West-Eastern Divan Orchestra in Salzburg – One Day with the West-Eastern Divan Orchestra – Concert 1

The idea of uniting young musicians from Israel, Palestine and various Arab countries into a musical ensemble still seems incredible today. Yet such an orchestra has been flourishing since 1999, when Daniel Barenboim and Edward Said founded the West-Eastern Divan Orchestra. The project, says Barenboim, brings together these young people “not so that they forget or hide their differences, but so that they can understand them.” He adds that “making music together gives us the best opportunity to learn to live with one another.” The concerts presented here were recorded at the 2007 Salzburg Festival, during the orchestras residency. The ensemble “proved its status as a first-class orchestra that has no need to shy from comparisons with the philharmonic ‘top dogs’ from Vienna or Berlin” (Munich’s Abendzeitung). Among the highlights of the concerts are Mozart’s “Sinfonia concertante” K. 297b, which gives four young soloists a chance to dazzle, and Igor Stravinsky’s “L’histoire du soldat,” an airy piece with a demanding percussion part. Songs and chamber music, including Schubert’s “Trout” Quintet, showcase the individual talents of the young players. The major orchestral concert comprises a Beethoven overture, an intricate and multi-layered piece by Schoenberg, and Tchaikovsky’s Symphony No. 6, the “Pathétique,” in which Barenboim pulls out all the stops and coaxes rarely heard instrumental lines and accents from the depth of his ensemble. On three afternoons, Daniel Barenboim led a musical workshop called “The School of Listening.” In the first part, Barenboim explores the phenomenon of sound and the importance of the human ear. The second part features the fiery 24-year-old conductor Robin Ticciati in a rehearsal of Beethoven’s third Leonore Overture punctuated by the Maestro’s insightful comments and heated discussions with the young conductor. In the third part the great composer and conductor Pierre Boulez rehearses Béla Bartók’s rarely played “Four Orchestral Pieces,” answering questions from the audience and the musicians. Throughout, Barenboim’s enthusiasm, humor and directness make this three-part series an exceptionally informative and entertaining event. The orchestra’s residency at the 2007 Salzburg Festival will be rounded off with the documentary “Music Is Never The Same,” available in May 2008.

L.v.Beethoven: The Complete Symphonies

As a musical highlight during the Summer Olympics 2012 in London, the West-Eastern Divan Orchestra under the baton of Daniel Barenboim performed all nine symphonies by Ludwig van Beethoven during the famous BBC Proms at the Royal Albert Hall. Also available: DOCUMENTARY “Barenboim on Beethoven: Nine Symphonies that changed the World”. A film by Michael Waldman; Cat. No. A02007374 // SYMPHONIES Lengths: No. 1 = 29′ / No. 2 = 35′ / No. 3 = 53′ / No. 4 = 39′ / No. 5 = 35′ / No. 6 = 44′ / No. 7 = 39′ / No. 8 = 30′ / No. 9 = 78′

Berlin Philharmonic – Wagner Gala – New Year’s Eve Concert 1993

The 1993 New Year’s Eve Gala of the Berlin Philharmonic Orchestra is dedicated to Richard Wagner. On the programme: ‘Tannhäuser’: Ouverture, Act II Aria ‘Dich teure Halle’, Act III Song to the Evening Star, ‘Lohengrin’: ‘In ferner Einsamkeit des Waldes’ (Act II),’ Die Meistersinger von Nürnberg’: Prelude to Act I, Aria ‘Was duftet doch der Flieder (Act II), ‘Die Walküre’: ‘Der Männer Sippe’ (Act I), The Ride of the Valkyries (Act III).

Magic Moments of Music – Barenboim and WEDO in Ramallah

Music under extreme conditions: Only six years after its founding, the West-Eastern Divan Orchestra gave what is probably its most legendary concert: the orchestra founded by Daniel Barenboim and Edward Said with young Israeli and Arab musicians gave a concert in the Darwish Palace of Culture in Ramallah in 2005. A historic event and a musical moment of glory at the same time. In Israel, Barenboim was attacked. But the orchestra set an example with its concert, underlined by the choice of programme: Beethoven’s Symphony No. 5 (‘Fate Symphony’). Beethoven’s vision of the reconciliation of people – that was what moved Barenboim. The “peace concert” – Barenboim himself did not call it that – attracted international attention and was broadcast worldwide. This star hour shows the concert and makes musical history tangible in short documentary passages. Contemporary witnesses and prominent interview partners put the concert into perspective from today’s point of view.

Beethoven Celebration Berlin

In 2020, Ludwig van Beethoven is the focus of the Staatskapelle Berlin’s suberb open-air concert. With star violinist Anne-Sophie Mutter playing Beethoven’s Violin Romances Nos. 1 & 2, the composer anticipated the romantic genre of the „song without words“. In capturing the expressive „singing on the instrument“, the virtuoso talent and remarkable art of Anne-Sophie Mutter are once again demonstrated. Daniel Barenboim has devoted his life to Beethoven‘s work and mentality. The musical director, pianist and cultural activist conducts the Staatskapelle Berlin and the State Opera Chorus in this concert. Giving justice to the 9th Symphony with its insistent appeal to humanity and its forward-looking utopian character, are the high calibre artists: Julia Kleiter, Waltraud Meier, Andreas Schager and René Pape.

Bayreuth Festival 2018: Lohengrin

From the 2018 Bayreuth Festival, the acclaimed new production by American director Yuval Sharon, “one of the most interesting arrivals on the musical landscape” (Opernwelt). The New York Times praised “the outstanding Piotr Beczala” as Lohengrin, “Anja Harteros [making] her impressive Bayreuth debut” as Elsa, and Ortrud “played with dominant presence by the incomparable Waltraud Meier”. The distinguished artists Neo Rauch and Rosa Loy created “breathtaking visuals”, and the whole performance was guided with “enthralling musicality” by conductor Christian Thielemann.