In early 2023, filmmaker Larry Weinstein set out to make a documentary about Beethoven’s Ninth Symphony. It was supposed to be about how far we have come in the two undred years since it was written. But when world events pull Larry into his own film, the question becomes a deeply personal one. Beethoven’s Nine is a documentary about music, but also about war and hope. It follows nine unique individuals, including Ukrainian musicians, a deaf composer, a Polish rock star, a best-selling author, a legendary cartoonist and Weinstein himself, as they try to better understand the legacy of Beethoven’s Ninth, the composer’s own struggles, the inspiration music can provide and how humanity continues to look for hope even in the darkest times.
Renaud Capuçon – The Boundless Violin
Violinist and conductor Renaud Capuçon lives entirely for his art. Driven by an overflowing curiosity and an insatiable thirst for sharing, the native of Chambéry, who has enlightened thousands of people with his daily performances on social networks, has since returned to the whirlwind of rehearsals, concerts and recordings that have marked his career. For a year, Andy Sommer and Romain Girard accompanied Renaud Capuçon on his many travels and projects, capturing the unflagging energy of this mad lover of music, who strives to make it accessible to all audiences. Collecting numerous testimonies from close friends and family (his wife Laurence Ferrari, his sister Aude Giraudon) and musician friends (pianist and maestro Daniel Barenboim, violist Gérard Caussé, conductor Daniel Harding), the filmmakers have created a moving portrait of this “musician and entrepreneur”, capable of uniting the older and younger generations around him.
Lucerne Festival 2018: Chailly conducts Ravel
A breathtaking all-Ravel program with the Lucerne Festival Orchestra and Riccardo Chailly to celebrate the orchestra’s 15th anniversary. Founded in 2003 by Claudio Abbado, the Lucerne Festival Orchestra quickly grew into much more than “just” another festival orchestra. The incredible clarity and intensity of this orchestra, the wonderful timbres that make it so extraordinary – there is no program more suitable for experiencing and showcasing its uniqueness than the concert with works by Maurice Ravel. “That ballet music is a precursor of film music is seldom heard as directly as in the long camera shots through wide and whirling soundscapes.” Luzerner Zeitung PROGRAM Ravel: Valses nobles et sentimentales; La Valse; Daphnis et Chloé – Suites Nos. 1 & 2; Boléro
Lucerne Festival 2024: Chailly conducts Mahler 7
The Lucerne Festival Orchestra opens the 2024 edition of the summer festival on Lake Lucerne with Gustav Mahler’s Symphony No. 7, the most complex and mysterious of his symphonies and for a long time his least frequently performed work. The conductor will be none other than the Italian conductor Riccardo Chailly, himself an ardent admirer of the Viennese master.
Lucerne Festival 2024: Chailly conducts Rachmaninoff
The Lucerne Festival Orchestra under Riccardo Chailly continues its Rachmaninov journey on Lake Lucerne. The program includes the rare Symphonic Movement in D minor, the Symphonic Dances, Op. 45 and the Scherzo in D minor. In the spotlight: the shooting star Alexander Malofeev, who performs the Piano Concerto No. 1. Alexander Malofeev, who attracted the attention of the classical music world at a young age, is, according to Riccardo Chailly, “more than just a child prodigy” and, despite his young age, possesses not only technical mastery but also a musical maturity that makes him the “ideal Rachmaninov interpreter”.
Lucerne Festival 2023: Paavo Järvi conducts Mahler 3
In its 20th season, the Lucerne Festival Orchestra opened the 2023 summer festival with Mahler’s Third. Paavo Järvi takes over for Riccardo Chailly on short notice and proved to be a more than worthy substitute. He led orchestra, chorus, and soloist Wiebke Lehmkuhl to an “air-spirited serenity” (FAZ)
Lucerne Festival 2023: Paavo Järvi & Maria João Pires
In another prominent concert of the Lucerne Festival Orchestra’s 20th anniversary edition, Maria Joa~o Pires performed Wolfgang Amadeus Mozart’s Piano Concerto No. 9, “Jenamy”, with the orchestra under the baton of Paavo Järvi, who “builds a sanctuary of delicate grace around his soloist.” (FAZ) PROGRAM Mozart Piano Concerto No. 9, K. 271;
Andante from Piano Concerto No. 21, K. 467 (encore)
Lucerne Festival 2025: Chailly conducts Mahler
In his internationally acclaimed interpretations of Mahler’s symphonies, Riccardo Chailly focuses on the musical quality of the works, avoiding false pathos and sentimentality while retaining the music’s dramatic intensity. Together with the Lucerne Festival Orchestra, and Elina Garanca, he opened the 2025 festival summer festival with Mahler’s poignant, unfinished 10th Symphony and Mahler’s Rückert-Lieder. The concert opened with Pierre Boulez’s Mémoriale, in reverence of the inaugural director of the Lucerne Festival Academy, who would have celebrated his 100th birthday in 2025. PROGRAM Mahler: Rückert-Lieder, Ssymphony No 10; Boulez: Mémoriale
Lucerne Festival 2025: Chailly conducts Rachmaninoff
The Lucerne Festival Orchestra and Riccardo Chailly continued their journey into Sergei Rachmaninoff’s emotional world. With the rarely performed The Rock, Op. 7, they immersed themselves in the composer’s early work. In his Rhapsody on a Theme of Paganini, Rachmaninoff counterposes his own piano virtuosity against the brilliance of the legendary violinist Paganini. The piece was performed by the exceptional pianist Beatrice Rana, renowned worldwide for her electrifying playing. To conclude the evening, the Lucerne Festival Orchestra, under Riccardo Chailly’s direction, presented Rachmaninoff’s Symphony No. 1. PROGRAM Rachmaninoff: The Rock, Rhapsody on a Theme of Paganini, Symphony No 1
Der Rosenkavalier
When Strauss and Hofmannsthal wrote «Der Rosenkavalier» – setting it in an imaginary Rococo Vienna and yet closely linked to the decadent fin de siècle – they created a profound social comedy. It is not without melancholy that the Marschallin lets her young lover Octavian go when he falls head over heels with Sophie, who hails from Faninal’s bourgeois household. As voluptuous as Strauss’ score is, it contains tender moments of dream and melancholy. Director Lydia Steier stages Strauss’ opera according to an aesthetic concept by Austrian artist Gottfried Helnwein. Diana Damrau sings the Marschallin. Joana Mallwitz conducts the Orchester der Oper Zürich.