cascart, her stage partner and former lover, whom she keeps afloat like her alcoholic mother. The other is the Parisian businessman and bon vivant Milio, whom she falls head over heels in love with, unaware that he has a wife and child in the capital. She finally sets him free and remains fatally unhappy in this piece. “It would take a whole newspaper page to praise all the performers appropriately”, praises Der Standard. Of particular note is
Svetlana Aksenova as Zazá who “suffers the whole spectrum from intimate affection to raging jealousy and mute despair”, Nikolai Schukoff (Milio) “shows himself as a daredevil and a depressed mourner”, Christopher Maltman as Cascart “leads energetically and touchingly his already lost fight for his beloved.” An evening worth seeing and hearing!
Platée
Jean-Jacques Rousseau hailed “Platée” as “the best musical play ever to be heard in our theatres.” In Robert Carsen’s production, the mythological events take place in the world of Parisian haute couture and Jupiter is portrayed as the fashion god Karl Lagerfeld (1933-2019) – who has now really been transferred up to Olympus. This ingeniously apt transposition of this satirical opera into the modern day has long been a hit! The renowned specialist in baroque music, William Christie, conducts his Les Arts Florissants, the Arnold Schoenberg Chor and a fantastic cast. “A candy-coloured baroque dream” Salzburger Nachrichten // “A must-see – and not only for fashion freaks!” Bühne
Thielemann conducts Bruckner No. 3
For the very first time in the orchestra’s history, the Wiener Philharmoniker have engaged themselves to a complete Bruckner Cycle and chose the renowned Bruckner expert Christian Thielemann as conductor. The first recordings met with great enthusiasm and approval. “Only the highest musical perfection sounds like this” (Kurier). Bruckner’s program is greatness, pathos, sublimity. “With their warm string and beautiful brass sound, the Wiener Philharmoniker are ideal partners for him” (BR Klassik). The large-scale Bruckner Cycle extends to the composer’s 200th birthday in 2024. The Wiener Philharmoniker, who premiered four of the nine Bruckner Symphonies, are more familiar with this music than any other orchestra.
Thaïs
With the “Méditation”, Jules Massenet probably wrote one of the most famous melodies of our time. It originates from his Comédie-lyrique “Thaïs”, which – unlike Massenet’s operas “Werther” or “Manon” – never made it into the international opera repertoire. Presumably because the two main roles of Thaïs and Athanaël demand something almost superhuman from the singers. In the new production by Peter Konwitschny at the Theater an der Wien, the American soprano Nicole Chevalier is one of the most exciting singers currently on stage in the title role. At her side, the young Austrian bass-baritone Josef Wagner celebrates his house debut.
Thielemann conducts Bruckner No. 1
For the first time in the orchestra’s history, the Wiener Philharmoniker have engaged themselves to a complete Bruckner cycle and have invited worldwide renowned Bruckner expert Christian Thielemann to take the podium. The performance of Anton Bruckner’s Symphony No. 1 is part of this large-scale Bruckner cycle, which extends to the composer’s 200th birthday in 2024. “Unheard-of luxury” Wiener Zeitung
Thielemann conducts Bruckner No. 5
To mark Anton Bruckner’s bicentenary in 2024, Christian Thielemann, the Wiener Philharmoniker and Unitel are recording the first Bruckner cycle with a single conductor in the orchestra’s history. Under Christian Thielemann’s baton the sound is resonant and glowing, the buildup of tension and release perceptively handled and each solo is impeccably played by some of the world’s best musicians. “The interpretation of the Fifth may also be considered a milestone. The way the musicians realized this work was simply magnificent.” Kurier
100 Years Salzburg Festival – From Austria to the World
The world’s largest classical music festival attracts thousands of music and theater lovers from all over the world to the city of Mozart every year. Since Max Reinhardt, Hugo von
Hofmannsthal and Richard Strauss founded the Salzburg Festival in 1920, the Salzburg Festival has established itself as the world’s most important festival of the performing
arts. The film portrays the festival and traces its incredible rise: From its beginnings as a peace project after the First World War, through the myth of the Jedermann (Everyman)
to the present day. What makes the Salzburg Festival so special and unique? Answers are provided by the festival organizers and some of the most internationally renowned
festival artists – including Tobias Moretti, Daniel Barenboim, Teodor Currentzis, Anne-Sophie Mutter or Peter Sellars.