For the first time ever, a Chinese symphony orchestra is performing at Lucerne Festival. If yet more evidence that classical music has long since become a global language were needed, it would be this appearance by the Shanghai Symphony Orchestra under music director Long Yu. Their concert is dedicated to Russian composers, among them Tchaikovsky whose immortal Violin Concerto is performed by one of the leading virtuosos of our time: Maxim Vengerov and Shostakovich’s Symphony No. 5.
St. Matthew Passion
In 2017 – the year of Luther – Hans-Christoph Rademann and the Gaechinger Cantorey take on Johann Sebastian Bach’s St. Matthew’s Passion, the key work of the Protestant church. The exceptional concert impressively documented the new sound and superb manner of playing on historical instruments, which Hans-Christoph Rademann was able to hone in masterfully with the Gaechinger Cantorey over the course of just one year. In its choreographed version of the St. Matthew Passion, the programme offers new dimensions to Bach‘s musical drama. And, for the one hundred schoolchildren who delved into Bach‘s monumental work and learned to dance as an artistic form of self-expression, it was an opportunity to experience the power of his music first hand. The interplay of professional musicians and young amateurs turned into a creative bridge for all involved.
Lucerne Festival 2017: Rattle conducts Haydn’s Schöpfung
It was a farewell and the end of an era: Sir Simon Rattle was in Lucerne as principal conductor of the Berliner Philharmoniker one final time this summer. Together, they evoked the original state of the world with a performance of Haydn’s Schöpfung. It was a finale that touched upon life through music – thereby proving once again the distinctiveness and the outstanding standard of the artistic cosmos of Rattle and his orchestra. Earlier in the program, they played “ein kleines symphonisches Gedicht” by Georg Friedrich Haas, who was “composer-in-residence” of the Lucerne Festival in 2011. “Rattle highlights the story of the creation with a great sense of detail” NZZ
Lucerne Festival 2017: Chailly conducts Tchaikovsky and Mendelssohn
“What an evening. What a kickoff. The future of the Lucerne Festival Orchestra – it has now begun.” This is how Peter Hagmann of the Neue Zürcher Zeitung described Riccardo Chailly’s debut as the new artistic director of the Lucerne Festival Orchestra last year. Chailly devoted himself in his second year in Lucerne to the works of composers that strongly influenced him during his conducting career. Among these are Felix Mendelssohn and Pyotr Ilyich Tchaikovsky. The program included Mendelssohn’s enchanting tone poems to Shakespeare’s “A Midsummer Night’s Dream” and Tchaikovsky’s “Manfred Symphony”, based on the poem written by Lord Byron.
Gabriela Montero plays her first Piano Concerto
Accentus Music recorded Gabriela Montero playing her Piano Concerto No.1, the “Latin Concerto”, as well as Ravel’s Piano Concerto together with the pan-American YOA Orchestra of the Americas under the baton of Carlos Miguel Prieto. The performance took place in one of the most beautiful concert halls in the world: the Teatro del Lago in Frutillar, Chile. With her 1st piano concerto, Gabriela Montero extends an invitation to share in a multi-layered and passionate expression of her beloved, native continent. Additionally, the rehearsals have been filmed as well as impressions of country and people of this region. In an accompanying interview, Montero spoke about composing, improvisation and the interpretation of her own works. She also talked about her home country Venezuela, where she no longer performs for political reasons.
Blomstedt conducts Bach’s Mass in B Minor
Just a few weeks before his 90th birthday, Herbert Blomstedt gifted himself a special birthday present: conducting Bach’s Mass in B Minor, in the Leipzig Thomaskirche – the composer’s former workplace. According to Blomstedt, Bach’s last complete vocal work is the climax of his creativity and is one of the most important works in his life: “It is like a reflection of doubt. It is enormously powerful music in the same way that a wedge is enormously powerful.” For Peter Wollny, director of the Bach-Archiv Leipzig, Bach’s magnum opus is “without doubt the most intellectually and musically varied and challenging of Bach’s compositions” and “one of the greatest achievements of Western culture.” The concert closed the Bachfest Leipzig 2017 and was performed by the Gewandhausorchester, the Dresdner Kammerchor, and the soloists Christina Landshamer, Elisabeth Kulman, Wolfram Lattke and Luca Pisaroni.
Das Land des Lächelns
Franz Lehár’s “Das Land des Lächelns” is one of the best-known operettas of all time. For this new production Piotr Beczala, a world star who cultivates the tradition of the famous Tauber style like no other, returned to the Opernhaus Zürich as Sou-Chong. He has an equal partner in Julia Kleiter, who played the role of Lisa. Fabio Luisi and Andreas Homoki also know that the genre of operetta requires particular care – which is why they have assumed personal responsibility for this production. Homoki lets the plot take place in a Paris Variététheater from the 1920s, complete with show staircase and heavy curtains. To emphasize the operatic elements, he purged the piece, cutting several secondary roles and shortening dialogues. “Julia Kleiter as Lisa and Piotr Beczala as Sou-Chong – unhappy lovers, but vocally a dream couple!” SRF
Andris Nelsons conducts Dvorak
When Nelsons steps up to the podium of the Gewandhausorchester in March 2018 as its new musical director, Leipzig will indeed undergo a makeover. Apart from Felix Mendelssohn, his famous predecessor, he is the youngest conductor in the history of the orchestra beingthen only 37 years old. In this program Nelsons focuses on Dvorák – the “Otello” overture is followed by extracts from his opera Rusalka. Nelsons’ spouse, Kristine Opolais, takes over the arias of the title role, which she has already performed at the New York Met and the Bavarian State Opera. The fact that Nelsons also selected Dvorák’s 9th “From The New World” can be seen as a programmatic omen: Nelsons and the Gewandhausorchester now enter new territory, so to speak, on a joint musical journey.
The Three Lives of Clara Schumann
Clara Schumann’s life story has become a legend. Her austere childhood, her extraordinary talent as a pianist, her early love for the composer Robert Schumann, which she imposed on her father, and the upbringing of seven children provide enough material for myths and clichés. But who really was Clara Schumann? The documentary “The Three Lives of Clara Schumann” approaches her personality from different angles – through her letters and diaries, through her compositions, and through musicians who have intensively studied her – as interpreters of her music, as seekers in her biography, as time travellers.