“Mozart22” is an enterprise of utterly unique dimensions, the musical project of the century: all of Mozart’s stage works presented over the course of six weeks during the 2006 Salzburg Festival. The project brought together the greatest Mozart singers, conductors, stage directors and ensembles of the day. To make this extraordinary artistic achievement accessible to a broad public, the entire “Mozart22” cycle was recorded with the highest-quality HD technology and 5.1 Dolby Digital sound. The cycle also includes 20 one-hour documentaries containing excerpts from rehearsals, interviews with artists, and background reports that shed light on the meticulously elaborated, multi-layered concepts of the musical interpretations and stage productions. The programs introduce the work in question and situate it in Mozart’s oeuvre. Each documentary is devoted to one opera, whereby the shorter works and fragments are bundled. All the operas, of course, are available from UNITEL CLASSICA. In addition to providing valuable insights from the artists, the documentaries also bear witness to the incredible logistic achievement of the Mozart22 project. At the peak of the project, about 160 people were working on it nearly around the clock. Fifty thousand meters of cable were laid out in seven venues in Salzburg. Parallel to the recording crew of the opera cycle, who required up to twelve cameras for each recording, the documentary filmmakers scurried from rehearsal stage to hotel lounge, from artists’ canteen to make-up studios in their mission to capture the unique dynamics and electrifying atmosphere of this undertaking – a project of superlatives and a landmark in media and music history.
Ascanio in Alba Documentary
“Mozart22” is an enterprise of utterly unique dimensions, the musical project of the century: all of Mozart’s stage works presented over the course of six weeks during the 2006 Salzburg Festival. The project brought together the greatest Mozart singers, conductors, stage directors and ensembles of the day. To make this extraordinary artistic achievement accessible to a broad public, the entire “Mozart22” cycle was recorded with the highest-quality HD technology and 5.1 Dolby Digital sound. The cycle also includes 20 one-hour documentaries containing excerpts from rehearsals, interviews with artists, and background reports that shed light on the meticulously elaborated, multi-layered concepts of the musical interpretations and stage productions. The programs introduce the work in question and situate it in Mozart’s oeuvre. Each documentary is devoted to one opera, whereby the shorter works and fragments are bundled. All the operas, of course, are available from UNITEL CLASSICA. In addition to providing valuable insights from the artists, the documentaries also bear witness to the incredible logistic achievement of the Mozart22 project. At the peak of the project, about 160 people were working on it nearly around the clock. Fifty thousand meters of cable were laid out in seven venues in Salzburg. Parallel to the recording crew of the opera cycle, who required up to twelve cameras for each recording, the documentary filmmakers scurried from rehearsal stage to hotel lounge, from artists’ canteen to make-up studios in their mission to capture the unique dynamics and electrifying atmosphere of this undertaking – a project of superlatives and a landmark in media and music history.
West-Eastern Divan Orchestra in Salzburg – Concert 3
Program: Max Bruch, Felix Mendelssohn, Franz Schubert, Richard Strauss, Hugo Wolf, Pierre Boulez, Kinan Azmeh: Songs and chamber music
West-Eastern Divan Orchestra in Salzburg – Concert 2
Program: Franz Schubert Piano Quintet in A major, D. 667 “The Trout” / Heitor Villa-Lobos Aria
Mozart 22 Talking
Talking Ascanio in Alba
Talking Bastien und Bastienne
Talking Betulia Liberata
Le Nozze di Figaro Documentary
Karajan or Beauty As I See It
Who was Herbert von Karajan? What lurks behind the enigmatic face of this man, on whom more has been written than on any other member of his profession? For many, he was the epitome of classical music, for others the embodiment of the music market. He was the last dictator among orchestral conductors, and the first successful large-scale music entrepreneur. And in everything he did, he was ahead of his time. This documentary is the first to truly penetrate behind Karajan’s regal façade. The program is structured along the personal recollections and interviews, the rehearsals and concerts of the maestro. Much of the material has been drawn from the archives of Unitel, the firm that produced his music films for 12 years. This footage is supplemented by many candid and revealing comments by some of the men and women who accompanied him on his path to legendary status. The result is a multi-faceted, multi-layered portrait of the artist – a portrait that ultimately deepens the mystery of one of the greatest conductors of the 20th century.