The festive concert from St Stephen’s Cathedral in Vienna spreads pre-Christmas mood with four well-known vocal soloists, the Vienna Boys’ Choir and the Vienna Symphony
Orchestra. The program under the musical direction of David Afkham includes sacred and solemn music from all over Europe, from J.S. Bach’s Christmas Oratorio and Charles Gounod’s “Sanctus” to the grand finale with Engelbert Humperdinck’s Evening Blessing from “Hänsel und Gretel”. At the end of the concert, the Christmas carol “Adeste fideles” is sung together.
Le nozze di Figaro is Lorenzo Da Ponte’s and Mozart‘s first of their three jointly created operas about attempts at interpersonal relationships: a turbulent comedy with erotic entanglements, which was not a harmless comedy even in Mozart’s day. Director Martin Kušej moves the drama of love and jealousy to a mafia-like urban milieu where conflicts are fought out with pistols. Young French conductor Raphaël Pichon, “original sound expert” (Der Tagesspiegel) and for the first time on the podium of the Wiener Philharmoniker, leads a young ensemble of singers around clan boss Almaviva (“vocally flawlessly brilliant: Andrè Schuen”, Hamburger Abendblatt). “Kušej’s staging is musical, Pichon’s conducting theatrical; the two work together to a degree that is far more rare than it should be. Every detail has been carefully thought through, and the symbiosis is breathtaking.” (Financial Times)
Salzburg stands for Mozart and hardly any work stands for Mozart as much as his Zauberflöte (The Magic Flute), the most famous opera of all. Therefore, a staging of Die Zauberflöte at the Salzburg Festival is always something special. Director Lydia Steier in her revised version of her Salzburg production, now placed at the Haus für Mozart, introduces a grandfather as a narrator to read Die Zauberflöte as a bedtime story to his three grandchildren. In this way, the rich fantasy of the work breaks into the strict household of an upper middle-class family, in which reverie has little place, and takes the three boys right into the middle of the action. As the Three Boys, they plunge into a fairy-tale and dream world in whose surreal enlargements the boys’ everyday lives appear again and again. With a childlike gaze, they accompany and guide the protagonists through their destinies. “Regula Mühlemann is a beautiful-sounding Pamina, Michael Nagl a charming, creamy Papageno, and Tareq Nazmi as bass-strong Sarastro turns out to be a stroke of luck.” (Oberösterreichische Nachrichten)
The world’s largest classical music festival attracts thousands of music and theater lovers from all over the world to the city of Mozart every year. Since Max Reinhardt, Hugo von
Hofmannsthal and Richard Strauss founded the Salzburg Festival in 1920, the Salzburg Festival has established itself as the world’s most important festival of the performing
arts. The film portrays the festival and traces its incredible rise: From its beginnings as a peace project after the First World War, through the myth of the Jedermann (Everyman)
to the present day. What makes the Salzburg Festival so special and unique? Answers are provided by the festival organizers and some of the most internationally renowned
festival artists – including Tobias Moretti, Daniel Barenboim, Teodor Currentzis, Anne-Sophie Mutter or Peter Sellars.
Silent Night – A Song for the World is a documentary about the creation and success of the world’s most famous Christmas Carol – a song composed in 1818 in Salzburg, which has been translated into 140 languages, which stopped World War I at Christmas, which should become the third best selling single by Bing Crosby. In short: A song for the world! The film tells the story of the creation of the Christmas Carol and features world stars like Rolando Villazón, Kelly Clarkson, Joss Stone and David Foster, who share their personal Christmas experiences in their home towns and perform Silent Night in various languages.
Russian literature is unimaginable without Pushkin. It feeds on Pushkin, it breathes Pushkin. During his brief life – he died at the age of 38 – he produced a torrent of the most wonderful poems, plays and stories. Pushkin wrote the novella The Queen of Spades in 1833 in the course of a few days and “in a cold fury” – brief, sharply accentuated and focused on psychology. More than 50 years later, Tchaikovsky turned to this tale for an opera. Mariss Jansons conducts the Vienna Philharmonic, Hans Neuenfels directs Tchaikovsky’s The Queen of Spades at the Großes Festspielhaus. Hanna Schwarz appears as the Countess. Evgenia Muraveva sings Lisa, Brandon Jovanovich is Herman, Vladislav Sulimsky appears as Count Tomsky / Plutus, and Igor Golovatenko is Prince Yelezky. “A triumph for conductor Mariss Jansons at the helm of the Wiener Philharmoniker” (FAZ); “Mr. Neuenfels draws gripping performances from a strong cast.” (NY Times)
According to stage director Sven-Eric Bechtolf “Don Giovanni is a romantic hero of metaphysical proportions.” He sees Don Giovanni as a person who is craving for freedom and a lack of boundaries in a puritan society. The role is performed by Italian bass-baritone Ildebrando D’Arcangelo, one of today’s leading Mozart singers (like Luca Pisaroni who sings Leporello, and Lenneke Ruiten who performs Donna Anna). Leading the Wiener Philharmoniker is the German conductor Christoph Eschenbach, a heir of George Szell and Herbert von Karajan.
Richard Strauss – who regarded himself as the last great composer ‘at the end of the rainbow’ – for sure is one of the most interesting artists of his time. This documentary by Eric Schulz (also known for the film “Karajan – The Second Life”) on the occasion of the composer’s 150th birthday gives insight into the personality and the works of Richard Strauss with never-released archive material and high-class interview partners such as Brigitte Fassbaender, Klaus König, Raymond Holden, Christian Strauss, Walter Werbeck, Emma Moore.
Johann Strauss’ waltz “On the Beautiful Blue Danube” is considered Austria’s secret national anthem. First performed 150 years ago in Vienna, the composition from the Strauss “waltz factory” became an instant worldwide hit. The film by Eric Schulz looks behind the scenes of the “waltz factory” of the Strauss family. Historic film footage is combined with waltz impressions from Vienna’s Musikverein and an unusual collection of mobile phone selfie-videos: for the first time, every musician in the orchestra filmed themselves during the performance. The “Donauwalzer” as the world’s first “orchestra selfie” – like the entire documentary itself – creates astonishing new perspectives on one of the world’s most popular musical traditions.
Theodor Currentzis presents his new orchestra project „Utopia“ – and brings together 112 musicians from 22 nations. Outstanding musicians from international orchestras, the independent scene, soloists and chamber musicians come together to work on exemplary works of orchestral literature. The debut concerts of the new orchestra focus on refined and complex orchestral works of the early 20th century: Stravinsky‘s rarely performed third „Firebird“ suite from 1945, as well as the masterfully orchestrated second suite from „Daphnis et Chloé“ and the choreographic poem „La Valse“ by Maurice Ravel. All of the compositions exemplify the aesthetic thinking of the time. They are exquisite artefacts for demanding connoisseurs: The latest achievements in the art of orchestration, rousing dance rhythms and frenzied apotheoses stand for themselves. The „l‘art pour l‘art“ principle („art for art‘s sake“) is in the foreground here. In keeping with the orchestra‘s name, all three works thematize a form of the golden age: the ancient Greek pastoral („Daphnis et Chloé“), the Russian fairy-tale world („The Firebird“) and the Austrian imperial court in its heyday („La Valse“). PROGRAM Stravinsky: Firebird; Ravel: Daphnis et Chloé, La Valse, Boléro
