A live performance recording held together with incredible skill by Riccardo Muti, and wonderfully sung by high-class cast. Highly acclaimed both by audience and critics: Tiziana Fabbricini as Violetta.
Carmen
“A ‘Carmen’ dominated by emotionality”, wrote the press about this unforgettable interpretation of Georges Bizet’s masterpiece from Barcelona’s Gran Teatre del Liceu with an outstanding quartet of lead vocalists and a visually stimulating staging by Calixto Bieito. Conducted by Marc Piollet, the production features Béatrice Uria-Monzon as “a splendid and sensual” (elPeriódico) Carmen, Roberto Alagna as Don José, Marina Poplavskaya as Micaela and Erwin Schrott as Escamillo. Stage director Calixto Bieito conjures up a sensual, realistic atmosphere with sparse but powerfully symbolic props.
Fedora
An overwhelming story of passion, violence and betrayal, this production of Fedora is a true cinematographic thriller. Director Mario Martone draws on paintings by Magritte for the staging and atmosphere, supported by the noir-inspired stage design by Margherita Palli. Marco Armiliato, giving his Scala debut, “perfectly captures the decadent nature of the opera, drawing on a rich and nuanced colour palette” (Teatro). Soprano superstar Sonya Yoncheva “tackles the title role with all the charisma of the prima donna, with a magnetic
Don Carlos
Set in 16th-century France and Spain, Don Carlos tells of the political and amorous rivalry between King Philip II and his son, Don Carlos, over Elisabeth de Valois. Boasting an international cast in one of Verdi’s most popular operas, Luc Bondy’s moving production is the original French version restored to five acts.
Rigoletto
Along with “Il Trovatore” and “La Traviata,” “Rigoletto” is part of the immortal triumvirate of milestone operas written by Giuseppe Verdi and premiered in the early 1850s. It has become one of the most popular operas in the entire repertory, with stupendous music for the baritone, soprano and tenor leads. The work contains such beloved numbers as “Caro nome,” Gilda’s coloratura aria; the Duke of Mantua’s famous “La donna è mobile”; and the quartet “Bella figlia dell’amore” from the third act. In this production from the early 1990s from Milan’s La Scala, Roberto Alagna sings the part of the Duke, Renato Bruson the title role and Andrea Rost the role of Gilda. The staging is by Gilbert Deflo, whose vision is supported by the distinguished set designer Ezio Frigerio and costume designer Franca Squarciapino. The aristocrat of conductors, the autocrat of the baton, Riccardo Muti cuts a noble figure at the head of any orchestra, and ennobles every ensemble through his charismatic personality and red-blooded musicality. In many respects, including his unwillingness to compromise over artistic matters, he is reminiscent of Arturo Toscanini, who was also a demanding ruler at the podium. His rise to international fame set in with his guest conductorships at the Salzburg Festival in 1971 and at the head of the Berlin Philharmonic and the Philadelphia Orchestra in 1972. Muti became principal guest conductor of the Philadelphia Orchestra a few years later, and was named its music director in 1980. Always a conductor of both the symphonic and operatic repertoire, Muti advanced to the post of music director of La Scala in Milan in 1986. The 1990s saw Muti consolidating his reputation at the head of this venerable institution, as well as in countless other high-caliber venues around the world. Today he is one of the undisputed giants among the leading conductors of the world.
Carmen
In this prestigious production at the Gran Teatre del Liceu, world-famous and highly controversial stage director Calixto Bieito, admired for his raw and evocative stagings, sees in Carmen the embodiment of the mythical gypsy and touches upon sensitive issues such as racism, xenophobia and right-wing politics. Bieito conjures up a sensual and realistic atmosphere full of powerful symbolism. An outstanding quartet of vocal stars, led by a “splendid and sensual” (El Periódico) Béatrice Uria-Monzon in the title role, delivers one of the most exciting Carmens in recent years: Roberto Alagna as Don José, Erwin Schrott as Escamillo and Marina Poplavskya as Micaëla.
Romeo and Juliette (realised as a film)
Shakespeare’s lovers never looked and sounded as good as in this romantic film adaptation of Charles Gounod’s beloved opera Roméo et Juliette, starring one of classical music’s most popular and successful couples, Roberto Alagna and Angela Gheorghiu. A spectacular medieval castle and its surrounding countryside provide the breathtaking setting for this timeless tale of warring families and star-crossed lovers. Conductor Anton Guadagno leads the Czech Philharmonic Chamber Orchestra through the opera’s beautiful arias and duets in this fresh interpretation of Gounod’s masterwork.
Magic Moments of Music – Franco Zeffirelli’s La Bohème
This magic moment with music by Giacomo Puccini and artworks by Zeffirelli opens a window into the tender and melancholically intimate story of Mimì in bohemian Paris.
After the great success of Zeffirelli’s production of La Bohème at La Scala in Milan, Herbert von Karajan and Zeffirelli were compelled to turn it into an opera film. The screen adaptation of Puccini’s masterpiece featured the choir and orchestra of the Milan Scala and among others, Mirella Freni, Gianni Raimondi and Rolando Panerai. The young Mirella Freni, who sang the role of Mimì for over 50 years, gained fame the world over, not least because of her natural and pure voice. South African soprano Pretty Yende, who was a student of Mirella Freni and later sang in Franco Zeffirelli’s production of La Bohème, recounts her experiences with her mentor. As a very young tenor, Franco-Italian singer Roberto Alagna sang alongside Mirella Freni in the Zeffirelli production and is grateful to count himself among the great tenors, alongside Pavarotti and Carreras – thanks in large part to this performance of La Bohème.
150th Anniversary Wiener Staatsoper – Open Air Gala
The Vienna State Opera celebrates its 150th birthday with a glamorous open-air gala, gathering an extraordinary summit of operatic superstars like Bulgarian soprano Sonya Yoncheva, Swedish soprano Nina Stemme, French tenor Roberto Alagna, Uruguayan baritone Erwin Schrott or Italian bass Feruccio Furlanetto to name only a few. Together with soloists of the new generation of the house like sopranos Valentina Nafornita or Olga Bezsmertna – “a triumph for the ensemble” (Die Presse) – they present a firework of famous opera arias, accompanied by the Orchestra and Choir of the Wiener Staatsoper under the rousing baton of Maestro Marco Armiliato, a regular and appreciated guest at the Vienna State Opera. Nestled in the beautiful city centre, the State Opera is one of the most prestigous opera houses in the world with a long and significant history, a Mecca for international opera fans. Praised by critics as “mega event”, about 10,000 spectators came to witness this jubilee concert and celebrate musical passion in a fantastic atmosphere,
a feast for the ears and for the eyes.
Manon
Primadonna assoluta and shining star of the international opera world, Anna Netrebko has been given a sumptuous vehicle to showcase her ‘incomparable, velvety, mesmerizingly chocolate-dark timbre’ (Frankfurter Allgemeine Zeitung): as the tragic heroine of Jules Massenet’s ‘Manon.’ Anna Netrebko pulls out all the stops as the impulsive, hybrid femme fatale and child woman, who yields to her immoderate cravings for sensual pleasure. As her shining knight, Roberto Alagna is a Des Grieux who wins all hearts with his vibrant timbre and stage presence.