Tschaikovsky’s perhaps best-loved and most famous work in an amazing production from the Berlin State Opera featuring Vladimir Malakhov, who is recognized worldwide as one of the greatest dancers of his generation.
Barenboim conducts Beethoven No. 2
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s Second Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. First performed in Vienna in 1803 with Beethoven conducting, the Second Symphony exhibits a daring departure from the traditional form. In a classical symphony, the third movement was always a minuet; Beethoven replaces it with a Scherzo, a quick-paced musical form in three-quarter time. While working on this symphony, Beethoven was undergoing an enormous personal crisis: the growing deafness.
Barenboim conducts Beethoven No. 1
The Staatskapelle Berlin and its chief conductor Daniel Barenboim continue their symphonic Beethoven cycle with this recording of Beethoven’s First Symphony. The cycle started with an acclaimed performance of the Ninth on Berlin’s Bebelplatz and goes on in the Lindenoper. Beethoven’s First is both a retrospective and a foresight: it is still in the tradition of Mozart and Haydn and nevertheless hints at some of what later made the “mature” Beethoven; it contains the contemporary and the future. The world premiere in April 1800 in Vienna was a temporary high point in the career of the twenty-nine-year-old Beethoven.
Betrothal in a Monastery
At the Staatsoper Unter den Linden Dmitri Tcherniakov stages Prokofiev’s lyrical comic opera Betrothal in a Monastery under Daniel Barenboim’s baton. The Russian director recasts the complete opera as therapeutic role play for “Opera-Addict Anonymus”. Daniel Barenboim conducts the Staatskapelle Berlin and “the uniformly excellent cast” (Financial Times), led by Aida Garifullina, Bogdan Volkov and Stephan Rügamer among others. “Musically, this performance is a celebration in every respect”, praises BR Klassik.
At home with Gidon Kremer
In this episode, the audience is invited into the Berlin residence and studio of legendary violinist Gidon Kremer, who plays “a kaleidoscope of things” dear to him, including pieces by Piazzola, Weinberg and Schubert. The violinist also performs in Paliesius Manor in Lithuania, a concert venue that feels like home to Kremer. In conversation with Annie Dutoit, he talks about growing up in a musical family, his childhood in Russia, and the composers that shaped him and inspire him. PROGRAM: Astor Piazzolla (Arr. Andrei Pushkarev): Introduccion del Angel • Milonga loca Valentin Silvestrov: Serenade Victor Kissine: For Pablo Giya Kancheli: Rag-Gidon-Time Arthur Vincent Louriè: Concerto da camera, Serenata Mieczyslaw Weinberg (Arr. Gidon Kremer): Prelude Nr.5 Oscar Strock (Arr. Andrei Pushkarev): My last Tango Franz Schubert (Arr. Giya Kancheli): Du bist die Ruh
Carmen
The ancient Roman Théâtre antique d’Orange is offering its breath-taking ambience to George Bizet’s world-renowned love drama, Carmen. The principle roles are portrayed by the spectacular Kate Aldrich in her signature roll as the seductive temptress Carmen, and star tenor Jonas Kaufmann as the troubled and jealous army officer, Don José. “Aldrich makes Carmen a magic presence by sheer vivacity of personality”, writes Opera Today on her exceptional festival debut. The rest of the cast, too, are nothing less than outstanding – most notably Inva Mula as Micaëla and Kyle Ketelsen as Escamillo, whose wit and playfulness delight his audience. In the pit are the Orchestre Philharmonique de Radio France, and their new principal conductor, Mikko Franck. The directing of Louis Désiré, who also designed the set and costumes, fits ideally into this picturesque setting and paints a naturalistic image of society in keeping with Bizet’s intentions.
Lucas Debargue – To the Music
For a year, the film follows the pianist Lucas Debargue through his encounters, his discoveries and his quest for music. In his early career, revealed by the XVth International Tchaikovsky Competition, praised by the public and critics, Lucas is confronted with the concerts that come one after another. He discovers the relationship with the conductor and music partners, studio recordings, post-concerts, success and autographs. He has now found his new life, a whole life devoted to music.
Lang Lang in Versailles
Lang Lang & Chopin have long been a winning combination – already celebrated worldwide for his Chopin interpretation, Lang Lang selects the four virtuosic and well known “Scherzi” to display his interpretative ability and renowned technical command, as well as the rarer performed Tchaikovsky “The Seasons”. Filmed at the legendary Hall of Mirrors (Galerie des Glaces) in the Palace of Versailles “Château de Versailles”.
Les Troyens
Berlioz’ ‘Les Troyens’ from the Salzburg Festival 2000 belongs is one of the most acclaimed productions by legendary director Herbert Wernicke. The cast is also second to none: in the role of Cassandre and Didon is American singer Deborah Polaski, who is renowned as one of the greatest dramatic Mezzo-Sopranos of our century.
Les Contes d’Hoffmann
This production from the Chorégies d’Orange Festival, one of the festivals with the longest and richest traditions in France, is directed by the French conductor Michel Plasson, whose interpretation of the operatic works by Offenbach, Gounod and Massenet were considered to be the most excellent of our time. Performing is baritone José van Dam, one of today’s most famous and sought after interpreters of the bass-baritone repertoire.