For this special concert, the Vltava river in Prague turned into a unique concert venue. Floating stages were built especially for this concert. To celebrate Czech Presidency of the Council of the European Union, the Czech Philharmonic perform some of the most iconic pieces of Czech classical music. The concert opens with the anthem of the European Union, Beethoven’s “Ode to Joy”, and is completed by Smetana’s Vltava (The Moldau), Dvorák’s Carnival Overture and – as the main piece of the evening – Janácek’s monumental Glagolitic Mass, one of the most powerful sacred compositions ever. It is the perfect piece to celebrate Europe: “the ancient classical meets the spontaneously avant-garde in a special and optimal way.” (Lidové noviny) PROGRAM: Beethoven: ”Ode to Joy” Finale of Symphony No. 9, Op. 125; Dvorák: Carnival overture op. 92; Smetana: Vltava, a symphonic poem from the cycle ‘My Country.’ Janácek: Glagolitic Mass
Beethoven – The 5 Cello Sonatas
Performing Beethoven’s entire work for cello and piano in a single concert is a special experience: It is a journey through a lifetime, a journey into the depths of the German composer’s soul. The sonatas represent all three of Beethoven’s major creative periods. Cellist Gary Hoffman, Master in Residence at the Queen Elisabeth Music Chapel, Waterloo, together with pianist David Selig dedicate an evening to the complete sonatas for cello and piano by Ludwig van Beethoven. The audience discovers the composer’s development in his desire to master the writing for the cello, but also, more generally, the evolution of his musical aesthetics. Beethoven’s cello sonatas have more strength, intensity and variety of expression than any previously written sonatas. He has succeeded in elevating instrumental music to the highest level of art, which the two artists of this special evening impressively demonstrate.
Beyond the Music: Barenboim-Said Akademie
After the founding of the West-Eastern Divan Orchestra in 1999, another project of intercultural understanding is derived from the friendship between Barenboim and the Palestinian humanist Edward Said. The inauguration of the Barenboim-Said Akademie in Berlin marked a new phase within the political and educational engagement of musician and pedagogue Daniel Barenboim. After a successful world career as a pianist, conductor and musical teacher with political aspirations, the creation of this place is perhaps Barenboim’s most enduring work and at the same time a project of the heart. “Beyond the Music” portrays this innovative academy whose mission is committed to the humanistic ideals of its founders and ultimately a clear message of peace: music creates understanding.
Currentzis conducts Beethoven No. 9
Teodor Currentzis and his musicAeterna present their first recording of Beethoven’s 9th symphony, produced at the Megaron Concert Hall in Athens. The history of the Ninth’s interpretations includes 200 years of staggering revelations and lingering stagnation. Performed by the musicAeterna orchestra and choir as well as stellar guest soloists under the baton of Teodor Currentzis, Beethoven’s opus magnum acquires the original poignancy and energy of a recent discovery.
Salzburg Festival 2022: Il trittico
Il trittico was premiered in New York on 14 December 1918, composed while the First World War was still raging in Europe. At first glance, the three one-act operas Gianni Schicchi, Il tabarro and Suor Angelica seem to have no connection with each other; their common denominator is solely the entanglement of man in a fateful destiny that only exceptionally, for a moment, seems to promise a happy outcome to the “adventure of life” — a set of themes that in its complexity seems to be in such good hands with few directors as with Christof Loy. The main female roles in the three opera acts are performed by the Lithuanian soprano Asmik Grigorian, a very rare and tremendous feat, but once again connects the works to each other. “Grigorian is […] a wonderful, intense performer: a gracefully graceful Donna fragile as Lauretta, a feverishly longing for love while tormented by guilt Giorgetta, and a desperately lost Angelica rebelling with defiance.” (Frankfurter Allgemeine Zeitung)
Christian Thielemann – Staatskapelle Berlin Inaugural Concert
In his inaugural concert as chief music director of Staatsoper Unter den Linden and Staatskapelle Berlin, Christian Thielemann showcases his versatility. He performs Mendelssohn’s seldom-played Piano Concerto No. 2 with pianist Igor Levit, described as having a “warm, soft, full-bodied” sound. The concert concludes with Schönberg’s Pelleas und Melisande, praised for its emotional depth and Thielemann’s ability to bring out the brass at the perfect moment, generating powerful, transparent music that evokes strong feelings. “It was evident how well Igor Levit and Christian Thielemann work together. Both build up great pressure and tension, seem to literally spur each other on, and the audience cheered”(Bild) PROGRAM: Moussa – Elysium; Mendelssohn – Piano Concerto No. 2, Op. 40; Schönberg – Pelleas und Melisande, Op. 5
Vladimir Jurowski conducts The Seven Last Words of Christ
“Essentially all thinking” consisted of “relating things to each other”, Arnold Schönberg once said. Conductor Vladimir Jurowski, born in Moscow, with Russian-Ukrainian roots, who emigrated to Berlin at the age of 18, has now curated and conducted a concert that is a “thinking” concert in this sense: it sets musical present and history in vibration, 1787 and 2023, but at the same time also feelings and thoughts, sounds and words. The main work of the evening is Joseph Haydn’s The Seven Last Words of Our Saviour on the Cross. But Haydn’s passion music isn’t performed as a complete whole. The seven movements are performed in alternation with six short orchestral pieces commissioned for this concert from composers based in countries where war or serious political crises are currently raging: Ukraine, Iran, but also Belarus and Russia. “Powerful, speaking music throughout” (Frankfurter Allgemeine Zeitung)
Zubin Mehta – 85th Birthday Concert
On April 29, 2021, the 85th birthday of his close friend and colleague Zubin Mehta, Daniel Barenboim is hosting a very private birthday concert: the pianist, conductor and general music director of the Staatsoper Unter den Linden hands over the direction of “his” orchestra, the Staatskapelle Berlin, to the jubilarian with whom he has been friends for decades – in private and musical terms. On the program are Ludwig van Beethoven’s Fourth Piano Concerto with Daniel Barenboim as soloist and Franz Schubert’s last Symphony “The Great”. PROGRAM: Beethoven: Piano Concerto No. 4; Schubert: Symphony No. 9
Cuban Dances – A musical roadtrip with Sarah Willis
After the brilliant success of her “Mozart y Mambo” project, Sarah Willis is returning to Cuba. This time the Berlin Philharmonic hornist sets out together with the “Havana Lyceum Orchestra” on a musical road trip to showcase the traditional Cuban music, bringing viewers and listeners into even more intense and lively contact with its roots and traditions. With them, the musicians bring a very special commissioned work: Sarah Willis has commissioned six young Cuban composers to compose a “Cuban Dance Suite” in six movements – for strings, Cuban percussion and solo horn in a fresh and modern adaption of traditional Cuban dances: Son, Danzón, Guaguanco, Cha-Cha, Bolero and Changüi. Each movements of the dance suite is premiered at the place it originated. The result is a composition in six movements that simultaneously draws a map of Cuba and its history. The “Cuban Dance Suite” not only provides the musical thread to the film, but also the road map for Cuba and its musical heritage.
Richard Strauss – Birthday Gala
Richard Strauss premiered nine of his fifteen operas at the Semperoper Dresden – this unique relationship was celebrated with a special gala in honour of the composer’s 150th birthday in 2014, featuring the famous arias from Elektra, Salome, Arabella, Die ägyptische Helena and Daphne as well as orchestral music from Der Rosenkavalier, Intermezzo and Die schweigsame Frau. —– Program: Der Rosenkavalier, Waltz Suites 1 & 2 / Elektra, Monologue / Feuersnot, Love Scene / Salome, Final Scene / Arabella, Final Scene Act I / Intermezzo, 2nd Orchestral Interlude / Die ägyptische Helena, “Zweite Brautnacht” / Die schweigsame Frau, Potpourri Overture / Daphne, Final Scene